For 7,777 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,351 out of 7777
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Mixed: 1,493 out of 7777
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Negative: 1,933 out of 7777
7777
movie
reviews
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Reviewed by
Eric Henderson
The film exists resolutely outside of salience and doggedly within the comfort of escapism.- Slant Magazine
- Posted Nov 17, 2016
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Reviewed by
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Reviewed by
Kenji Fujishima
A reasonably sensitive and occasionally insightful look into the mind and psyche of an impassioned and deeply troubled artist.- Slant Magazine
- Posted Feb 26, 2012
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Reviewed by
Clayton Dillard
The documentary renders poverty a mysterious entity instead of a curable malady of systemic exclusion.- Slant Magazine
- Posted Jul 17, 2016
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Reviewed by
James Lattimer
It blossoms into a breezily utopian depiction of a ménage á trois whose entirely matter-of-fact presentation sets up an intriguing dissonance with the prim period setting.- Slant Magazine
- Posted Sep 14, 2014
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Reviewed by
Justin Clark
The film’s best trait is the one that permeates every truly great first-contact story—not just the hope that our first meeting with the strangest of strangers is benevolent, or that the universe is too vast to determine they all wish good or ill on us, but that connecting with humanity still has value.- Slant Magazine
- Posted Jun 17, 2025
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Reviewed by
Chris Barsanti
If there’s a moral here, it might be that the only thing worse than a competitive billionaire is a bored one.- Slant Magazine
- Posted May 23, 2025
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Reviewed by
Gregory Nussen
As an anguished cry against colonialism, Pepe works best when illustrating the micro ways in which culture is erased by capital interests.- Slant Magazine
- Posted Sep 7, 2024
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Reviewed by
Nick Schager
Shallow to its core and as propulsive as a runaway locomotive, it's the most blatantly summer movie-ish of the Mission Impossibles. And also, surprisingly, the most viscerally entertaining.- Slant Magazine
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Reviewed by
Chuck Bowen
This is a confident work that smashingly updates the Southern gothic for contemporary generations.- Slant Magazine
- Posted Nov 9, 2014
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Reviewed by
Nick Schager
The film strikes a poignant chord with its chilling portrayal of a state-sponsored euthanasia program that utilizes movie-watching as a narcotic designed to help the sick and elderly die peacefully.- Slant Magazine
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Reviewed by
Jeremiah Kipp
Suffice to say, this small offering from the horror genre is a hoot to watch, with never a dull moment.- Slant Magazine
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Reviewed by
Joseph Jon Lanthier
Can a film be faulted for being too sympathetic toward its characters, for limning a milieu with extraneous humanism?- Slant Magazine
- Posted Aug 28, 2012
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Reviewed by
Pat Brown
Olivier Assayas’s film is a gently smart and warm-spirited look at love as the core term of human existence.- Slant Magazine
- Posted Feb 18, 2024
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Reviewed by
Jake Cole
Deadpool 2 muddies the distinction between parodying comic-book-movie conventions and perfunctorily adhering to them.- Slant Magazine
- Posted May 14, 2018
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Reviewed by
Keith Watson
The film makes the path to basketball glory and the road to personal redemption seem oddly effortless.- Slant Magazine
- Posted Mar 6, 2020
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Reviewed by
Josh Wise
The film buoyed by Kelly Macdonald, who's a master of understated vulnerability, but she can't steer it out of the doldrums.- Slant Magazine
- Posted Jul 11, 2018
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Reviewed by
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Reviewed by
Chuck Bowen
Throughout, J Blakeson crafts sharp, curt dialogue that makes a fashion statement out of contempt.- Slant Magazine
- Posted Sep 15, 2020
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Reviewed by
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Reviewed by
Elise Nakhnikian
Its clunky incidents of exposition leave us with no real understanding of what anyone is thinking or feeling.- Slant Magazine
- Posted Jul 11, 2016
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Reviewed by
Andrew Schenker
Jason Moore's film is more or less successful in inverse proportion to the degree that it plays its material by the book.- Slant Magazine
- Posted Sep 25, 2012
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Reviewed by
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Reviewed by
Derek Smith
For all of its slavish devotion to Mary Poppins, the sequel doesn't even seem to recognize its greatest attribute: its star.- Slant Magazine
- Posted Dec 12, 2018
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Reviewed by
Matt Brennan
The film's clichés ultimately contain both too little conviction and too little complication, their inspirational messages more imagined than real.- Slant Magazine
- Posted May 2, 2016
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Reviewed by
Bill Weber
Re-employing the tools of Jacques Tati and Jerry Lewis, this pleasant fable reclaims artful slapstick with a bliss that's hard to deny.- Slant Magazine
- Posted Feb 21, 2012
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Reviewed by
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Reviewed by
Kenji Fujishima
Maxime Giroux's sharp filmmaking instincts aren't always supported by similarly acute dramatic instincts.- Slant Magazine
- Posted Apr 13, 2015
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Reviewed by
R. Kurt Osenlund
Adam Wingard's You're Next brazenly merges the home-invasion thriller with the dysfunctional family dramedy.- Slant Magazine
- Posted Aug 22, 2013
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Reviewed by
Steven Scaife
Pulled awkwardly in so many directions, this Toxic Avenger all but comes apart at the seams.- Slant Magazine
- Posted Aug 24, 2025
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Reviewed by
Clayton Dillard
The film unfolds at an excessive remove from its subject matter, and it becomes less an incisive thesis about the pope than an occasion for Gianfranco Rosi to flex his stylistic muscles.- Slant Magazine
- Posted Mar 27, 2023
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Reviewed by
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Reviewed by
R. Kurt Osenlund
A decidedly adult drama about love and sex, wherein the comedy is largely incidental.- Slant Magazine
- Posted Aug 6, 2012
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Reviewed by
Diego Semerene
The film exposes the idea of places as metaphors, mirrors, and symptoms for the people who inhabit them.- Slant Magazine
- Posted Oct 31, 2018
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Reviewed by
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Reviewed by
Chuck Bowen
A beautiful, gleefully weird vanity project that never quite coheres.- Slant Magazine
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Reviewed by
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Reviewed by
Clayton Dillard
It’s Argento who consistently makes the most compelling and incisive on-screen presence throughout Simone Scafidi’s documentary.- Slant Magazine
- Posted Jan 29, 2024
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Reviewed by