For 7,789 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,359 out of 7789
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Mixed: 1,496 out of 7789
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Negative: 1,934 out of 7789
7789
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Elise Nakhnikian
The film gets too caught up in the semi-farcical comings and goings of the two Sophies and Ethans to explore any of the issues it raises about relationships very deeply.- Slant Magazine
- Posted Apr 28, 2014
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Sam C. Mac
The issue with X-Men: Apocalypse is that Bryan Singer suggests so many possible directions to go in and still chooses the least interesting one.- Slant Magazine
- Posted May 9, 2016
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Paths of Glory may be first-rate humanity, but it’s also second-rate art.- Slant Magazine
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Reviewed by
Ross McIndoe
It’s a film of familiar pleasures, but like Harold Faltermeyer’s still infectiously enjoyable synth-pop theme, they do remain highly pleasurable.- Slant Magazine
- Posted Jul 2, 2024
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Christopher Gray
Director Jonathan Demme grasps the well of feeling of Diablo Cody's script and eventually harnesses it in his own image.- Slant Magazine
- Posted Aug 6, 2015
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Reviewed by
Wes Greene
The unbalanced appraisal of Vidal's life and work in Nicholas Wrathall's documentary diminishes the effect of the writer's engaging dissension of American political policy.- Slant Magazine
- Posted May 19, 2014
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Chris Cabin
Director Jean-Marc Vallée has created a film out of Cheryl Strayed's beloved 2012 memoir that never quite matches the blunt audacity of its simple title.- Slant Magazine
- Posted Dec 2, 2014
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Christopher Gray
In its philosophical and criminal investigations (largely imported from Kathryn Bigelow's original), the film moves in dozens of illogical directions, but not without achieving a patina of earnest credibility.- Slant Magazine
- Posted Dec 25, 2015
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In terms of Hollywood history, Bigelow's film is the perfect document of its time.- Slant Magazine
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Reviewed by
James Lattimer
Girlhood is so keyed to the minutiae of its teenage protagonists' lives, it's as if the film can't stop itself from behaving like they do.- Slant Magazine
- Posted Jan 25, 2015
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Chris Cabin
When Xavier Dolan's tremendous empathy for the abandoned, medicated, and economically stressed is given full visual flight, it's easy to get lost in the rush.- Slant Magazine
- Posted Jan 21, 2015
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Chuck Bowen
Ken Loach's staging is so calm and sober that it turns his story into an expertly photographed yet weirdly remote rebellion tale.- Slant Magazine
- Posted Jun 28, 2015
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Jesse Cataldo
Pascale Ferran's film isn't daring enough to fully embrace the narrative fragmentation that it sporadically assumes.- Slant Magazine
- Posted Sep 8, 2014
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Reviewed by
Clayton Dillard
This adaptation is to concerned with narrative fidelity and formal objectivity to pierce the veil of power dynamics that largely comprises the film's concerns.- Slant Magazine
- Posted May 4, 2015
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Kenji Fujishima
Though the filmmakers may not believe in a higher power, they still maintain a faith in raunchiness as an id-blasting form of liberation from rigid norms, spiritual, sexual, or otherwise.- Slant Magazine
- Posted Aug 10, 2016
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Reviewed by
Jesse Cataldo
The film puts too many elements into play, which means it ends up darting hopelessly between a series of underdeveloped storylines.- Slant Magazine
- Posted Jun 2, 2014
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Nick McCarthy
The documentary is more interested in covering all its bases than making sure it fully has its foot on each base.- Slant Magazine
- Posted Jun 10, 2014
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Reviewed by
Steve Macfarlane
Opting for scenes that tend to be fragmented, flawed snippets from a much bigger story, the film exudes a bizarre confidence in not trying to encapsulate the singer's whole life in 120 minutes.- Slant Magazine
- Posted Sep 24, 2014
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Wes Greene
A rigidly predetermined film that runs on the fumes of hackneyed plot points, squandering at nearly every turn a humanistic study of a family's struggle to maintain a tenable bond with one another.- Slant Magazine
- Posted Sep 16, 2014
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David Lee Dallas
By turns abrasive and stately, sermonic and impartial, plot-heavy and meandering, often within seconds of each other.- Slant Magazine
- Posted Sep 1, 2014
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Chuck Bowen
Álex de la Iglesia has a real flair for wild action sequences that remain exhilaratingly coherent and sensical.- Slant Magazine
- Posted Jun 9, 2014
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Kenji Fujishima
The familiar premise is done with enough intelligence and heartfelt conviction that it rises above its potentially cliché trappings.- Slant Magazine
- Posted Jun 10, 2014
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Reviewed by
Chuck Bowen
It waffles between dramatizing youthful self-absorption and succumbing to it, and this tonal instability comes to effectively mirror the domestic discord that's revealed to be its real subject.- Slant Magazine
- Posted Sep 6, 2014
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Reviewed by
Eric Henderson
Its dedication to the transgressive power of frivolity remains the franchise's greatest weapon.- Slant Magazine
- Posted Feb 3, 2015
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Jaime N. Christley
David O. Russell proposes that there may be no real barrier between the caustic worldview he wears and the sense of childlike wonder he sells.- Slant Magazine
- Posted Dec 7, 2015
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Steve Macfarlane
It's most towering accomplishment are its set pieces, which manage to be brash, exhilarating, and even occasionally moving.- Slant Magazine
- Posted Aug 13, 2015
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Ed Gonzalez
This is a Hollywood-delivered chronicle of the immigrant experience that earns its justification through good will and tact.- Slant Magazine
- Posted Oct 2, 2014
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Reviewed by
Christopher Gray
The film has a streamlined efficiency, but it feels like the work of a master who wants to please rather than probe.- Slant Magazine
- Posted Oct 4, 2015
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Kenji Fujishima
Not even Bernardo Bertolucci's choice of a lead actor with visible facial acne scars, in a welcome gesture toward authenticity, is enough to overcome the gaping hole of psychological nuance at the center of the film.- Slant Magazine
- Posted Jul 1, 2014
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Reviewed by
Ed Gonzalez
It keeps us at a remove that becomes telling of the filmmaker's reticence to explore whatever feelings of isolation and yearning may inform his main character's grisly compulsion.- Slant Magazine
- Posted Jul 20, 2014
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