Slant Magazine's Scores

For 7,772 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7772 movie reviews
  1. The film believes in maturity, but only as a freely continual process of acceptance.
  2. Triumphs when David Chase's empowerment as a kind of autobiographical historian is balanced with the thrill of submersing the viewer in the tidal pool of his memories
  3. A sense of anachronism is what provides the film with its melancholy heart.
  4. The documentary makes you wonder about every beautiful woman who's ever stared out from a publication, poster, or billboard, looking sophisticated and self-assured.
  5. This lovely film is ultimately an articulation of something at once simple and universal: the discontent of traveling through life with sad resignation.
  6. Neil Berkeley's documentary is as puckish as its subject, so steeped in artist Wayne White's creative juices that it makes you want to go straight home and start making things.
  7. Tim Heidecker's Swanson does not amuse us in spite of the pity he inspires but because of it.
  8. Ross McElwee is less anxious of death itself than of finally comprehending the vast faultiness of the life he's lived.
  9. While Jonathan Lisecki is well in tune with his film's niche market, his knack for comedy, both visual and verbal, is universally hilarious.
    • 71 Metascore
    • 88 Critic Score
    Bestiaire argues persuasively without words, making a case without explicating one at all.
  10. "You should always be happy." That's a succinct encapsulation of the proudly optimistic spirit animating this joyous film, a worldview which the rest of Girl Walk // All Day illustrates with a combination of thrilling street ballet, exultant music, and unflagging verve.
    • 87 Metascore
    • 88 Critic Score
    Brief Encounters is great entertainment.
    • 69 Metascore
    • 88 Critic Score
    Hong Sang-soo hits the beach once again in his latest project, another austerely amusing study of hopeless neurotics making a mockery of leisure.
  11. The endless scenes of burning buildings and macho posturing merely provide an action-driven context for the filmmakers to deal with more personal topics like loneliness and resiliency.
    • 87 Metascore
    • 88 Critic Score
    It can't be overstated just how Nothing But a Man is militantly tone-deaf to the Hollywood muzak of race relations.
  12. Love it or hate it, it's doubtful you'll ever forget it, and it may just force you to redefine your definition of what constitutes "good" cinema.
  13. A film for those who, whether here or in Israel, believe the law is the beginning, and not the end, of rights discourse.
    • 62 Metascore
    • 88 Critic Score
    Todd Kellstein doesn't allow you to entirely indulge convenient (though understandable and perhaps irresistible) armchair outrage.
    • 81 Metascore
    • 88 Critic Score
    Upstream Color is lush, rhythmic, and deeply sensual, a film of exceptional beauty.
  14. These films have always been about the power of words, their ability to bridge gulfs of time and space, the thrill of ideas and opinions taking definitive shape.
  15. With the film, Lee Daniels quietly pushes his talent for hashing out visceral, violent emotions into unexpected dramatic terrain.
  16. The film's beguiling visual poetry and smatterings of sociological subtext function less than coherently as transitional markers between cinematic epochs, or even as the nascent burblings of any imminent DIY revolution; instead, they're redolent of a modernist apotheosis.
  17. Back to the Future stands up on its own as a well-oiled, brilliantly-edited example of new-school, Spielberg-cultivated thrill-craft, one that endures even now that its visual effects and haw-haw references to Pepsi Free and reruns seem as dated as full-service gas stations apparently did in 1985.
    • 71 Metascore
    • 88 Critic Score
    Because of its choice in subjectivity, and despite the film's historical context, 11 Flowers firmly elevates the experience of the personal over the political.
    • 79 Metascore
    • 88 Critic Score
    It's Cristian Mungiu's staging and compositional skill that lends the material its true sense of dawning dread.
  18. The film's plot isn't unusual, but director Ron Morales strips it down to its primal essence.
  19. A delirious representation of incipient personalities in bloom, its form as amorphous and reckless as the vibrant youths it portrays.
  20. Compared to "Breathless," Le Petit Soldat's images suggest a stronger sense of place, as characters seem inextricably linked to their environment. Overall, the film lacks the artifice of Hollywood cinema, which Godard admired but was looking to move past after catching flack from the French left wing.
  21. Sarah Polley is much more interested in the malleability of memory and the consequential refractions felt throughout her kin rather than telling a linear narrative.
  22. A raw, sophisticated, and stomach-turning look at what it means to be a young woman in Serbia, what it means to be a woman tout court.

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