ScreenHub's Scores

  • Games
For 74 reviews, this publication has graded:
  • 59% higher than the average critic
  • 6% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 4.3 points higher than other critics. (0-100 point scale)
Average Game review score: 79
Highest review score: 100 The Drifter
Lowest review score: 50 Mafia: The Old Country
Score distribution:
  1. Positive: 49 out of 74
  2. Negative: 0 out of 74
74 game reviews
    • 68 Metascore
    • 70 Critic Score
    Kiln deserves a chance to go further. It’s got incredibly novel, cool ideas about character building in its menagerie of quirky pots, along with a customisation system that feels tactile and very creative. Even lacking variety, there’s explosive charm in its gameplay and a sense of moreishness that some competitors lack...The world of multiplayer gaming, particularly in 2026, can be brutal. Here’s to hoping Kiln can survive the fire and come out stronger on the other side.
    • 75 Metascore
    • 70 Critic Score
    Get to know this expansion’s many parts, and you’ll find a bounty of activities to enrich the lives of all Sims in your household – whether that means learning a new skill, or taking time to relax in Gibbi Gibbi Point, and beyond.
    • 81 Metascore
    • 70 Critic Score
    With bite-sized gameplay, bright and colourful characters, and a lot of imagination in gameplay, Lego Party! is a game that won’t necessarily surprise adults, but will provide a welcome party experience, and one that’ll absolutely delight younger kids. Even being outside the target audience, I can see the fun, and how it lit up the eyes of my niece, with clever choices elevating this significantly.
    • 60 Metascore
    • 70 Critic Score
    It’s a cool experiment, and one that demonstrates the uniqueness of the Nintendo Switch 2, but it’s unlikely to have the staying power intended. With a reasonable price point, the barrier to entry is low, but those who do dive in may find an experience that wears thin in the long-term.
    • tbd Metascore
    • 70 Critic Score
    I played the Nintendo Switch 2 version of TR-49, and I wish I had stuck to the PC version. It’s not just that the interface design suits the PC better – using a controller works, even if it’s a little inelegant – but the game runs surprisingly poorly on the system, with long stuttery pauses and many moments where the game would freeze unless I went back to the Switch home menu to re-enter the game.
    • 72 Metascore
    • 60 Critic Score
    With its sense of flash and dazzle, All’s Justice frequently inspires euphoria as you flit from one battle to the next. The action is breathtaking, to the point where it often paves over the game’s lesser elements.
    • 72 Metascore
    • 60 Critic Score
    While some of my appreciation is clouded by my disappointment in what Royalty & Legacy could have been, rather than what it is, I can still see the care that’s gone into this pack’s overall design, and it does add plenty of neat, smaller features that make Sims life more meaningful.
    • 58 Metascore
    • 60 Critic Score
    Tales of the Shire isn’t quite the game I wanted it to be, but for the hours I wandered Bywater, I still came away dreaming of my new, cosy life in The Shire.
    • 54 Metascore
    • 60 Critic Score
    As it stands, it’s hard to recommend Nintendo Switch 2 Welcome Tour as a paid title. With very niche information delivery, it’s a very interesting game, for some. But for everyone else, it’s a quirky oddity with few key draws to make its hardware breakdown feel essential.
    • 76 Metascore
    • 60 Critic Score
    Demonschool is a game I appreciated more than I enjoyed. It’s a collection of great ideas, brilliant artistic choices and fun moments but they don’t quite stitch together into a game as good as the one you imagine from the screenshots and GIFs. There’s definitely something here; when I’m not actually playing Demonschool, I think of it more fondly than I do when the controller’s in my hand. It’s still worth playing if you have a soft spot for cool indie games with impeccable style, and can forgive them when they don’t quite hit the mark.
    • 72 Metascore
    • 60 Critic Score
    Here is a game that attempts to revisit what made the original Life is Strange so popular, that sacrifices the integrity of Double Exposure and its boldest ideas, for a softer, less punchy adventure, with fewer things to say. Seeing Chloe and Max together again is aggressively nice, but Reunion leaves so many threads dangling that it’s hard not to question what the game could’ve been instead.
    • 69 Metascore
    • 50 Critic Score
    I enjoyed playing Syberia Remastered, but I can’t bring myself to recommend it when the original game is right there and has held up quite well. As a product of its time, it’s a little easier to forgive – or at least work with – some of its flaws. Ultimately, the fact this new version sits awkwardly between a remake and a remaster means that it doesn’t quite feel like either.
    • 76 Metascore
    • 50 Critic Score
    Screamer is a game of half measures. It’s got an anime style that doesn’t extend beyond the menus and cutscenes, a cool drift mechanic that isn’t put to good use by the dull track designs, and a long story campaign that just doesn’t hang together in an interesting way...It feels like a game where the final product perhaps isn’t what the developers set out to make, or where restrictions have prevented it from realising its potential. It’s a shame – a story-focused, anime-style racing game with cool drifts and deep interpersonal conflicts between a diverse cast could have really been cool.As it stands, Screamer is screaming for some significant tweaks under the hood before it’s totally roadworthy.
    • 73 Metascore
    • 50 Critic Score
    Mafia: The Old Country is competently made, beautiful, but unambitious in its structure – it’s an offer you can comfortably refuse.

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