Screen Rant's Scores

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For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 875 out of 2002
  2. Mixed: 967 out of 2002
  3. Negative: 160 out of 2002
2002 movie reviews
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  1. Don't Worry Darling
    With Pugh's powerhouse performance elevating the script and an engaging central mystery to keep the plot moving, the film has enough going for it to make it a pleasing watch.
  2. The Fabelmans
    There's an air of tranquility about it and Spielberg does well to balance a few comedic moments with a whole lot of heart. Even the more dramatic moments are depicted with patience and warmth. It's as if Spielberg is softly wading through his own memories, pulling open the doors to see each one with a lot of light and love in tow.
  3. Weird: The Al Yankovic Story
    Weird lives up to its name. It's utterly ridiculous, a satire of biopics in the best way. It exaggerates anything and everything that happens (and doesn't happen) in Yankovic's life to the point of being so over-the-top one can't help but laugh at its absurdity.
  4. Do Revenge
    Robinson's film is not without things to say, and the combination of a dialed-up Mendes and a dialed-in Hawke make receiving that message a fun, engrossing experience. It is, in other words, exactly what it set out to be, and with any luck, it'll be named alongside the titles it so admires on many a teen movie listicle to come.
  5. The Silent Twins
    The acting, from both Black Panther's Letitia Wright as June and Tamara Lawrance as Jennifer, is a particular standout. Their commitment to delivering intriguing performances as troubled twins elevates this weak script and enables viewers to become fixated on what was happening to them.
  6. See How They Run
    Tom George returns to directing, attempting to take on the genre with humor and flair. Relying heavily on whodunit tropes, See How They Run is a little too stale and unfunny for its own good.
  7. The Woman King
    Minor hiccups aside, The Woman King is a blockbuster with a lot of heart and a clear story that is tightly written; it’s well worth the watch.
  8. Catherine Called Birdy
    Bolstered by a headstrong performance from Ramsey (who is best known as Lyanna Mormont from Game of Thrones), alongside a fantastic supporting cast, Catherine Called Birdy will be best enjoyed by a younger audience, though it’s still fun enough for viewers of all ages.
  9. The Menu
    Audiences may not have much of an appetite after watching the film, but the experience, like Slowik’s promise to his own guests, will be one they won’t soon forget.
  10. Pearl
    For those who may not have seen X, Pearl may be intriguing enough for them to go watch the original film. As both a prequel and standalone horror film, however, Pearl comes up short.
  11. The Alternate
    Though The Alternate could've been better served by a deeper exploration of its themes and characters, it offers a unique take on a familiar idea.
  12. Glass Onion: A Knives Out Mystery
    Glass Onion: A Knives Out mystery is a strong and fulfilling sequel. It will leave fans wanting even more of the charismatic detective and the situations that bring him into the middle of enticing whodunits that put his mind to work. The cast, the writing, and the twists and turns the story takes will leave the audience intrigued right up until the very end.
  13. Medieval
    Already working with a shakily thin script, Jákl weighs his movie down with an overly self-serious aesthetic, to the point that even the target audience might find the two-hour runtime a tough sit.
  14. End of the Road
    In End of the Road, Shelton transforms an already compelling script into one about family, motherhood, and survival. And it is nothing short of entertaining and refreshing.
  15. Speak No Evil
    Speak No Evil shows viewers the dangers of not speaking up about discomforts for the sake of politeness, and it’s horrifyingly twisted.
  16. Sirens
    Thought-provoking, beautifully edited and told, Sirens explores the band members’ relationship with each other, gender, and conformity in a society that isn’t always open about such things.
  17. Pinocchio
    It needed something to make it feel fresh beyond dazzling visuals, but by stripping away much of what made the first film great, Pinocchio feels like the same old story, even if its fantastical elements shine onscreen.
    • tbd Metascore
    • 20 Critic Score
    Wire Room
    Wire Room is a crooked cop action drama that plays out like a low-budget, straight-to-VHS schlock from decades past
  19. One Way
    One Way won’t carve a place into the crime thriller pantheon, but its most notable achievement should be setting the stage for Andrew Baird and Colson Baker’s inevitable rises in the film industry.
  20. Dragon Ball Super: Super Hero
    By the end of Dragon Ball Super: Super Hero, fans will feel both nostalgia and elation for the direction the franchise is going.
  21. Three Thousand Years of Longing
    Miller’s film is deceptively simple, but there is a tremendous amount of depth and nuance. Viewers will walk away thinking a lot about the film, and a second or third watch is needed to fully absorb the layers within its story.
    • 65 Metascore
    • 80 Critic Score
    The Good Boss
    The Good Boss is a pitch-black comedy with a pitch-perfect performance by Bardem, playing prime dartboard fodder for the proletariat.
  23. Gigi & Nate
    Whether that be through exploring mental abolition versus determination or even activism versus an individual’s special needs, Hamm’s latest had the potential to say a lot more than what was accomplished. Instead, he doesn’t do much with either, and he relies a little too heavily on his actors to take this uninspiring script towards sincerity.
  24. Squeal
    It never digs deep enough which, when looked at through the fairy tale lens, is appropriate, but ultimately seems like a missed opportunity for the film.
  25. Orphan: First Kill
    Orphan: First Kill is a kooky romp, way too relaxed to be considered a psychological horror.
  26. Alienoid
    The story is very high concept and the tone is completely aware of itself, leading to a truly enjoyable experience
  27. Girl Picture
    It’s unapologetic with showcasing the intricacies of girlhood, and it’s a joy to experience and witness sexuality, queerness, and female friendship in its honest totality — free of judgement and restraint.
  28. The Immaculate Room
    With thinly written characters and a narrative confined to moments only serving to push Mike and Kate to the height of insanity, this is about as disappointing as it gets for a film with such promise and potential.
  29. Me Time
    Me Time may not be a groundbreaking entry into Netflix’s catalog, but it offers reliable laughs for anyone needing an escape from their own hectic reality.
  30. Love in the Villa
    Love in the Villa may be a silly rom-com at heart, but with Graham and Hopper’s compelling chemistry, leaning into the ridiculousness and unrealistic moments is worth it for these two alone.
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