Screen Rant's Scores

Select another publication »
For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 875 out of 2002
  2. Mixed: 967 out of 2002
  3. Negative: 160 out of 2002
2002 movie reviews
view
per page
  1. Top Gun: Maverick
    Top Gun: Maverick is a rare sequel that is not only better than the original but retroactively makes Top Gun's story altogether deeper.
  2. Men
    The film is a combination of great ideas that could have gone a bit further.
  3. Anaïs in Love
    Filled with passion and a performance from Anaïs Demoustier that is equal parts energetic and blisteringly self-aware, Anaïs in Love is hilarious and romantic even if its resolution ultimately falters.
  4. Black Site
    The film is a basic thriller with little to offer audiences who enjoy the genre.
  5. The Ravine
    There is a very entertaining movie somewhere in The Ravine, but it seems to have been left on the editing room floor.
  6. Along for the Ride
    Along for the Ride captures the magic of young adulthood and first love, delivering a relatable coming of age story with a sweet romance.
  7. Doctor Strange in the Multiverse of Madness
    The action sequences are fun. Paired with the film’s visual style and horror elements, it fares well enough, though the personal journeys are lacking.
  8. Silverton Siege
    Despite its flaws, it encourages a re-examination of Apartheid South Africa and a closer look at the tiny sparks that lit the flame known as the Free Nelson Mandela campaign and the overall cultural shift against Apartheid.
  9. Memory
    The synopsis sounds straightforward, but there is a lack of balance from the start, and the film has an ill-mannered approach to telling a sensitive or impactful story about sex trafficking.
  10. Downton Abbey: A New Era
    First and foremost, this remains a film for the fans. As such, Downton Abbey: A New Era is a triumph. After several tumultuous years, returning to a well-known universe with beloved characters is a balm and anyone who has followed along with the Crawleys will find plenty of enjoyment within the film.
  11. The Unbearable Weight of Massive Talent
    It's good to have the actor, whose diverse filmography is certainly a memorable one, back in an exciting, eccentric big studio film.
  12. We're All Going to the World's Fair
    Intelligently crafted and delicately performed, We're All Going to the World's Fair is fundamentally a portrait of loneliness, and explores how discovering an online community can alleviate, or exacerbate, a person's feelings of isolation.
  13. The Tale of King Crab
    The Tale Of King Crab doesn’t keep one's attention at first, but if the audience can make it past the period piece there is a thought-provoking western on the other end.
  14. Choose or Die
    Those who may be new to the genre or merely want to disengage for a little bit will find merit in Choose or Die. But for bona fide horror fans, the derivativeness and the flatness of the execution is too much to tolerate.
  15. Chariot
    Stuck somewhere between puzzle film and quirky comedy, between imitating David Lynch and parodying him, it draws its audience in with the overtures of a compelling mystery only to leave them stranded in what is fundamentally a failure of tone.
  16. Aline
    The result is a baffling and confounding mess that is either intended to make audiences laugh or is dead-serious in its pursuit. Whatever the intention, it is up to viewers to decipher what is most true to them.
  17. Ambulance
    While the film meanders for a bit and is longer than need be, it maintains a good balance between character dynamics and the thrill of the chase. And with a fantastic cast at its center, audiences will surely be entertained overall.
  18. Metal Lords
    The film is at its best, visually and narratively, when it is deeply entrenched in metal. There is a visceral impact to the third act which truly hones in on what this film has been lacking from the beginning.
  19. Father Stu
    It isn’t sincere or as inspiring as it believes itself to be, but it also understands what its aims are, and that self-awareness is worth noting.
  20. The Northman
    While The Northman has a lot to offer and is quite beautiful and masterful in its execution, there is something missing. The film begins to meander a bit in the middle before getting back on track and the lack of additional character development — anything that would have given the film more depth — prevents The Northman from reaching its full potential.
  21. Prototype
    As it stands, Mundy's earnest but by-the-numbers approach to already lackluster material leaves the movie devoid of any sign of passion or creative spark.
  22. Better Nate Than Ever
    Better Nate Than Ever is full of charm, supportive friendships and familial relationships, and a passionate love of musical theater and these elements work together to create a lovely, entertaining viewing experience.
  23. Sonic the Hedgehog 2
    Though it lacks the same zippy energy as the first film, Sonic the Hedgehog 2 is bolstered by fun new characters and a perfectly wacky Jim Carrey.
  24. All the Old Knives
    All the Old Knives lacks innovation, but it still serves up an entertaining ride thanks to Pine and Newton's twisty dynamic.
  25. Fantastic Beasts: The Secrets of Dumbledore
    The Secrets of Dumbledore holds positives and negatives alike, and that makes for an entertaining, but slightly unsatisfying viewing experience. There is magic to be found, though, and perhaps that is all that matters.
  26. The Spine of Night
    As the film marches to its conclusion, one will have some appreciation for the rotoscoping animation, the score, and the voice work from some of the actors. However, the murky narrative structure and the lack of a central protagonist only works against all the gory goodwill the film possessed.
  27. You Won't Be Alone
    As strong as the movie can be when committed to the specificity of its characters and setting, it asks too many of the big, unanswerable questions at the heart of the human condition, and the further You Won't Be Alone reaches for the universal, the more chafing its grip on the viewer becomes.
  28. Morbius
    Despite a fine performance from Jared Leto, Morbius is a painfully mediocre superhero origin story, delivering a shallow recreation of better movies.
  29. Black Crab
    Black Crab is a little long, but the movie is too cool to notice.
  30. Gone in the Night
    At the very least, The Cow offers some food for thought and has a strong setup, even if it doesn't fully deliver a satisfying conclusion.
Page:

Top Trailers

See all »
See all trailers »