Dan Trachtenberg's third Predator entry is exciting, but also tonally askew in ways that prevent it from hitting its stride.

In implicit ways, Deepfaking Sam Altman demonstrates just how out of touch from basic humanity these programs still are, which makes it all the more terrifying when we hear how they are being peddled as tools which can literally decide the fate of human lives.

It might be pretty forgettable, but thanks to its stellar lead actors — especially Bloom, who goes full psycho in the guise of a career criminal — it’s a fun ride.

The High Note is an enjoyable, if not particularly inventive, rom-com that's more infatuated with the music industry than developing its romance.

If nothing else, it's best to walk into Sean Price Williams’ feature debut, The Sweet East, as a satire decorated with light political and human commentary and wild excitement that never lets up.

Just in time for the holidays, writers Morgan Evans (Teen Titans Go!) and Jase Ricci have found the perfect balance of heart and hilarity in this cartoon caper.

Birdeater didn't have to be a blood-soaked revenge movie to be more effective, but it took too few risks to be truly thought-provoking.

I walked away from the film feeling distant from Bob Dylan. That seems to be by design but it’s no less frustrating from a storytelling point of view.

The Archies is entertaining, educational and original.

Driver's Ed hardly reinvents the wheel when it comes to the YA world, and it's far from perfect. Still, with its string of solid laughs and a very game cast, it makes for an entertaining adventure that goes down easy.

Chicken Run: Dawn of the Nugget is a blast overall. The performances hark back to the original, and while the sense of humor is not as edgy as it once was, it's still very effective.

The Beekeeper is an engaging ride, and once the action starts it never lets up.

While I will not spoil the ending, the film really struggles to avoid making a demonized monster out of mental illness, portraying sufferers as violent.

Extraction 2 is weighed down by Rake’s hang-ups over his choices, but the drama of the familial unit Rake is out to rescue is enough. Hargrave's vision is clear.

The characters, in their fight to live another day, and the thrilling, suspenseful sequences are what make the film worth watching. However, Those Who Wish Me Dead could have more thoroughly explored the very details that drove the plot, which would have elevated it beyond a basic action-thriller.

The Outpost finds success in its thrilling, white-knuckling battle sequence, but rarely digs below the surface of the ones who fought in it.

In some ways, The Exorcist: Believer feels tame when it comes to the full potential of its premise.

Ultimately, Inheritance is a fairly good attempt to branch out into different technical abilities within the spy thriller genre. Hopefully, this method and films like Inheritance continue to inspire such attempts.

Anchored by two great lead performances, Raymond & Ray is at its best when exploring the odd relationships between its complicated characters.

For all its shortcomings, Sharper manages to pull together all of its cons with a finesse that could have easily been bungled in less capable hands. Even if it fails at its greatest con of all — pulling one over on audiences — it still manages to be a taut thriller that feels fully realized.

While it might not stand the test of time, the film is an entertaining, easy watch that works well enough.

Bolstered by a headstrong performance from Ramsey (who is best known as Lyanna Mormont from Game of Thrones), alongside a fantastic supporting cast, Catherine Called Birdy will be best enjoyed by a younger audience, though it’s still fun enough for viewers of all ages.

Flamin’ Hot is not only entertaining, but feels like a warm hug. It’s sentimental enough, but doesn’t overstay its welcome. Longoria has ultimately crafted a sweet, funny, and bright movie that will surely have viewers looking up Montañez on Google after the film ends.

The cast’s chemistry uplifts this film and makes certain moments all the more enjoyable. Everyone is clearly having a great time, and it shows in every scene. While the film probably won’t be remembered after audiences leave the theater, Champions is a lighthearted, feel-good sports movie that does exactly what it sets out to accomplish. It doesn’t do anything out of the norm, but it is a solid effort from Farrelly and Rizzo that will certainly boost one’s mood after watching.

The overarching problem is the film's tendency to be a touch too shallow, even if that's the point of the narrative. Finding out more about Hope's hidden past, the supporting characters, and the big lives everyone hints at would have made the story more compelling and helped the characters feel real.

While it doesn't quite reach the horrific highs of the 2013 remake, it rips through other splatter-fests with the finesse of a freshly whetted chainsaw blade.

If you’re looking for an overall fun time at the movies, One of Them Days delivers.

Love in the Villa may be a silly rom-com at heart, but with Graham and Hopper’s compelling chemistry, leaning into the ridiculousness and unrealistic moments is worth it for these two alone.