Mulan is a perfectly fine live-action adaptation, delivering some Disney magic and gorgeous visuals, but it's ultimately just an average action movie.

Despite its flaws, it encourages a re-examination of Apartheid South Africa and a closer look at the tiny sparks that lit the flame known as the Free Nelson Mandela campaign and the overall cultural shift against Apartheid.

Blue Story can be messy in stretches, but it's undeniably passionate and carried by its simple, yet effective, and sometimes lyrical storytelling.

While it has its weak spots, A Family Affair holds together well enough to entertain.

Evans and Porter deliver heartbreaking performances with the right amount of intensity, leaving a lasting impact.

Something in The Dirt is a wild ride that will take one to the limits of reality and test one's patience.

While the first half of the film struggles, the second half deftly explores the character dynamics in a tender way that makes it well worth the watch.

The film would've been better served had it stuck to either satire or tense drama, but whatever the case, the climax of Saleh's film is aces and as taut as can be.

At times, the movie is deeply compelling, but its complexities can get lost in the shuffle and repetition of the same points. Striking cinematography and philosophical reflections can’t make up for this too-slow film that pokes at life’s meaningful moments without inspecting them further.

Despite some of Bunnylovr's shortcomings, Zhu has a knack for filmmaking, and it's an exciting debut for the young artist.

Sonic the Hedgehog is a fairly middling family-friendly adventure movie, but a comparably good video game adaptation the belies a great deal of potential for a stronger, even more ambitious sequel.

With sincerity and style, Schrader offers a thoughtful film about life and legacy.

Dreamland is a fairly straightforward crime saga that doesn't reinvent the wheel, but is still enjoyable thanks to Robbie and its production values.

While the human characters are there for exposition and could’ve used additional development, Godzilla vs. Kong is engaging and visually stunning.

The biggest disappointment is perhaps that it doesn’t do enough to focus on Natasha, opting to set up Yelena as her successor. There is just enough Black Widow, however, to make this a distinct film, one that is less of a traditional superhero outing in the MCU, with the film more interested in exploring the lengths of human cruelty, perseverance, and the ties that bind despite everything.

Those who prefer their period pieces to be more traditional will find this blasphemous, but those willing to imagine a 16th century Verona with updated characters will get a kick out of Rosaline's antics.

Bolstered by a solid performance by Will Smith, King Richard is a feel-good, charming sports biopic that uplifts but never reaches its full potential.

The Witches is certainly bolstered by its performances and visuals (which is to be expected of a Zemeckis production), and while its speedy story will win over young audiences, it could've reached new heights had Zemeckis, del Toro, and Barris dared to add a bit more padding.

The Surfer is a slow-burn film that requires a lot of patience. Cage does his best with limited material, as his character doesn’t have much depth beyond wanting something and aiming to get it.

The incomparable Daniel Giménez Cacho stars as Silverio Gama, giving an unforgettable performance that captures the intensity of the film’s concepts. While everything doesn’t always work in Bardo, Iñárritu takes his time painting a visually scrumptious tale even though it’s overly saturated with style over substance.

It's a film that sneaks up on its audience, revealing layers to friendship and other intimate relationships that otherwise would not be parsed through if there wasn't the time.

With an amusing ensemble cast, a sturdy script, lovely filmmaking, and the power of its leads' chemistry, Happiness For Beginners is a modest delight.

Though the sparks could be brighter for its central couple, What's Love Got to Do with It? still has plenty of charm.

While the drama gets the wind knocked out of its sails after introducing other characters, Encounter gets in plenty of emotional, nuanced scenes between Malik and his sons that become the beating heart of this often unsettling, uneven, yet strangely mesmerizing film.

Hate it or love it, Prisoners of the Ghostland is as unforgettable as it is expressive and provocative, and isn't that the fundamental purpose of art?

With unnerving tension, this slow-burning horror gradually unveils its alarming context.

Where the film lacks realism and sense, it is made up entirely by Hathaway and Galitzine’s sensational chemistry.

While the film tells a raw, intriguing story, it isn’t always smooth sailing.