Screen Rant's Scores

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For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 875 out of 2002
  2. Mixed: 967 out of 2002
  3. Negative: 160 out of 2002
2002 movie reviews
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  1. Spiderhead
    It may not do anything particularly innovative from either a storytelling or filmmaking perspective, but Spiderhead is proof there's still material to be mined from well-known ground when talented people are bringing the narrative to life.
  2. Antlers
    Despite being all over the place, Antlers can be gripping and potently disconcerting, with good character development making up for its pitfalls.
  3. Brave the Dark
    Fortunately, Brave the Dark does deliver an engaging and enjoyable narrative, with excellent performances, an intriguing and compelling plot, and an important message worth listening to.
  4. Ted K
    The filmmaking is very strong, but it's Copley’s performance that sells it.
  5. Bill & Ted Face the Music
    Face the Music is clearly a passion project for the minds behind Bill & Ted, and it results in a sequel that coasts by on its goofy humor and heart.
  6. Sound of Falling
    I imagine that Sound of Falling will reward repeat viewings. There's almost too much to take in upon first glance, decades of life condensed into two and a half hours. Schilinski's vision is so confident and so bracing that it's hard not to be arrested by what's happening onscreen, even if you're not sure what's going on.
  7. War Machine
    It doesn't quite have the courage to be the best version of itself. Still, it works. War Machine is an action movie you feel in your body, and it mixes in the right dose of sci-fi VFX without losing sight of the character that keeps you caring.
  8. What Lies Below
    What Lies Below offers a twist on two underrated sub-genres, but its identity crisis causes this aquatic horror creature feature to sink, not swim.
  9. Dear Zoe
    Director Gren Wells crafts a tender, yet narratively unbalanced film that accentuates the gift that is Sadie Sink’s talent.
  10. The Cut
    While the point of the film is excellent, The Cut has a bit too much trauma. It’s like the writers wanted to throw everything at Boxer and see if he could survive it, but it’s a lot.
  11. PVT Chat
    Visceral and uncompromising in its vision, PVT Chat etches a gritty portrait of eroticism in the digital age with great nuance and authenticity.
  12. Ambulance
    While the film meanders for a bit and is longer than need be, it maintains a good balance between character dynamics and the thrill of the chase. And with a fantastic cast at its center, audiences will surely be entertained overall.
  13. The Beta Test
    Cummings and McCabe don’t quite balance the purple envelope mystery with the character study of a self-involved man, and the ending takes a sharp left towards confusion, but it is surely something worth watching.
  14. Men
    The film is a combination of great ideas that could have gone a bit further.
  15. Run This Town
    Thankfully, both Platt and Massoud shine in their respective roles. They take the characters that Tollman wrote and make them layered, complex, and enthralling to the viewer.
  16. Mimang
    Mimang is exactly the film it sets out to be: Gentle, indirect but never apologetic.
  17. Dotty & Soul
    Saunders’ feature-length directorial debut is a confident one. With humor and heart, he writes and directs relevant themes and experiences that the world has come to understand well at this point in society. Dotty & Soul is genuine without being preachy, and humorous without leaning into offensive territory.
  18. The Ministry of Ungentlemanly Warfare
    Though not Guy Ritchie's best film, The Ministry of Ungentlemanly Warfare has enough slick style and exhilarating action to be a helluva fun ride.
  19. The Beanie Bubble
    Every performance has something to offer and though the filmmaking is not very ambitious, it is well suited for the plot and tone. The Beanie Bubble isn’t fan service for lovers of the classic toy, but it is a refreshing take on the biopic.
    • 41 Metascore
    • 60 Critic Score
    Fear Street: Prom Queen
    2021 was an excellent year for slasher fans, and the Fear Street trilogy was one of the big reasons why. Four years later, Fear Street: Prom Queen, which exists in the same town and timeline but functions as a standalone, continues the fun.
  21. Secret Society of Second Born Royals
    Secret Society of Second-Born Royals is pure family-friendly fun, combining princesses and superheroes for a delightful, if unoriginal, adventure.
  22. Sri Asih: The Warrior
    Occasionally intense and always interesting, Sri Asih is certainly worth a watch.
  23. Scrambled
    The ending feels way too cookie-cutter perfect. Scrambled is a worthwhile experience, though, as it is a personal tale that aims to empower through laughter.
  24. Corsage
    Part revisionist history, part unconventional character study, Corsage is carried by Vicky Krieps' brilliant performance and its willingness to buck genre conventions in favor of a dark and dreamy fairy tale.
  25. Breaking
    Buoyed by a strong, effective performance by Boyega, and even despite its pitfalls, Corbin’s film is a solid debut feature.
  26. Heel
    Thankfully, Boon, Graham, and Riseborough do enough to anchor the film and bring it home as it lands on a strangely poignant note both chilling and endearing.
  27. You Won't Be Alone
    As strong as the movie can be when committed to the specificity of its characters and setting, it asks too many of the big, unanswerable questions at the heart of the human condition, and the further You Won't Be Alone reaches for the universal, the more chafing its grip on the viewer becomes.
  28. In a Violent Nature
    Writer and director Chris Nash's In A Violent Nature may be the first slasher in a long time to truly deconstruct the genre in a way that feels surprising, even if the results of its experiment are mixed.
  29. Love and Monsters
    Love and Monsters may not be a wholly fresh concept, but a clever script and Dylan O'Brien's charm make for a super fun adventure comedy.
  30. The Marsh King's Daughter
    The performances elevate a story that could have gone deeper, but is fine for what it’s trying to be.
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