The filmmaking is very strong, but it's Copley’s performance that sells it.

Weird lives up to its name. It's utterly ridiculous, a satire of biopics in the best way. It exaggerates anything and everything that happens (and doesn't happen) in Yankovic's life to the point of being so over-the-top one can't help but laugh at its absurdity.

Although Murder lacks some of Hitchcock's signature guile, it's still a fun mystery with one or two flashes of visual brilliance.

From beginning to end, Hellbender is an impressive, at times shocking, and enthralling triumph.

What The Old Guard lacks in well-paced, tightly plotted story, it more than makes up for with compelling characters and slick, thrilling fight scenes.

Blichfeldt pulls out all the stops for this film, giving us a cinematic experience that is ripe with depth and concise commentary, all wrapped in a grisly fairy tale world that is as immersive as it is intense

In the end, Standing Up, Falling Down is all the better because of Schwartz and Crystal. Their comedic delivery is effortless and their personalities beautifully mesh together. Even as the story becomes more somber, they dive into dramatic elements with ease, turning this story's familiar plot into an interesting meditation on regret and the way it takes its toll.

Song has a particular knack for telling stories that break down the walls around our hearts and leave us aching in the best way possible.

There is a lot of love put into the making of this film and it shows in every single scene. It’s one of the best romantic comedies in a while, and not one to miss.

For all The Phoenician Scheme's eccentric thrills, sardonic performances, and globe-trotting adventure, the film still feels limited in the grand scheme of things.

The strength of the story rests firmly in Derbez's sensitive portrayal and his touching moments with each student, proving that Sergio does know how to spark a genuine excitement for education by tapping into a child's personal interests.

It’s got everything — tense chase sequences, anxious and wary phone calls, and heart-to-hearts between Sarah and Ash that underscore their characters’ need for true connection. There have been so few exceptional thrillers in recent years, but Relay is certainly one of them.

Violation is trenchant and effective, deftly handling the emotional trauma at its core.

Handling the Under is not an effective horror movie, but its zombie-drama formula allows for a portrait of pain that settles in and stays like an infection.

An unnerving rural gothic tale with two quietly fierce performances that make the film's slow burn to its climax worth the wait.

Censor is chilling, an assured horror that blurs the line of reality for its protagonist as she delves into that which makes her most vulnerable.

The Accidental Getaway Driver's ability to show connection across generations and languages has rarely been so expertly staged.

While the pacing dawdles just a bit in a few places, The Outside Story is an unexpectedly warm film that asks its audience to engage with their own surroundings in the hopes that they, like Charles, might find something worthwhile.

While it doesn't quite reach the horrific highs of the 2013 remake, it rips through other splatter-fests with the finesse of a freshly whetted chainsaw blade.

It’s a deeply symbolic and, at times, flawed film, but Tuesday is filled with love, heartache, and pain.

Though the story treads familiar territory and doesn't present a remarkable discovery about human nature, that doesn't leave us any less affected by the journey.

The film is earnest and full of yearning and intimacy, elevated by the performances of its lead actors who, even in the film’s most abrupt moments, have so much chemistry to keep audiences watching.

Rez Ball is a wonderful sports drama with a story that is equal parts insightful and inspiring.

The Piano Lesson captures the importance of honoring our ancestors through legacy.

Though Togo is headed straight for a streaming service, it's still feels like a very cinematic experience. Director Ericson Core (who also served as the movie's cinematographer), excels at portraying the brutal conditions Leonhard and his team endured during the serum run.

Blue Story can be messy in stretches, but it's undeniably passionate and carried by its simple, yet effective, and sometimes lyrical storytelling.

While the indecision of the plot reflects the hapless existential angst of Hana’s mid-life crisis, Luxor moves further away from meaningful rumination as the film progresses, and ends not with a bang, but a whimper.

Birdeater didn't have to be a blood-soaked revenge movie to be more effective, but it took too few risks to be truly thought-provoking.

The circumstances around Audrey and Eli's union (Moon Choi and Son Suk-ku, respectively) is tender, yet forceful, beautiful, yet pained; but the film is otherwise formless, uninspiring and moves like molasses.

With the exceptional performances from the cast and several laugh-out-loud moments, this creative film is wildly entertaining.

The film is a compelling moral character study and a breathtaking thriller that steps on the gas and never lets up. It’s a perfect addition to Anvari’s already robust work as a filmmaker.

Tenet is a fascinating and exciting sci-fi thriller bolstered by Nolan's grand vision for action and strong performances from the cast.

One Piece Film: Red is the best movie in the franchise and an entertaining experience for its audience, who should be ready to shed some tears, too.

Equal parts creepy, funny, and impressive, Wendell & Wild (despite being inexplicably rated PG-13) is an ideal watch for the whole family this Halloween.

Finding ‘Ohana continues the tradition of balancing heartwarming family bonding time with genuine humor and wondrously exciting escapades.

Ultimately, Huda's Salon is a case of an exciting concept that can't maintain its own momentum.

Instead of simply marveling at the beauty of the world, Blink invites us to step out of our comfort zone and explore everything the world has to offer.

Mona Lisa and The Blood Moon is a tightrope of horror, revenge, and feminism set to awesome music.

Through the amazing array of talking heads Hanks assembles to share their relationship to Candy, we are left with the distinct impression that there just wasn't anyone else like John. A grand man indeed, in a grand documentary to suit him.

Thompson and Greer really are extraordinary, however, and their tête-à-tête nearly saves Kirk's enterprise from the doldrums.

An essential doc that reveals the origins of her singular voice with exceeding warmth and vulnerability.

There's a lot to like in this engaging and unnerving drama, but the finale doesn’t come together to deliver on an intriguing and chilling first half.

Pitch-perfect performances elevate this magnificent film that I can’t say enough good things about.

Surprisingly solid Western that bears the distinction being the first film ever credited to "Allen Smithee," a long-time pseudonym used by directors who wish to distance themselves from a project.

Happiest Season is a cheesy, fun and heartfelt romantic comedy, with a sweetly genuine queer love story at the center of this holiday tale.

There's an aloofness to the violence that gets more morbidly funny as the film goes on, but LaRoy, Texas does not trust its darker sensibilities and the last 15 minutes drift back into a conventional lane and away from the bizarre and fiendish tone that was unexpectedly working up until that point.

The Outfit is an old-fashioned and masterfully crafted crime thriller that makes good use of its setting, charismatic cast and an excellent lead.

Raiff captures how relationships can blossom through connection and how affecting they can be when the two people in question are both trying to take the next steps in their lives but are not quite sure how to do it. To that end, Cha Cha Real Smooth is a triumph in its exploration of its characters, and the honesty it brings to the forefront.

Magpie turns certain tropes into narrative weapons, and it works at every turn, culminating in a finale that will leave you wanting more even as it gives us a tension-fueled conclusion.

Egerton's got something in this vein. Cruise-esque exceptionalism, but cut with relatability like he came from the everyday world but clearly wasn't meant to stay there.

The Harder They Fall is a crowd-pleasing and worthy addition to the Western canon that knows how to have a good time with a familiar story.

Thank You For Coming comes close to being a definitive sex comedy for women, with Bhumi Pednekar's star turn offering laughs and life lessons to spare.

While body and survival horror fans might not find anything particularly groundbreaking here, and while the toxic masculinity plot is thinly veiled by the bloodthirsty wolves thread, the movie accomplishes what it sets out to do. Ultimately, the bones of the story have been licked clean of any excess, making for a film that will successfully holds our attention in its jaws.

Lamb is a slow-burn suspenseful horror that eschews the genre's typical gore and jump scares, and instead frightens audiences with a nuanced portrait of grief, punctuated by the unshakable feeling that something is terribly wrong.

Few stones are left unturned in the callbacks to different parts of his career, and those unfamiliar with Shatner's lower-profile roles will get a kick out of seeing him outside his most iconic roles.

Unflinching in its bold lack of subtlety that's contained within a nudge and a wink to the movie's primary audience, Borat Subsequent Moviefilm doesn't hesitate to abruptly kick open the door on polite boundaries, social taboos, and tough talking points that are keeping an entire country at odds.

Melding gut-wrenching body horror with unique parallels between puberty and transformation, writer-director Amanda Nell Eu's feature debut is thoughtful and intriguing, even if it doesn't fully soar.

Thunderbolts* deftly tackles mental health and serves as a fantastic MCU movie, with great performances from Florence Pugh and Lewis Pullman.

Writer and director Chris Nash's In A Violent Nature may be the first slasher in a long time to truly deconstruct the genre in a way that feels surprising, even if the results of its experiment are mixed.

Tuner is a small film, but one that will leave a big impact. It truly is one of the most delightful surprises of the fall and deserves to be seen on a big screen with the loudest sound possible. Here's hoping it gets that chance.

Day's commanding performance as Jimmy is Kill Me's other greatest asset. For a good portion of the film, he taps into the comedic skills he's famous for, at times playing Jimmy like a more grounded take on It's Always Sunny in Philadelphia's iconic Pepe Silvia scene. But when the film turns to Jimmy confronting his demons, Day really shines."

While it ultimately reveals everything too late, the film still feels fresh and, unlike plenty of what is released today (on podcasts and in theaters), actually does have something to say.

Uplifted by an incredible central performance by Hall, The Night House twists and turns, weaving terrifying visuals and jump-scares with thought-provoking and emotional story beats. The result makes for one of the best horror-thrillers of the year.

Leave the World Behind may pull some of its punches in favor of an easy out, but it's still a thought-provoking, dread-inducing tale about the end of a world that has become all too familiar.

The combination of cast and storytelling makes for an emotionally gorgeous, hilarious, and touching film that you’ll want to rewatch over and over again.

Hustle succeeds in being exactly the movie it sets out to be: A glimpse inside what it takes to get into, and stay in, the very competitive NBA.

Poignant, funny, and emotionally resonant, Language Lessons organically develops a heartfelt friendship while its cast exudes warmth and charisma.

The Willoughbys is a mishmash of story ideas strung together by the idea of found family, but it's cute and quirky enough to keep viewers hooked.

While the film tells a raw, intriguing story, it isn’t always smooth sailing.

It might be a Formula One promotional movie at its core, but at least it’s a damn good film.

Anchored by strong performances from Daisy Ridley and Dave Merheje, the film has pacing issues, but it's emotionally resonant, humorous, and relatable.

The film attempts to deliver an emotional, compelling, and entertaining story, but it struggles with balance despite some lovely, uplifting moments.

As blockbuster experiences go, it's near-enough perfect.

Enola Holmes is a little overwrought, but Millie Bobby Brown's charming heroine and Henry Cavill's fun Sherlock pull off all the twists and turns.

Unfortunately, the film doesn’t invest in its characters or in its world beyond the surface, so why should we?

This is a purposefully languid movie that proves real, genuine tension can be built without crash landing right on your head. In an era of fast cuts and escalating explosions — the kind that Hemsworth, Ruffalo and Halle Berry all know intimately from their time in Marvel's universe — it is refreshing to watch something this confident in its own particular DNA.

Daniel Craig’s fifth and final outing as Bond is replete with fantastic action sequences and an emotional center despite the final act being shaky.

It's almost like Cumming has made two films, one through aesthetics and atmosphere and one through story and theme, that ultimately can't coexist. Neither is a bad film, but the former makes a much greater impression, and I wish it had been seen through to the end.

The film is genuinely funny, and the cast is up to the task as the story balances impending consequences for Maria’s actions and gasp-inducing comedic satire.

It may not push the envelope or be as innovative as other films out right now, but Just Mercy is nevertheless able to captivate the audience and could even inspire people to try to make a difference.

If American Pachuco leaves you wanting more, perhaps that's not a bad thing; Valdez deserves the last word, anyway, and he's not finished.

Fear Street Part 3: 1666 wraps up the horror trilogy's story in a satisfying conclusion that's finally less homage and more its own original slasher.

James Gunn's Superman movie launches the DC Universe in spectacular fashion, with a fun-filled romp that requires refreshingly little homework.

What the film does have is a sense of style and an ability to keep us engaged through a riotous cast that is clearly having a lot of fun.

Fortunately, the wait was absolutely worth it as CODE: White joins some of Spy x Family's best missions as one of the franchise's best outings.

Crimes of the Future has an intriguing enough setup, but it doesn’t know how to tie everything together, leaving the disparate pieces of the plot adrift and turning the film into a tedious watch.

It's good to have the actor, whose diverse filmography is certainly a memorable one, back in an exciting, eccentric big studio film.

The biggest disappointment is perhaps that it doesn’t do enough to focus on Natasha, opting to set up Yelena as her successor. There is just enough Black Widow, however, to make this a distinct film, one that is less of a traditional superhero outing in the MCU, with the film more interested in exploring the lengths of human cruelty, perseverance, and the ties that bind despite everything.

Problemista invokes the simplicity of myth without ever letting its characters become simplistic.

It may not be the best biopic ever told, but people will certainly walk away from Rustin more educated, inspired to be the change they want to see in the world, and grateful that movies like this are willing to tell the truth about buried history.

Equal parts hilarious and heartwarming, My Best Part is a sweet exploration of the absurdities of life and a celebration of what's worth living for.

It's no surprise that Opera is Argento's largest mainstream success due to the fact that it is everything a traditional horror fan could want coupled with the addition of giallo elements and a unique story.

With a great cast, excellent visual effects, and perfectly edited and executed scenes and transitions, there is a lot to love.

Ultimately, Dead Man’s Wire succeeds as a comedy but often falters in its deeper social commentary. Though it lacks the critical bite that could make it one of Van Sant’s best, it sits comfortably among his most entertaining.

The Way of Water is overlong and stretched thin on story, but the Avatar sequel is beautiful, with lush world-building and characters that add depth.

Despite its drawbacks the kids will still love it, it's still epic and entertaining for adults, and the movie still manages to say something inspired and meaningful - even if it takes a little longer to do so.

Night Call is a stirring and compelling film that immediately grabbed my attention and maintained it throughout its runtime.

It's an absurd and stunning story, but it also holds such heart and authenticity that it feels deeply relatable.