Screen Rant's Scores

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For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 875 out of 2002
  2. Mixed: 967 out of 2002
  3. Negative: 160 out of 2002
2002 movie reviews
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  1. Year of the Fox
    Year of the Fox is a movie far too marred by its narrative missteps to fully embrace its better parts. The dialogue becomes increasingly predictable and mind-numbing, which makes for a very misguided effort.
  2. CHAOS: The Manson Murders
    This story alone is gripping enough to warrant further study, but this documentary has very little in the way of actually exploring the case so much as it focuses on the conspiracies surrounding it.
  3. Trust
    Trust is a disappointing and lackluster attempt at exploring a tense and important issue.
  4. Marlowe
    Despite a stellar cast, Marlowe doesn’t rise to the occasion, stumbling along without ever finding its footing.
  5. Senior Year
    While Senior Year has certain moments that are indeed funny, it’s not enough to overcome the film’s many flaws.
  6. Madame Web
    Madame Web is boring, unimaginative and dated, despite being one of very few superhero movies centering on female superheroes. All in all, Madame Web is a superhero movie you can absolutely skip.
  7. Mea Culpa
    It’s a difficult film to take seriously, as it buries its potential in absurd drama, dialogue, and sequencing.
  8. Here
    It’s a film so soulless I questioned the point of it.
  9. The Man from Toronto
    Most of all, the movie reaffirms the fact that we still don’t have the iconic, big-budget Hart movie his career has been working towards.
  10. Strictly Confidential
    While Hurley’s skill as a filmmaker was in question for the majority of the movie’s runtime, there are around 10 minutes near the end that hint that, with some work, he could hone his skills further.
    • 22 Metascore
    • 30 Critic Score
    Duchess
    If you've ever wondered what a remake of PrettyWoman written and directed by Guy Ritchie would look like, then Duchess (2024) is the film for you.
  12. Merv
    It hits the familiar beats that many find comforting, it has an undeniably adoring dog front and center for much of its runtime, and has a well-meaning enough outcome to its plot. But for those looking for something that doesn't quite literally skate the surface of its premise and characters, this is definitely not the film for you.
  13. Assassin Club
    Assassin Club has the benefit of starring a relatively well-known actor, but even Golding can't save this movie from its mediocrity. Any hope Assassin Club had of being good is squandered within the first ten minutes.
    • 57 Metascore
    • 30 Critic Score
    Ordinary Angels
    The film refuses to linger in these quieter, well-acted Ritchson scenes, often in favor of a scene with Sharon. Swank is not necessarily bad in the role, but the film works too hard, and to minimal avail, to manipulate us into sympathy for her overbearing personality.
  15. The Ravine
    There is a very entertaining movie somewhere in The Ravine, but it seems to have been left on the editing room floor.
  16. Black Site
    The film is a basic thriller with little to offer audiences who enjoy the genre.
  17. He's All That
    He's All That is a hollow Gen Z recreation of She's All That, lacking in charm and seemingly engineered as a vehicle to promote its stars' other work.
  18. Adulthood
    By the time the film turns off autopilot, it's far too late, and the ending lands with the dull thud of a long-rotted body wrapped in an old rug.
  19. Poolman
    Poolman is an unfunny spoof of neo-noir thrillers with hazy direction, even messier storytelling, and unbearable dialogue.
  20. The Tax Collector
    There's a sense of respect for both the L.A. gang codes and Latinx cultural traditions on display, but they're let down by the the film's plot and characters. Combined with Ayer's continued storytelling missteps, The Tax Collector amounts to a lot of blood and brutality without the soulfulness to match.
  21. My Oxford Year
    Even with a literary atmosphere and a steamy romance, the fact that My Oxford Year blatantly feels comfortable exploding emotional minefields for narratively unclear reasons clouds its potential success as a basic but inoffensive rom-com.
  22. Behind You
    Carried by a generic story and uninspired performances, Behind You falls flat in its mission to terrify viewers with suspenseful mirror magic.
  23. Tarot
    When it comes to horror, sometimes originality isn't necessary; what's key are the scares, and how everything unfolds. Unfortunately, Tarot falls flat in the former category, and the latter isn't particularly engaging.
  24. Rob Peace
    The saving grace of the film all comes down to Jay Will’s breakout performance. Rob Peace simply does not work without him. Will’s charisma and dedication towards showcasing the light that Rob was offers a comfort to me that this film as a whole failed to provide.
  25. Midnight in the Switchgrass
    Although the film's narrative is passable at best, it struggles to maintain any momentum due to uninteresting characters and predictably bad writing.
  26. Kinda Pregnant
    It could've made for a sharp comedy, but there's an ickiness that overwhelms the whole movie.
  27. Space Cadet
    Despite the movie's obvious problems, it's hard to deny that Emma Roberts and Tom Hopper do their best to make Space Cadet a generally charming ride to watch.
  28. Fully Realized Humans
    Fully Realized Humans offers an honest look at an expecting couple's anxieties about becoming parents, but its approach is simply not compelling.
  29. The Friendship Game
    The film tends to bite off more than it can chew, and the end result is a colossal disappointment.
  30. Lair
    Lair could have been a solid entry in the horror genre had it not been hindered by a muddled narrative and sub-par execution, which only leaves the viewer wishing for something far more substantial than what was given.
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