Screen Daily's Scores

  • Movies
For 3,745 reviews, this publication has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 3.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 Oppenheimer
Lowest review score: 10 The Emoji Movie
Score distribution:
3745 movie reviews
  1. While the narrative’s dramas feel paper-thin, even as they touch upon timely themes of equality, multiculturalism and the treatment of refugees, the feature’s optimism always shines.
  2. The latest film from Chris Renaud (Despicable Me) and his team is a madcap caper full of densely-packed sight gags, dizzying action set pieces and a healthy side-helping of Renaud trademark silliness.
  3. What is so compelling is the picture I Am Greta pieces together of Thunberg herself.
  4. The Phantom Of The Open is an amiable little picture which might be dramatically as flat as Mark Rylance’s vowels but still packs a considerable helping of crowd-pleasing charm into its cap and golfing slacks.
  5. The message of selflessness, generosity and loyalty is by-the-numbers stuff, but embellish it with moss, pinecones and twigs, and it takes on a certain magic.
  6. What’s most interesting, although it gets slightly buried under a few too many almost identical musical performances, is the film’s account of the fractious symbiosis of the guru-disciple relationship.
  7. My Entire High School Sinking Into The Sea is slight and uneven, but its quirky, handmade aesthetic nicely conveys its characters’ adolescent vulnerability and restless spirit.
  8. There’s real magic here, and nothing fake about the emotions which guide it.
  9. Klondike is both despairing – sometimes in a blackly comic vein – and empathetic in the way it sees the incident from the ground up rather than from the sky down.
  10. It’s a work of undeniable historical significance.
  11. [An] absorbing and eye-opening, if somewhat dense, documentary.
  12. DC takes the multiverse for a spin in The Flash, an entertaining adventure that outruns its familiar narrative trappings thanks to a playful sense of humour and the arrival of an iconic character in a supporting role.
  13. Music-video director Isaiah Saxon’s feature debut sometimes wobbles when balancing its impish sense of humour with darker tone, but ultimately, the picture’s peculiarity becomes part of its charm — as difficult to resist as that adorable titular critter.
  14. Makala takes the observational approach to the hardships of Congolese life, charting a tough but insightful journey.
  15. Although Jay Kelly explores familiar thematic terrain of an ageing man wrestling with regret, this tender film is mildly radical in its insistence that celebrities were once just everyday people — and might still be during unguarded moments.
  16. The first half of Age of Shadows feels muddy as momentum builds; the latter stages boast a cinetic energy - cutting a violent melee to classical music (in this case Ravel’s Bolero), may be a tribute to John Woo, but it’s stunning nonetheless.
  17. Director Euros Lyn overdoes the feel-good trappings, but it’s hard to deny the genuine sentiment that the movie stirs up.
  18. The visual textures of The Lovers and the Despot, edited by Jim Hession — and the Kim audio tapes — make for vibrant cinema.
  19. [Boden and Fleck] marry splashes of dry humour to gallons of blood, and feature every musical genre from punk to hip-hop while connecting the stories to a strange green glow in the sky. If the end result never quite achieves the style and bite of the likes of Tarantino’s Pulp Fiction, it is still a lot of fun.
  20. This heartfelt if, at times, slightly uneven drama marks the debut fiction feature from documentarian Roger Ross Williams and is a warm and celebratory film.
    • 69 Metascore
    • 70 Critic Score
    A Taxi Driver can over-reach towards its final chase sequences, which enter the realm of fantasy, but they’re not enough to de-rail this fine film.
  21. Amalric, these days persuasively settling into scuffed middle-aged roles, is effective as ever, but still maintains an anxious look; while Roy’s sometimes ethereal presence strikes a forceful but delicate note as a woman who is at once facing a mystery and who is at the same time a mystery herself.
  22. As truths are shared, revelations uncovered and reunions achieved, Memory Box becomes a warming tale of truth and reconciliation.
  23. Editor William Goldenberg’s directorial debut is an affecting, by-the-numbers inspirational sports film, whose ripped from the headlines drama remains grounded.
  24. Sometimes marred by plot contrivances, Boogie works best when it breaks free of cliches to deliver an honest portrait of the struggles to attain the American dream.
  25. In addition to the obviously authentic rapport between the quietly compelling Hill and impressive first-timer Perham, populating the feature’s frames with as many non-actors as possible also adds detail and texture.
  26. Even when The Novice stumbles, Hadaway hits on something disquieting about a culture that places such a burden on young people to be great that they put themselves through punishing extremes.
  27. While some may find Bang Gang a calculatedly chic opening salvo for a feature career, it carries a genuine emotional charge, and overall Husson shows she means business.
  28. Weisse puts her own, distinctive spin on this film, keeping the audience guessing about whose story this really is, feeling its way slowly towards a bracing, risky dramatic conclusion that suddenly reshuffles the cards we’ve been dealt.
  29. This is a loving tribute not only to the late Barbara (1930-97), the inimitable singing icon of the French chanson, but also to the star of this film, Jeanne Balibar, whose brilliant performance is boosted here by her uncanny physical resemblance to the late“Dame en noir”, as Barbara used to be called by her admirers.

Top Trailers