Screen Daily's Scores

  • Movies
For 3,745 reviews, this publication has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 3.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 Oppenheimer
Lowest review score: 10 The Emoji Movie
Score distribution:
3745 movie reviews
  1. The boundaries between fiction and reality are permeable throughout, with some shots juxtaposing actors against phone camera footage of the real life characters that they portray. For the most part, it works very effectively, although the snippets of real life phone footage are a little distracting, jolting us out of the nervy chokehold of the story.
  2. A film about stellar spycraft that’s been made with comparable steely intelligence, The Spy Gone North (Gongjak) boasts little action but compensates with director Yoon Jong-bin’s considerable ability to weave suspense while depicting the subtle maneuverings of a fraught covert operation.
  3. Meyer, who also acts as the film’s editor, is a likeable, informative and honest guide through his extreme experience.
  4. Occasionally schematic, albeit only in the service of pricking our consciences, Petra Volpe’s tense drama is a shot in the arm of undiluted empathy for the over-stretched, under-valued nursing profession.
  5. Split is a highly effective, nerve-shredding horror movie that makes the most of its claustrophobic setting, familiar setup and psychological gimmicks
  6. Like Kore-eda’s 2008 family drama Still Walking, this is a film which is interested in the architecture, both emotional and physical, of the family home.
  7. An instantly engaging tale of a young male dancer’s sexual awakening in contemporary Tbilisi, And Then We Danced is personal and political, romantic and educational.
  8. The movie radiates considerable compassion, sensitively addressing issues including addiction, recovery and forgiveness. Joaquin Phoenix’s raw, wiry performance never strives for greatness, which only makes it all the more affecting.
  9. The festering resentment of things left unsaid fuels this play, and David Lindsay-Abaire’s unflinching, brisk screenplay traces the growing fissures in the family.
  10. A lovely, satisfying saga, Wolfwalkers has the feel of an instant classic.
  11. Thoughtful, moving, overreaching and uncompromising, First Reformed is a tremendously tormented work from writer-director Paul Schrader.
  12. With its looming, angular and alienating architecture, and thoroughly considered technological and ethical future landscape, this is a phenomenal and inventive piece of world-building from Prague-based director Robert Hloz.
  13. It may be modest in scale but the film is assured in both intention and execution, building successfully towards a quietly moving climax.
  14. It is both a passionate exposé of a serious injustice and a big emotional ride that is also prepared to take some interesting risks in its journey towards a old-school tear-jerker finale.
  15. Jude makes us think and makes us feel and succeeds in making Blecher a presence in the film.
  16. This is not just a visual treat, it’s a rewarding and unexpectedly engrossing piece of female-led storytelling.
  17. Like its magnetic central character, the entertaining latest from Luis Ortega is fascinating: a playful, shape-shifting, questioning journey that refuses to be neatly pinned down.
  18. Mandibles is far from derivative, and Dupieux goes beyond the usual “Love you bro!” buddy-film clichés to draw something genuine, even heartwarming, out of the friendship between these two idiots.
  19. It’s clear that waters need to be calmed or someone will be hurt, but The Librarians also shows that won’t happen unless people stand up and take action. So it’s a call to arms, then. But, be warned: a horror story too.
  20. It’s a bold, gothic, compelling study of the cult of fame, the creative impulse, the fragile threads that bind. Every aspect of the film is carefully crafted and calibrated in service of Lowery’s distinctive vision, and, while it may prove divisive, it casts a hallucinatory spell.
  21. Strong performances across the board and a propulsive sense of mounting desperation makes for a compelling piece of storytelling.
  22. The debut feature from actress Lisa Brühlmann, Blue My Mind brings a surreal spin to the coming of age story, and is an effective showcase for a striking cast of young performers.
  23. As led by Daveed Diggs’ impassioned, tormented performance, Blindspotting is hard to shake, despite its on-the-nose plot points and melodramatic flourishes.
  24. The radiant, heartfelt performances from Izia Higelin and Cecile De France make you care about the final outcome even when you feel you know exactly where Summertime might be headed.
  25. Fans of zombie spoofs and films-about-films should enjoy this bauble, which is elevated by the cheery ensemble.
  26. For a while, Fury Road’s complete disinterest in screenwriting fundamentals feels liberating, as the director keeps upping the ante on this desperate chase through the desert. But what feels liberating at first can become monotonous, and Fury Road starts to drag once the frenetic sameness of Miller’s strategy takes hold.
  27. The film isn’t particularly electric in its presentation, but it serves as a sombre reminder of how much white supremacy is woven into the country’s fabric — and also how relevant King’s causes remain today.
  28. This debut feature by French director Clément Cogitore has a highly suggestive philosophical agenda, but at the same time functions as a gripping, subtly eerie drama which keeps you guessing even while it maintains its supernatural (or theological) undertow simmering beneath the surface.
  29. VS.
    A compelling drama that transcends its generic roots.
  30. This heartfelt picture can be overly familiar, but Poulter’s intensely interior performance lends the proceedings sufficient edge and fascination.

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