San Francisco Examiner's Scores
- Movies
For 928 reviews, this publication has graded:
-
49% higher than the average critic
-
4% same as the average critic
-
47% lower than the average critic
On average, this publication grades 4.8 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Big Night | |
|---|---|---|
| Lowest review score: | Luminarias |
Score distribution:
-
Positive: 524 out of 928
-
Mixed: 227 out of 928
-
Negative: 177 out of 928
928
movie
reviews
-
- San Francisco Examiner
-
-
Reviewed by
Walter Addiego
Some delightful surprises, but the sort of heavy-metal, high-definition sci-fi look that dominates the proceedings, plus the relentless pace and endless morphing, are somewhat tiring.- San Francisco Examiner
-
Reviewed by
-
-
Reviewed by
Wesley Morris
Slightly more mature and better assembled, Road Trip goes one better on "American Pie" by teasing out the idiosyncrasies in four guys existing in a personality grab bag.- San Francisco Examiner
- Read full review
-
Reviewed by
-
-
Reviewed by
Barbara Shulgasser
A big, silly movie about the famed goatish painter that stars the nearly perfect Anthony Hopkins.- San Francisco Examiner
- Read full review
-
Reviewed by
-
-
Reviewed by
Walter Addiego
City of Angels will probably work better for some people than it did for a crusty fellow like me. I feel guilty that I don't like this movie more. I think the devil got the better of me.- San Francisco Examiner
- Read full review
-
Reviewed by
-
- Critic Score
Still, Singleton's willingness to take risks makes this a worthy, thoughtful film. Especially noteworthy: His sensitive handling of a love triangle between Kristen and her boyfriend and Kristen and another woman.- San Francisco Examiner
- Read full review
-
-
Reviewed by
Walter Addiego
Congratulations to director Mick Jackson and writers Jerome Armstrong and Billy Ray for liberating themselves from the tedious demands of believability.- San Francisco Examiner
- Read full review
-
Reviewed by
-
-
Reviewed by
Walter Addiego
By casting model-turned-actress (and his now-estranged wife) Milla Jovovich as the Maid of Orleans, Besson gives us an over-amped spectacle with an annoying, sometimes ridiculous cipher at its heart.- San Francisco Examiner
- Read full review
-
Reviewed by
-
- San Francisco Examiner
- Read full review
-
-
Reviewed by
Barbara Shulgasser
In the case of Jon Robin Baitz's script, adapted from his play, in spite of the fact that he made considerable alterations in the text to open it up to cinematic possibilities, the movie disappoints in much the same way the play did.- San Francisco Examiner
- Read full review
-
Reviewed by
-
- San Francisco Examiner
- Read full review
-
-
Reviewed by
Walter Addiego
The author calls the movie "perfect" - reassurance that the director hasn't tried to pull any fast ones.- San Francisco Examiner
- Read full review
-
Reviewed by
-
-
Reviewed by
Barbara Shulgasser
Except for the casting, it would be difficult to find any substantial difference between this movie and the previous ones, or this movie and any number of high-tech adventure movies of the last decade.- San Francisco Examiner
- Read full review
-
Reviewed by
-
- Critic Score
Once you've embraced a show for its stupidity, you might as well go all the way and applaud its dullness, triviality and bad taste.- San Francisco Examiner
- Read full review
-
-
Reviewed by
Barbara Shulgasser
With a distractingly cute Quinn, a cartoonishly stern Giannini and woozily romantic Reeves and Sanchez-Gijon, this movie is overflowing with ditsy good will. But it just won't be everyone's cup of Chardonnay.- San Francisco Examiner
- Read full review
-
Reviewed by
-
-
Reviewed by
Wesley Morris
Crammed with such earnest belief in the power of love - even if it happens in the Chicago Zoo - it almost doesn't matter that O'Connor and Loggia have better chemistry than Duchovny and Driver.- San Francisco Examiner
- Read full review
-
Reviewed by
-
-
Reviewed by
Wesley Morris
Feels like it could go blow up at any time. It implodes instead, and the meltdown, though visible in one of the final sequences, is still corrosive.- San Francisco Examiner
- Read full review
-
Reviewed by
-
-
Reviewed by
Walter Addiego
The standard noir trappings are here: the femme fatale, double-crossing, fatalism, broken dreams, innocence betrayed and the rest of it. But Stone pushes it all so far and so relentlessly that it becomes absurdist comedy.- San Francisco Examiner
- Read full review
-
Reviewed by
-
-
Reviewed by
Barbara Shulgasser
Copycat is as steady and reliable as a pulse and as exhilarating as a surge of adrenalin.- San Francisco Examiner
- Read full review
-
Reviewed by
-
-
Reviewed by
Barbara Shulgasser
Director Joel Schumacher and screenwriter Akiva Goldsman seem incapable of emphasizing what's important and relegating the rest to secondary status.- San Francisco Examiner
- Read full review
-
Reviewed by
-
-
Reviewed by
Walter Addiego
Lane, with his extensive stage experience, is acerbic, profoundly cynical and endlessly disgruntled. As the foil, Evans strike the right comic nice-guy note; he has fun with the character's sweetness and refuses to degrade him.- San Francisco Examiner
- Read full review
-
Reviewed by
-
-
Reviewed by
Walter Addiego
At some point, the movie itself crosses the line, from a modestly thoughtful attempt to extrapolate a drama from real and urgent events to a generic action piece with predictable good and bad guys and pat, civics-book morals.- San Francisco Examiner
- Read full review
-
Reviewed by
-
-
Reviewed by
Walter Addiego
Earnest and kid-friendly -- also simplistic and dramatically creaky.- San Francisco Examiner
-
Reviewed by
-
- Critic Score
In spite of how hard everything is to believe, you believe what Damon is doing.- San Francisco Examiner
- Read full review
-
- San Francisco Examiner
- Read full review
-
-
Reviewed by
Barbara Shulgasser
Cronenberg has said that he made the film to find out why he was making it. You may watch it for the same reason.- San Francisco Examiner
- Read full review
-
Reviewed by
-
- San Francisco Examiner
-
- Critic Score
Multiplicity satisfies the need for a dumb summer comedy while remaining fairly smart.- San Francisco Examiner
- Read full review
-
- Critic Score
Poking fun at such hit films as Boyz N the Hood, Menace II Society and Poetic Justice, the Wayanses parody the neo-blaxploitation craze so savagely that no filmmaker will ever be able to make another film about the drugs, guns and ho's of South Central L.A. without figuring out how to work around the genre's well-worn conventions.- San Francisco Examiner
- Read full review
-
-
Reviewed by
Walter Addiego
Cher is an inspired bit of casting, while the talented Dench is underused. Smith seems to be going through the motions as the fatuous and deluded aristocrat, while Tomlin has a ball as Georgie. But what really stays with you is the work by Plowright - she is a beacon of good sense (both as actor and character) and plucky as you please.- San Francisco Examiner
- Read full review
-
Reviewed by