San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,306 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9306 movie reviews
  1. Compelling.
  2. Doesn't always work, but it challenges, nonetheless.
  3. Raises the bar for movies geared to teens.
  4. An impassioned documentary about a damaged American family, includes moments that seem to cross the line of what is emotionally acceptable to show onscreen.
  5. How one likes Taxi has everything to do with how one responds to the hapless cop character, played by Jimmy Fallon.
  6. Succeeds anyway, by putting a poignant human face on the struggle for equal rights.
  7. An unabashed paean to Kerry's character at a time in the presidential election when Kerry's character is being questioned. It's also a riveting film.
  8. As a film it plays like a heavy-handed morality tale one might come across on a middling cable network.
  9. Remarkable rockumentary.
  10. By avoiding the usual animation cliches, by keeping the story moving, the pictures pretty and the characters consistently amusing, director and co- writer Rob Letterman cobbles together an entertaining 90 minutes.
  11. A risky, foolish, intelligent comedy.
  12. Plays like a war movie made in a time of war: too careful, too programmatic.
  13. Thought-provoking, insightful and entertaining.
  14. First Daughter can be measured in degrees of Holmes' discomfort... There's never a moment when she doesn't appear as if she'd rather be in a different movie.
  15. Squanders its comic capital on redundant bits about her perplexed family and secret society of fellow sex addicts.
  16. Seems to want to be a fierce satire of corporate culture. But by hewing so faithfully to their source, the creators don't let the material pursue its own direction, and the result feels dramatically arbitrary.
  17. The film doesn't always work, but it captures the buzz of moviemaking, and that's infectious.
  18. The picture never comes out from under the weight of its dreariness, despite fine acting, foot chases and conspiracy theories galore.
  19. Unfolds as a masterful chess match of wit and ingenuity, a cat-and-mouse chase of the highest order.
  20. Remarkably fresh and inventive.
  21. A superb film.
  22. The most disingenuous film of the year. A sham. Pathetic. Embarrassing. The people behind this movie, which was made in Afghanistan, should be ashamed of themselves.
  23. A special film.
  24. Enlivens the classic premise of innocent-in-the-city by moving its archetypal characters in unexpected directions.
  25. An idiosyncratic, oddball movie that is funny and moody.
  26. A glossy, stiff melodrama.
  27. A well-deserved 2003 Oscar nominee for best foreign-language film.
  28. The always fierce Bassett is a little too fierce here, reacting with unwarranted emotion to each romantic twist and turn.
  29. A giddy mockumentary.
  30. A movie so filled with contemptible, ugly and unfunny characters that it is physically difficult to watch.

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