San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,306 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9306 movie reviews
  1. A clever, atmospheric romantic drama that lacks something.
  2. Its story meanders and doesn't build, and the pace is deadly.
    • San Francisco Chronicle
  3. It's instantly forgettable, but smooth fun most of the way.
  4. [Brody's] mannered performance helps downgrade this picture from a middling sci-fi film to a bad, borderline-camp sci-fi film.
  5. Unlike Arnold Schwarzenegger, however, Vin Diesel shows no discernible comedic skills.
  6. Wise and wondrous.
  7. The best glimpse yet of what it's like to be in Iraq.
  8. Hits a bulls-eye.
  9. So in-depth, so appealing, so easy to sit through and so anomalously grand scale that few who see it will ever forget it.
  10. A third-rate effort, with a weak script, cheap-looking effects and no genuine frights.
  11. Harris and particularly Elise give over-the-top performances that bring Diary to the edge of soap opera.
  12. uUninspired, unnecessary and formulaic.
  13. Absurdity and poignancy merge in the carefully observed Czech film Up and Down.
  14. An appealingly quirky thriller from Brazil.
  15. Sad yet offering glimpses of hope.
  16. Matthews holds his own with his experienced co-stars, and his half- talking/half-singing explanation of his criminal past is the movie's best scene.
  17. The movie isn't hellish, because there's always hope of leaving it. It's more like purgatory, two whole hours of it.
  18. A comedy so unfunny, it's tragic.
  19. But the film suffers from a major and unforgivable flaw, one that grows more implausible and ridiculous over time.
  20. The film is filled with lovely images (Kim studied painting in France), and ultimately becomes, against all expectations, quite moving.
  21. The first great Hitler movie.
  22. A droll, deadpan film, deliberately paced and told.
  23. To earnest for its own good. Sincere and heartfelt, it's the kind of family film that might be at home on cable.
  24. Very entertaining.
  25. Thus a tightly edited, 90-minute action flick becomes a bloated, 105-minute exercise on how not to direct an action film.
  26. Lacks even mild drama.
  27. The less in control Smith and his co- stars Eva Mendes and Kevin James appear, the better Hitch becomes, until it's rather delightful.
  28. Does a fine job.
  29. An artful look at religious hypocrisy, interfamily dynamics and the way people wrestle with personal history long after the original events are over.
  30. In traditional stories, it's saints, madmen and children who befriend wild animals. Mark Bittner, who pals around with feral creatures in the amiable documentary The Wild Parrots of Telegraph Hill, is just as much an outsider, though of a different sort.

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