San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,316 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9316 movie reviews
  1. A fine example of how anime uniquely contributes to world cinema.
  2. A pretty ugly movie in its own right.
  3. This is a half-hearted, derivative action film with not a single honest artistic impulse behind it.
  4. Robots never stays in the same gear for long, and the abrupt shifts in tone kill the movie's chances of becoming a classic.
  5. Wondrous performances.
  6. Utterly enchanting.
  7. Lacks compelling narrative.
  8. The directors pull off this faux documentary.
  9. Nobody into lush melodramas dripping in sex should miss this pulsating Italian import.
  10. A clever, atmospheric romantic drama that lacks something.
  11. Its story meanders and doesn't build, and the pace is deadly.
    • San Francisco Chronicle
  12. It's instantly forgettable, but smooth fun most of the way.
  13. [Brody's] mannered performance helps downgrade this picture from a middling sci-fi film to a bad, borderline-camp sci-fi film.
  14. Unlike Arnold Schwarzenegger, however, Vin Diesel shows no discernible comedic skills.
  15. Wise and wondrous.
  16. The best glimpse yet of what it's like to be in Iraq.
  17. Hits a bulls-eye.
  18. So in-depth, so appealing, so easy to sit through and so anomalously grand scale that few who see it will ever forget it.
  19. A third-rate effort, with a weak script, cheap-looking effects and no genuine frights.
  20. Harris and particularly Elise give over-the-top performances that bring Diary to the edge of soap opera.
  21. uUninspired, unnecessary and formulaic.
  22. Absurdity and poignancy merge in the carefully observed Czech film Up and Down.
  23. An appealingly quirky thriller from Brazil.
  24. Sad yet offering glimpses of hope.
  25. Matthews holds his own with his experienced co-stars, and his half- talking/half-singing explanation of his criminal past is the movie's best scene.
  26. The movie isn't hellish, because there's always hope of leaving it. It's more like purgatory, two whole hours of it.
  27. A comedy so unfunny, it's tragic.
  28. But the film suffers from a major and unforgivable flaw, one that grows more implausible and ridiculous over time.
  29. The film is filled with lovely images (Kim studied painting in France), and ultimately becomes, against all expectations, quite moving.
  30. The first great Hitler movie.

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