San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,316 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9316 movie reviews
  1. A droll, deadpan film, deliberately paced and told.
  2. To earnest for its own good. Sincere and heartfelt, it's the kind of family film that might be at home on cable.
  3. Very entertaining.
  4. Thus a tightly edited, 90-minute action flick becomes a bloated, 105-minute exercise on how not to direct an action film.
  5. Lacks even mild drama.
  6. The less in control Smith and his co- stars Eva Mendes and Kevin James appear, the better Hitch becomes, until it's rather delightful.
  7. Does a fine job.
  8. An artful look at religious hypocrisy, interfamily dynamics and the way people wrestle with personal history long after the original events are over.
  9. In traditional stories, it's saints, madmen and children who befriend wild animals. Mark Bittner, who pals around with feral creatures in the amiable documentary The Wild Parrots of Telegraph Hill, is just as much an outsider, though of a different sort.
  10. Will have anyone over the age of eight squirming in their seats.
  11. The film, winsome and tragic at once and finely attuned to the rhythms of childhood, always seems quite close to real life.
  12. An otherwise passable horror film that delivers more than enough cheap thrills to forgive the plot holes.
  13. A fairly mediocre film, not nearly as funny as it should be, nor as heartfelt. On the plus side, it's only 85 minutes long and isn't boring. On the downside, it has an intrusive pop soundtrack and a screenplay full of fake conflicts.
  14. The most shocking thing about Harry and Max isn't the subject matter. The most shocking thing is just how tepid it is.
  15. With The Nomi Song, Horn does more than simply pay homage to a late artist. He uses his subject to revisit the euphoria of artistic and musical culture at a crossroads, and in the process brings it, briefly and poignantly, back to life again.
  16. Sweet and deeply moving.
  17. Works more often than it doesn't.
  18. To the extent that this difficult but ultimately rewarding film has a message, it's that you can't run away from who you are.
  19. Muddled.
  20. Visually accomplished and loads of fun.
  21. So mind-blowingly horrible that it teeters on the edge of cinematic immortality.
  22. A thriller without thrills. It's also a thriller that cheats. The story is stretched to feature length only by having the film's incidents arranged in such a way as to reveal as little as possible.
  23. Thoroughly entertaining.
  24. A gentle comedy.
  25. Thought-provoking.
  26. Four screenwriters are credited with this sloppy piece of work. Divide the embarrassment into quarters.
  27. Unique.
  28. Sexy and intoxicating.
  29. More than just a nostalgia trip.
  30. Matches a dingy urban setting with a compelling situation and throws in an ensemble of interesting characters who become even more interesting under stress. This emphasis on character -- in a sense, the movie's underlying humanity -- is what especially links it to the 1970s.

Top Trailers