San Francisco Chronicle's Scores
- Movies
- TV
For 9,316 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
|---|---|---|
| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,171 out of 9316
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Mixed: 2,659 out of 9316
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Negative: 1,486 out of 9316
9316
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Walter Addiego
A droll, deadpan film, deliberately paced and told.- San Francisco Chronicle
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Reviewed by
Carla Meyer
To earnest for its own good. Sincere and heartfelt, it's the kind of family film that might be at home on cable.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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Reviewed by
G. Allen Johnson
Thus a tightly edited, 90-minute action flick becomes a bloated, 105-minute exercise on how not to direct an action film.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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Reviewed by
Carla Meyer
The less in control Smith and his co- stars Eva Mendes and Kevin James appear, the better Hitch becomes, until it's rather delightful.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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Reviewed by
Jonathan Curiel
An artful look at religious hypocrisy, interfamily dynamics and the way people wrestle with personal history long after the original events are over.- San Francisco Chronicle
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Reviewed by
Walter Addiego
In traditional stories, it's saints, madmen and children who befriend wild animals. Mark Bittner, who pals around with feral creatures in the amiable documentary The Wild Parrots of Telegraph Hill, is just as much an outsider, though of a different sort.- San Francisco Chronicle
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Reviewed by
Peter Hartlaub
Will have anyone over the age of eight squirming in their seats.- San Francisco Chronicle
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Reviewed by
Carla Meyer
The film, winsome and tragic at once and finely attuned to the rhythms of childhood, always seems quite close to real life.- San Francisco Chronicle
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Reviewed by
Peter Hartlaub
An otherwise passable horror film that delivers more than enough cheap thrills to forgive the plot holes.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
A fairly mediocre film, not nearly as funny as it should be, nor as heartfelt. On the plus side, it's only 85 minutes long and isn't boring. On the downside, it has an intrusive pop soundtrack and a screenplay full of fake conflicts.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
The most shocking thing about Harry and Max isn't the subject matter. The most shocking thing is just how tepid it is.- San Francisco Chronicle
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Neva Chonin
With The Nomi Song, Horn does more than simply pay homage to a late artist. He uses his subject to revisit the euphoria of artistic and musical culture at a crossroads, and in the process brings it, briefly and poignantly, back to life again.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Ruthe Stein
To the extent that this difficult but ultimately rewarding film has a message, it's that you can't run away from who you are.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Peter Hartlaub
So mind-blowingly horrible that it teeters on the edge of cinematic immortality.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
A thriller without thrills. It's also a thriller that cheats. The story is stretched to feature length only by having the film's incidents arranged in such a way as to reveal as little as possible.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Four screenwriters are credited with this sloppy piece of work. Divide the embarrassment into quarters.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Matches a dingy urban setting with a compelling situation and throws in an ensemble of interesting characters who become even more interesting under stress. This emphasis on character -- in a sense, the movie's underlying humanity -- is what especially links it to the 1970s.- San Francisco Chronicle
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