San Diego Union-Tribune's Scores

  • TV
For 214 reviews, this publication has graded:
  • 50% higher than the average critic
  • 7% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 4.4 points lower than other critics. (0-100 point scale)
Average TV Show review score: 63
Highest review score: 100 EZ Streets: Season 1
Lowest review score: 0 21 Jump Street: Season 1
Score distribution:
  1. Mixed: 0 out of 128
  2. Negative: 0 out of 128
128 tv reviews
  1. Like TV teachers back to the time of "Room 222" and beyond, Mr. Rhodes is depicted as the one teacher in the school who really knows what kids need and want, who will constantly have to buck an unfeeling, insensitive bureaucracy and a staff of stodgy, disapproving older teachers. [23 Sep 1996, p.E1]
    • San Diego Union-Tribune
    • 44 Metascore
    • 75 Critic Score
    George Lopez is refreshing, especially when you consider that Latinos make up almost 13 percent of the U.S. population. And besides all that, Lopez himself is muy simpatico. [24 Mar 2002, p.TV-6]
    • San Diego Union-Tribune
  2. Too gimmicky for my taste. [22 Sept 1986, p.D-1]
    • San Diego Union-Tribune
  3. "TekWar" is a blur of techno images, whirring noises and idiotic sci-fi speak. [18 Jan 1994]
    • San Diego Union-Tribune
    • 43 Metascore
    • 30 Critic Score
    A hokey, befuddling science fiction drama series from Fox. [6 Oct 2000, p.E-11]
    • San Diego Union-Tribune
  4. A likable, even enjoyable, but hazily defined series with no clear sense of where it wants to go. [28 Sept 2001, p.E-12]
    • San Diego Union-Tribune
  5. "Dad" is even spottier than "Family Guy," a nearly random collection of blackouts in search of a story. [29 Apr 2005]
    • San Diego Union-Tribune
  6. The situation seems hackneyed from the start, and so do the characters. [23 March 2000, p.E-5]
    • San Diego Union-Tribune
  7. Ferris Bueller, at least, confronts its source up close and personal in the opening scene and gets it out of the way. [22 Aug 1990, p.D-9]
    • San Diego Union-Tribune
  8. Hewett projects the right blend of acid wit and sympathy, but he gets little help from the rest of the project. [15 Mar 1985]
    • San Diego Union-Tribune
    • 35 Metascore
    • 30 Critic Score
    "Dinotopia" still has computer-generated dinosaurs hardly on a par with the creatures in the "Jurassic Park" movies; an annoying continuous faux classical music score; big, absurd sets; bizarre costumes; and an overall washed-out pastel look. [24 Nov 2002]
    • San Diego Union-Tribune
  9. Overlaying Working Girl is a subtle, cynical atmosphere of class snobbery...The writers' assumption seems to be that their viewers share their elitist values and viewpoint. [15 Apr 1990, p.TV-8]
    • San Diego Union-Tribune
  10. As TV shows go, it may have the most convoluted, tortured premise on record. A new title could resolve its identity crisis: "The Fugitive From Outer Space." It is not so much based on the 1984 film which starred Jeff Bridges as a sequel to it...Even if you saw the movie, you may find the TV show confusing...If you didn't, you may be utterly bewildered.[19 Sept 1986, p.E-1]
    • San Diego Union-Tribune
  11. Where the film began on a distinctly glum note, then built toward a spirit of renewal, the pilot episode of the sitcom starts out noisy and stays that way. In other words, a bewitching and intriguing movie has been trashed once again in the making of a har-de-har sitcom. [30 Mar 1990, p.E-17]
    • San Diego Union-Tribune
  12. Conspiracy and backbiting are the only constant themes, and the overwhelming sense of claustrophobia and the unremitting nastiness of many of contestants make the show nearly unwatchable. [17 Jul 2001]
    • San Diego Union-Tribune
  13. Miserable excuse for comedy. [19 Sept 2003, p.E-11]
    • San Diego Union-Tribune
  14. It's not a laughing matter. [22 Sept 1987, p.E-7]
    • San Diego Union-Tribune
  15. Baby Talk plays like "Look Who's Talking XII," as if the producers just skipped right over the inevitable decline in quality to be expected in a long series of sequels and dove straight for the dregs at the bottom of the barrel. [8 Mar 1991, p.E-19]
    • San Diego Union-Tribune
  16. As time-travel stories go, Timecop is strictly by-the-numbers. [22 Sept 1997, p.E1]
    • San Diego Union-Tribune
  17. Or maybe that line just seems funny, because it's one of the few that's about anything but you-know-what. [24 Sept 2002, p.E-6]
    • San Diego Union-Tribune
  18. Simply sweet, silly and innocuous. And where Hanks is one of the more talented comic actors around, Waring seems to be no more than one more journeyman performer...Macy is a capable comedian, but only Jackie Gleason is Jackie Gleason. [2 Apr 1987, p.C-11]
    • San Diego Union-Tribune
    • 28 Metascore
    • 20 Critic Score
    A strong candidate for worst new series of the season. [2 Nov 1988]
    • San Diego Union-Tribune
  19. What we've got here is a standard family sitcom, with an extra character thrown in when he's needed to move the plot along, and thrown out when he's not needed. You know, if Rin Tin Tin and Lassie could have their own TV shows, why couldn't Mike? [25 July 1987, p.C-11]
    • San Diego Union-Tribune
    • 28 Metascore
    • 30 Critic Score
    "Gung Ho" is the first prime-time series to have a predominantly Asian-American cast, but that doesn't save it from a narrow premise. [11 Dec 1986]
    • San Diego Union-Tribune
  20. Cassidy is a decently capable dancer, but the routines performed by the troupe at the resort seem utterly tame, so mild that Stevenson's fuddy-duddy objections seem only puzzling. They are not nearly as puzzling, however, as CBS's decision to pencil Dirty Dancing onto the network dance card. [29 Oct 1998, p.D-15]
    • San Diego Union-Tribune
  21. Goofy, silly, trying to be hip, lighthearted and loose, but ending up merely stupid, a dopey mix of inane dialogue, hints of sex, gunfire and blood. [29 Aug 2004, p.TV-6]
    • San Diego Union-Tribune
    • 25 Metascore
    • 30 Critic Score
    Particularly annoying because of its constant canned laugh track. The rhythm and cadence of the show are as fake as a current coffee commercial that's a satire of "Friends." [6 Oct 2000, p.E-10]
    • San Diego Union-Tribune
    • 25 Metascore
    • 37 Critic Score
    Lame. [2 Oct 2000, p.E-7]
    • San Diego Union-Tribune
  22. Stunningly stupid. [27 Sep 1992]
    • San Diego Union-Tribune
  23. One of the true, noteworthy duds of the 1990 fall schedule...A lamebrained enterprise, a witless, obvious, often self-contradictory attempt at comedy. [10 Sept 1990, p.C-1]
    • San Diego Union-Tribune

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