Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. Hope Springs is an oddly ambitious blend of bland humor and startling insight into the realities of married life. It's something like Ingmar Bergman's "Scenes From a Marriage," as translated into the universe of the Lifetime Network.
  2. The British street artist's hilarious documentary is a head-spinning, wild ride.
  3. Kevin Smith's comic-religious fantasy turns out to be the sweetest hot-potato movie imaginable.
  4. This is one of those moving, tragic and triumphant secret histories of American culture where the biggest surprise is that no one’s told it before.
  5. One of the most intriguing tangents in Mea Maxima Culpa involves the Rev. Gerald Fitzgerald, founder of the Servants of the Paraclete, a Catholic congregation established to help priests who were struggling with celibacy, alcoholism and other personal issues.
  6. My personal view is that Quentin Tarantino is now permanently high on his own supply, but you could just as well say that he has succeeded in reinventing the art film. Is it worth it to put yourself through the brutal and incoherent three-hour ordeal of The Hateful Eight for its moments of brilliance and its ultimate catharsis? Jesus, don’t look at me.
  7. Both here and in "The Orphanage," Bayona reveals himself as a masterful genre stylist of almost unlimited talent and a storyteller addicted to sentimental happy endings that feel a bit sardonic. Like, it's all OK now – but just wait till next time!
  8. Ghost Town is a rarity, a contemporary romantic comedy that honors the traditions of the genre without checking them off some plasticized list. The picture is breathing, and alive, every minute.
  9. Jack Nicholson is at his best playing a burned-out border patrol officer in a small Texas town.
  10. '71
    It’s a riveting, man-on-the-run genre movie, almost a combination of “Black Hawk Down” and “After Hours,” rather than an allegory or a historical treatise.
    • 66 Metascore
    • 80 Critic Score
    With Kick-Ass, there are more cheap thrills, gory explosions and superheroes than a movie geek's YouTube mash-up.
  11. Gripping, and it's moving, but it isn't particularly subtle. There's a strong thread of tabloid drama running through its core -- but at least it's sensationalistic storytelling with a heart.
  12. As lively and entertaining as Juno is, Reitman and Cody have also done the work of shaping the story into something emotionally direct, unsparing and generous.
  13. The movie is a hilarious, riveting must-see about a family as it breaks down almost all the way and then reinvents itself.
  14. Is this an "indie" film with a deliberately messed-up chronology and an ambitious narrative you'll appreciate even more the second time through? Yes. Is this a deliberately trashy horror-comedy with a few decent jolts and several big laughs, best viewed with a gang of friends and a consciousness-altering agent of your choosing, parasitical or not? That too.
  15. The result is giddy, exciting and hilarious, not quite like any artistic experience you've ever had.
  16. You can't watch this exciting movie without rooting for little Dieter, but decoding the lessons of his ambiguous story will take a lot longer.
  17. Reichardt is a tremendously conscientious filmmaker, and not out to torture the audience. Yes, this is a fraught and agonizing story, but the way it ends, although heartbreaking, is absolutely right.
  18. It isn't a masterpiece; there are occasional clunkers in Jelski's dialogue (adapted from a play by Wolfgang Bauer) and the acting, although superior to maybe 85 percent of Hollywood movies, is a little uneven.
  19. Oblivion is a technical triumph rather than a philosophical breakthrough, demonstrating how beautifully digital effects can be blended with real people and real sets, demonstrating that neither Tom Cruise nor the 1970s will ever die, and announcing the unexpected arrival of a major science-fiction director.
  20. Varda's photography is a pure joy, but rereleasing this film four decades later, absent any commentary on the ironic distance between then and now, is a typically challenging gesture.
  21. Like rock 'n' roll itself, the movie's really all about girls. Even when -- no, especially when -- it's pretending not to be.
  22. Taken on its own terms The Wolverine is the cleanest, least pretentious and most satisfying superhero movie of the summer.
  23. It's a complex and defiant fable of American life run just slightly off the rails, delivering all the impact of "Crash" without the phony-baloney paradoxes or brick-in-the-face message delivery.
  24. As a performance-art act of juvenile Id-fulfillment, it's magnificent.
  25. Wood's film works, first and foremost, as a powerful character drama; it's not trying to teach historical or ideological lessons.
  26. Allen seems to be paying attention in a way he hasn't always done in recent films, and has found a way to channel his often-caustic misanthropy, half-comic fear of death and anti-American bitterness into agreeable comic whimsy.
  27. Dancing, like being in love, sometimes means making a mess of things. Born Romantic makes glorious sense of that mess, trampled toes and all.
    • 76 Metascore
    • 80 Critic Score
    Children of the Revolution won't leave its audiences weak with laughter, but it should have the most perceptive among them arguing in the aisles.
  28. There's something to be said for watching an animated movie not with the eyes of a child, but with those of a turned-on grownup.

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