Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. The Help definitely worked on me as a consummate tear-jerker with a terrific cast, and it's pretty much the summer's only decent Hollywood drama.
  2. An experience that wrenches you free of the everyday world and urges you to contemplate all sorts of big-picture questions.
  3. If at first I tried to resist these hapless Pennsylvania teens who'd never even heard of David Bowie, for Christ's sake, I was won over completely by the time Patrick and Sam are ready to graduate and Charlie has faced down his demons one more time.
  4. It's a liberating, kindhearted picture, one whose ending brings with it the feeling that something has finally been shaken free. How comfortable you feel with that is completely up to you.
  5. Is it, on some level, '70s-style horror schlock dressed up with contemporary gimmicks? Sure, but don't act like that's a bad thing! It's schlock with honor, schlock with a conscience, schlock that speaks to the way we live now.
  6. It's a disorientingly beautiful movie at times, which promises -- as Denis always does, I think -- that human madness and human love will balance each other out, in the fullness of time.
  7. A joyful mix of high and low humor, pulled off with style and an eye for glamour (Danielle Hollowell deserves special praise for her costumes; she's the high priestess of fitted snakeskin).
  8. No one could have held The Fog of War wanting if Morris had concluded that it's impossible to get all the way to the bottom of Robert McNamara. But explicating an enigma is not the same thing as blurring it with artistic ambitions. The thickest fog in this documentary has been conjured not by McNamara, but by Errol Morris.
  9. Is legendary Hollywood producer Robert Evans feeding us a load of crap in this documentary? When it's this much fun, who really cares?
  10. Lurid but compelling.
  11. So Upstream Color is defiantly pitched in its own idiosyncratic key, but it bears the unmistakable influence of Carruth’s fellow Texan Terrence Malick and also of Steven Soderbergh’s early films.
  12. I resisted this derivative mishmash of classic fairytale and modern epic fantasy for as long as I could, but ultimately it swept me up into its geeky but manly embrace and carried me away on a white charger.
  13. May be a bit too grim and claustrophobic to become a certifiable summer blockbuster, but it's a pulse-pounding thriller that brings one of the Cold War's darkest and deadliest episodes to the big screen.
  14. In all honesty, Burnett's writing can be stiff and the acting in Killer of Sheep is indifferent. But the reason to see this film does not lie in the dialogue.
    • 67 Metascore
    • 80 Critic Score
    From time immemorial, for youths of all orientations, the first few stabs at sex often turn out to be troubling predicaments rather than the romantic events they've imagined, something Edge conveys quite well.
  15. Farrell looks like he's having the time of his 400-year-old life.
  16. An extraordinary social comedy.
  17. I'm not sure yet if Time is a masterwork, a deranged folly or just a showman's highly persuasive trick. Whatever else it is, it's a clean, economical and handsome film, terrifically acted, with a heart full of treachery and mystery.
  18. At least Linklater isn't just picking the bones of his forebears; he honors them as they deserve.
  19. This is the weirdest film I've seen all year, or at least the weirdest good film. It's also among the most powerful.
  20. Mesmerizing documentary.
  21. A strange, strident and finally fulfilling father-son saga.
  22. Ang Lee's dark and sober fable might be the most interesting and least dogmatic view of the Civil War to wend its way into the multiplexes.
  23. What comes through repeatedly is that questions of law and reason, or guilt and innocence, played no role in the case of Omar Khadr.
  24. Like all poetic inward journeys, My Winnipeg is likely to resonate with sympathetic viewers in unexpected ways. In viewing his apparently placid prairie city, and his apparently placid prairie childhood, as an intensely symbolic landscape of mystery and terror, Maddin invites all of us to view our own equally ordinary lives in the same light.
  25. When it comes to any larger questions about what was lost or gained, and whether Frankie Valli’s odyssey was worth it, Eastwood throws up his hands. Who knows? He’s made a thoroughly tolerable and non-insulting summer movie for grown-ups; isn’t that enough?
  26. Quaid doesn't make the best of the movie's baloney; he presents it to us as a believable truth.
  27. If The Three Burials of Melquiades Estrada has some languid patches, it's also a work of uncommon maturity and remarkable poetry.
  28. A comedy embedded with secret tips for better, more enjoyable living.
  29. Brash, bristling, highly watchable film.

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