Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. It’s a work of chilly wit and bleak metaphor, an artifice that invites the kind of analytical response where we pull on our chins and discuss how other people, more naive than we, will receive it.
    • 72 Metascore
    • 80 Critic Score
    Pi
    It's precisely when Pi is the most arty and least "commercial," when it's serving up head scratchers instead of intrigue, that it's most entertaining.
  2. Assaf’s pop-culture transcendence was a coming-of-age moment for Palestinians, a sign that they could triumph in the most delicious, delightful and unlikely of contexts, despite a broken society built on institutional hopelessness. Abu-Assad’s films make the same point, in a darker register.
  3. Coraline is essentially faithful to the spirit of its source material. But it's also so visually inventive, and so elaborately tactile, that it stands apart as its own creation.
  4. One of the strangest and least summarizable motion pictures ever made: tragic and hilarious, tightly constructed and miscellaneous.
  5. Like nobody else, Kazan succeeded in capturing the overheated, self-pitying dramatization so near and dear to the teenage heart.
    • 75 Metascore
    • 80 Critic Score
    A handsome, diverting coming-of-intrigue story studded with meaty performances.
  6. The Dancer Upstairs, is a haunting and often beautiful work, part doomed romance and part political thriller, that demonstrates the adult command of the medium Malkovich has always demonstrated as an actor.
  7. Tsai Ming-Liang's new movie about urban isolation reinvents the delicate, poetic shadow play of silent movies.
  8. Vital and affecting romantic drama.
  9. Exhilarating and exhausting, the kind of picture you don't bounce back from immediately. Yet its elusiveness is the very source of its poetic energy.
    • 58 Metascore
    • 80 Critic Score
    All the acting in it is flawless, an overflowing handful of polished jewels.
  10. On first viewing, I conclude that Enough Said is irresistible, and demands a second (and third) viewing right away.
  11. This latest film from Iranian director Majid Majidi has the same combination of quiet contemplation, whimsy and tragedy that made his "Children of Heaven" an international smash a decade ago.
  12. Something New is the perfect date movie, not only because it explores a range of suitably romantic sentiments, but because it's so canny sociologically, as well as being delightfully good-natured.
  13. Casting Barrymore as Cinderella is an inspired idea, and a tribute to director Andy Tennant's ability to see through the public's perception of Barrymore to her essence as a performer.
  14. Fratricide marks Arslan as one of Europe's hottest young talents, drawing simultaneously on the film traditions of America, Western Europe and the Middle East.
  15. At its best when it feels specific to its setting; Erik Wilson's often lovely cinematography captures the distinctive, watery light and raw weather of the Welsh seacoast in winter, and Hawkins, as always, captures a character who is completely specific in terms of class, place and period.
  16. It's a lovely, measured and deeply earnest work. It balances a realistic view of first century Palestine against a sincere consideration of how an ordinary man might learn he is divine.
  17. In the Loop is clever and lively, but it isn't sharp or nasty enough to cut very deep; at best it's just a peppery trifle.
  18. As is typical with Egoyan, the structure is complicated and the layers of cinematic technique and texture are even more so.
  19. A lean, clean killing machine that supplies some dark, late-summer thrills and chills and breathes new life into a seemingly extinct franchise.
  20. I still have unanswered moral questions about the film -- unanswered because unanswerable, I suspect -- but it's a beautiful, wrenching, horrifying work of cinema, unlike anything I have ever seen or will see again.
    • 63 Metascore
    • 70 Critic Score
    Linklater gets great performances from his young cast, and you'll find yourself thinking about the characters and their travails well after the movie's finish.
  21. A cozy little ode to sensual and culinary pleasure.
  22. Formally, Klores film is a standard-issue documentary, combining period footage with talking-head interviews. But his talking heads are a hoot -- leathery, leisure-suited, foul-mouthed, larger-than-life characters, straight out of the Bronx by way of Palm Beach -- and their story is a Gothic yarn of obsession, crime and forgiveness.
  23. It's undoubtedly a canny and clever twist on the standard zombie-attack yarn, but anybody who's making grand claims for 28 Days Later simply hasn't seen enough horror movies.
  24. Travolta, looking believably pretty and sweet under layers of fondant Latex, is a wholly different incarnation of Edna. And he's not bad. But that right there is the problem with Hairspray: It's all so "not bad" that it isn't nearly enough, even when Shankman and his cast work hard to send it soaring over the top.
  25. No serious film fan could stomach the cheap gags and farting contests in this goofball tribute. I laughed myself stupid anyway.
  26. Largely improvised, cast with ex-Marines and Iraqi refugees and shot in Jordan. It might just be the movie this war has been waiting for.

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