Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. An impressive but exceptionally disturbing feature debut from Australian director Justin Kurzel that pushes the new wave of Aussie crime films up a notch.
  2. It's hilarious, and contains some of Mamet's best dialogue. And that somehow, by making a racist, murderous, Everycreep his protagonist, Mamet is able to produce some of his most penetrating psychological and spiritual insights.
  3. But even here, in a role that doesn't ask much of Wahlberg, I find plenty of evidence that he's among the finest actors of his generation.
  4. Starts out as noir, takes a shift into something like deadpan screwball comedy and ends up as a comedy of remarriage.
  5. His final scenes with Lucy and with his own dad are both surprising and shattering, and I was left humbled by the film's honesty.
  6. A sophisticated, subtle adult entertainment that is also a compliment to the audience.
  7. Among the most depressing films ever made...It's a stomach-turning tale of globalization at its very worst, though what any of this has to do with Darwin is unclear to me.
  8. It has a nobility and modesty, along with a refreshing lack of cynical attitude, that you rarely find in independent films these days.
  9. Highly entertaining and skillful documentary.
  10. There's no doubt that Kill Bill is an epic, and no doubt of the skill that's often apparent. But what it leaves us with is awesomely trivial.
    • 89 Metascore
    • 80 Critic Score
    It's not necessarily the drama inherent in these stories that moved some to tears -- and it's possible that some audiences won't recognize the restraint Lee exercised in rendering them -- it's the heartbreaking matter-of-factness with which they're being retold.
  11. There's no other filmmaker, living or dead, who could produce a futuristic sci-fi nightmare, a hipster comedy, a haunting film noir and a cartoon, all in the same movie.
  12. So refreshingly straightforward that at first you may not know what to make of it.
    • 91 Metascore
    • 80 Critic Score
    Using the overpowering techniques of modern film, Steven Spielberg has cut through the glory-tinged gauze that shrouds World War II to reveal its brutal reality, creating a phenomenology of violence unsurpassed in the history of cinema.
  13. The sweetest, most sincere romantic comedy to come along in ages, and a luminous love letter to a great American city.
  14. Band of Outsiders is about the tyranny of living a life of movie-fed fantasies, and while it makes us see the poverty of those fantasies, it also makes them unaccountably rich, poetic, sad.
  15. It's a fascinating human story and a film as pure as ice water
  16. What really elevates it, though, is the film's sharp wit and tender heart, both of which are conveyed beautifully by the fresh-faced cast.
  17. The most inventive and genuinely frightening horror movie to appear in years.
    • 64 Metascore
    • 80 Critic Score
    A flashy, smoker-friendly documentary on the twisted history of the evil weed -- and the misguided drug war against marijuana.
  18. The damn thing is, Ridley very nearly makes this insuperable obstacle work to his benefit. He delivers a flawed, ambitious and deeply peculiar portrait of one of the 20th century’s most enigmatic musical talents, in the year before he ascended to rock-god status, that resembles no other pop-music biopic you’ve ever seen.
  19. A dazzling true-life comedy that might be the funniest movie about grief ever made.
  20. It's a consistently exciting piece of moviemaking, but it's not a pleasant experience; it's one of the few recent movies that have the power to leave you genuinely shaken up.
  21. As "Birders" makes clear, and as Franzen would surely agree, birds and birders have always been among us and require no reinvention. What they have to offer us is what that heron offered me, for just a split-second – a sense that despite our best efforts we are still a part of nature, and not yet an alien species disconnected from the real world.
  22. I would simultaneously argue that Sheil and Greene go off the rails several times during Kate Plays Christine, most notably in their overly artful and self-conscious attempt to re-enact the shooting but also that they get viewers closer to the real Christine Chubbuck than I would have thought possible.
  23. A film that stands out for its passion, ambition and clarion-call sincerity, even amid the contemporary onslaught of political documentaries.
  24. I don't know whether to call it interpretive dance for dudes or performance art or just a highly developed form of wanking. Who cares? It seriously rocks.
  25. Philip Seymour Hoffman utters one of the year's most refreshing lines in this terrific tale of political wheeling and dealing.
  26. Franco is up to every bit of Boyle's challenge, capturing Aron's transition from clownish outdoorsman and party boy to an introspective chronicler of his own impending demise and a visionary lunatic.
  27. The picture is beautifully paced, with an exhilarating, comically violent opening, a halcyon middle section where, in what could be viewed as a sideways homage to "Rebel Without a Cause," our rootless wanderers share a brief respite in an empty, lavish mansion, and a finale filled with light and color and movement (as well as piles of vanquished zombies).

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