Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. This is a story of real heroism that will leave you weeping, laughing and singing.
  2. Best of all may be the narration, by Sam Shepard: His voice, the kind of voice God might have if he'd ever smoked Camels, frames this gentle but potent little story with good-natured authority, making it feel modern and ageless at once.
  3. What keeps the movie going, besides Softley's intelligent direction and Mathieson's inventive cinematography, is the actors' duet between Spacey and Bridges.
  4. A rare and tender delight.
  5. A sweet and sexy celebration of real women's real bodies.
  6. So unapologetically loopy and lush and ridiculous that I found it irresistible.
    • 77 Metascore
    • 80 Reviewed by
      Max Cea
    Like every Swanberg picture I’ve seen, Win It All is a small character drama that, through improvisation, renders relationships impeccably; it’s at once specific and universal.
  7. Might not be as intriguingly odd as the picture that inspired it. But like that earlier picture, it bristles with life and energy. It's a movie made with equal measures of bravado and humility -- the same mix of qualities you need to play Beethoven, Mozart or Bach.
  8. An ingenious construction, much cleverer in psychological and symbolic terms than the story it tells, which mixes a schematic thriller and an on-the-nose fable about the corruption of American politics.
  9. The movie "Munich" should have been. At the very least, it's got to be the first picture to use smelly-feet jokes as a means of parsing the Israeli-Palestinian conflict. But more than that, it's a mainstream movie that dares to make jokes about the kinds of complex political realities that most of us don't dare bring up at dinner parties.
  10. The heart of the movie is not in its plot but in its characters and atmosphere. Castaneda, a nonprofessional actor who runs a towing company in San Antonio, gives a towering, Robert Duvall-style performance as a granitic man in late middle age whose internal world of pain and love and knowledge occasionally flickers to the surface.
  11. Majid Majidi's exquisite film The Willow Tree"is likely to make a very brief stop in theaters en route to home video, so catch it when and if you can.
  12. Cholodenko and her actors pull it off; the performances here are like a wary ballet, ruled as much by the mysterious magnetic attractions and repulsions these characters feel for one another as by anything so dully explicable as psychology or standard rules of social conduct.
  13. Joseph Gordon-Levitt and Zooey Deschanel charm the pants off us -- and each other! -- in this irresistible comedy.
  14. It's a fascinating immersion within a highly ritualized Stone Age oral culture that, at least according to tradition, existed almost unchanged for thousands of years before the European arrival.
  15. It's a terrific little movie, gritty, real, ironic, ruthless and deeply humane.
  16. Despite its slick packaging and overtly facetious premise, director Matthew Cooke and producer Adrian Grenier’s faux-educational documentary How to Make Money Selling Drugs packs a wallop.
  17. 4
    It's another blast of vibrant, vicious, gloomy electricity from the always-surprising Russian film scene, and the beginning of an important career.
  18. I'm going to suggest, somewhat tentatively, that Bachelorette is most unlike "Bridesmaids" because it fundamentally isn't a comedy at all, but something closer to a dense, dark character drama tarted up in high heels and a short skirt and dosed with pills and coke.
  19. This film's intelligence and forthrightness about the things women sometimes do to one another -- and its resoluteness about where the line should be drawn in terms of selflessness between friends -- set it head and shoulders above most contemporary movies that deal with friendships between women.
  20. The Last of the Mohicans is a striking mixture of the ersatz and the genuine. In other words, it’s vintage Hollywood. It’s also a smashingly entertaining and satisfying adventure.
  21. Almodóvar isn’t just flashing back, retro-style, to the era of “Pepi, Luci, Bom” and “What Have I Done to Deserve This?” He’s also returning to a core principle of that era and of his work, which is that human sexuality, as much as it drives us crazy and makes us do stupid things, is also a force for the liberation of the human soul.
  22. The magic of Summer Hours is that even in its elusiveness, it gives us something to hang onto.
  23. Happily Ever After is an exhilarating, joyous picture, but it's sometimes terrifying, too. It offers a vision of marriage as an adventure we embark on together, alone. If you didn't cry, you'd laugh.
  24. It's Foster who rules the movie like an ice queen.
  25. I enjoyed it from beginning to end, and if you've been lamenting the dearth of violent genre movies that don't assume the audience to be morons, you will too.
  26. Sad, sweet and oddly inspirational.
  27. Reid is stunning here.
    • 84 Metascore
    • 80 Critic Score
    The startling thing about "Aliens" is how obsessed it is with women as child bearers. It's the theme that allows the movie to have all the trappings of a typical science fiction/action movie while creating a primal emotive connection for the audience.
  28. Disturbing and extraordinary new documentary.

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