Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. Watching Man on the Train is like coming across one of those threadbare Persian rugs you see on public tours of private homes. Its elegance is more comfortable than cold, and it carries its worn, battered mien proudly.
  2. Carell's physical comedy is close to genius.
  3. A thrilling ride and a sometimes dry, sometimes sweet comedy, but beneath all that is a humane and tragic view of life worthy of the greatest films. Even those without rubber monsters.
  4. Westfeldt and Juergensen keep Kissing Jessica Stein bright and funny and loose.
  5. A weaker actor, one more naked than De Niro is now capable of being, might have revealed some inner compulsion in the character. But De Niro's steadiness becomes part of the movie's rugged stolidity.
  6. See it in one glorious shot, grab as much from it as you can and run like hell. I say that not because I hated Masked & Anonymous, but because I loved it.
  7. I found The Matrix Reloaded so exhilarating. It's a sadder, wiser, more grown-up movie than its predecessor. It was made, one might almost say, for a sadder, wiser, more grown-up world.
  8. I suspect this movie will sharply divide Nichols' existing fan base for reasons I can only allude to vaguely in a review; I loved it, or almost all of it, but I can understand the uncertainty.
  9. If you want a movie that eviscerates “The Hunger” and eats its bloody insides while daring you to look away, here it is.
  10. Vidal vs. Buckley was pretty much a clown show. It was also total TV gold. Those two guys went viral when that adjective only referred to actual disease; they invented the YouTube clip decades before the Internet was even a gleam in Al Gore’s eye.
  11. The scenes between LaPaglia and Weaver, directed and played with a straightforward austerity that occasionally moved me to tears, make up for every one of The Guys flaws.
  12. Visual tone poem.
  13. A sprawling, overstuffed, formulaic but highly entertaining story of pop stardom.
  14. What If could be the breakthrough film that underappreciated Canadian director Michael Dowse (“Goon” and “It’s All Gone Pete Tong”) has been waiting for, and at any rate it’s a sparkling screwball highball, perfect for a late-summer weekend.
  15. Solidly made and sometimes quite moving chronicle of a working-class family in Tehran.
  16. Combines memorable images of the gorgeous, rugged wilderness, meticulous sound design that emphasizes the characters' isolation, a dash of dark wit and a dose of madness.
  17. Truly is an ensemble comedy.
  18. Bridge of Spies is itself a form of historical whitewashing, albeit one less noxious and harmful than the customary American variety. I liked the movie a lot – it’s one of Spielberg’s most measured and most adult films in years.
  19. If it's all reasonably familiar indie-comedy terrain, it's delivered at a brisk, economical clip with plenty of laughs, and a series of running gags that keep getting funnier.
  20. Here’s the thing about Crimson Peak, which is lurid and ghastly and immensely enjoyable and frequently spectacular and also thinner and less substantial than it wants to be, like a meal eaten in a dream.
  21. Once you adjust to Listen Up Philip, it’s also invigorating, disturbing and frequently hilarious, but that adjustment’s not entirely painless.
  22. It's a mess, and a ridiculous golden shower of toilet humor. But Mike Myers' superspy spoof still provides the summer's purest movie delight.
  23. Chomet bows to the tradition of conventional animation even as he tests its limits.
  24. A superb mainstream entertainment in the purest sense of the term: It's a picture made to please a wide audience without ever pandering to it.
  25. One of the truest American gangster films of all time.
  26. A marvelously compressed and immaculately constructed work.
  27. An electrically paced and brilliantly acted death-row thriller.
  28. Tykwer's actors seem completely clued in to his intentions. Both Blanchett and Ribisi give performances so restrained they're almost subliminal.
  29. This is a deliberately chilly and nerve-wracking experience, and one of the bleakest portraits of American society seen on-screen in the last several decades.
  30. There's no disputing the ingenuity and even the brilliance of this mind-bending mashup, which begins as a gritty recession-era marriage drama - the opening scene features a couple arguing about whether they have the money to get the Jacuzzi fixed - and then descends into ominous violence and finally total insanity.

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