Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Sarah Silverman is the most outrageously funny woman alive.
  2. Go with the whimsical flow that includes a hilariously morose robot named Marvin, voiced by the great Alan Rickman with the weight of the galaxy resonating in every bored, cynical syllable. Adams would be pleased.
  3. It's the bruised history of these brothers that gives Out of the Furnace its beating heart and the power to grip you hard.
  4. The sequel is more musically varied, though Kay Cannon's script amps the sass at the expense of structure. But the MVP here is Elizabeth Banks.
  5. Honk for Jesus is a fine, often funny movie about the moral hypocrisy of the church and an even better movie about a woman forced to endure looking like a fool, an outright clown, because of her husband.
  6. By any fair standard, this lushly produced film is a long, bumpy ride to a major letdown.
  7. Piercing is not exactly a sophomore slump for Pesce, nor is it an embarrassment for anyone else involved. But the longer you watch it, the more inadvertently ironic the title becomes.
  8. What could have been a sentimental train wreck emerges as a funny and touching portrait of three bruised people.
  9. Theron, in the middle of her action-hero phase and at her "Mad Max: Fury Road" best here, just nails it.
  10. If you’re willing to be patient, the characters become richer, the narrative takes more risks and the set pieces are more enthralling, like an engrossing disco sequence and a lumbering car chase in giant, period-accurate sedans.
  11. The story has been filmed many times, but never with this kind of erotic charge. Knightley is glorious, her eyes blazing with a carnal yearning that can turn vindictive at any perceived slight.
  12. Bad Influence will do in a pinch if you're starved for intrigue. For a while, it's nasty fun watching Michael sink into depravity. Erotic and spine tingling, this thriller has undeniable allure. But Bad Influence lacks daring, moral ambiguity and the pleasures of the unexpected, the elements that might give it distinction.
  13. With Pfeiffer, 50, radiating uncommon beauty, grace and feeling, Frears uncovers a fragile story's grieving heart.
  14. Their banter is fun at the start until it becomes relentless.
  15. A crowd pleaser that spices a tired formula with genuine feeling.
  16. For a movie made from spare parts - take "The Exorcist" and attach to "The Blair Witch Project" and "Paranormal Activity" - The Last Exorcism delivers the heebie-jeebie goods.
  17. I don't blame you for backing off a movie that focuses on a suicidal teen who learns warm life lessons by spending five days in a Brooklyn hospital's psych ward. Stop worrying. It's Kind of a Funny Story, based on Ned Vizzini's semiautobiographical novel, breaks the jinx.
    • 63 Metascore
    • 70 Critic Score
    In the end, The Beach Boys is part an exploration of a family dynamic and a top view of one of America’s most important bands, with a soundtrack that is undeniably superb (a collection of songs released alongside the film is a must-listen).
  18. If The Eyes of My Mother is occasionally stylistic to a fault and ends way too abruptly, it's also the mark of someone who isn't afraid to make something that leaves scars.
  19. Besides being a feast for the eyes and ears, Les Misérables overflows with humor, heartbreak, rousing action and ravishing romance. Damn the imperfections, it's perfectly marvelous.
  20. Hot Tub Time Machine should have been better than this. It could have been poignant.
  21. There's no sense to the scene in which the boys get together for a close-harmony rendition of "Afternoon Delight" -- just pure pleasure.
  22. Just what we didn't need: another kick-ass cop flick in which we know the guys are macho because they rough up their wives and the gals are hot because they totter on spike heels like hookers.
  23. Jolie is inspired casting. She plays the role like a gathering storm, moving from terror to a fierce resolve. And Eastwood, at the peak of his artful powers, tightens the screws of suspense without ever forgetting where the heart of his film lies.
  24. The fact that Shyamalan seems to be working out some issues onscreen doesn’t stop him from crafting a thriller, and one which goes about its job with steady determination in Cabin’s cryptic, superior first half.
  25. Just when you're ready to puke, the old Bill Conti theme ("Gonna Fly Now") kicks in -- are you feeling it? -- Stallone steps in the ring and every day is Christmas. All together now: Rock-ee! Rock-ee!
  26. Depp swans through this swashbuckler with a scene-stealing gusto unseen since Marlon Brando in "Mutiny on the Bounty." He's comic dynamite, but this plodding, repetitive bore should walk the plank for timidly refusing to light his fuse.
  27. Miller's wake-up call is meant to be ours. Too little and too late? Maybe. But even in this Bourne Zone, Damon and Greengrass haven't shirked their duty to enlighten and entertain.
  28. This riveting film qualifies as the anti-crowd-pleaser -- but Penn makes it unthinkable to turn away.
  29. In updating Shakespeare’s "The Tempest," writer-director Mike Cahill focuses on the magic worth finding between a father and daughter. That’s why the film sticks with you. It’s a gift.

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