Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Whatever you call this one-of-a-kind bonbon spiked with wit and malice, it's classic oo-la-la.
  2. It makes you laugh till it hurts.
  3. Brutal, sexy, built to thrill and minus a scintilla of redeeming social value, the movie -- based on a series of comic books by Mark Millar and J.G. Jones -- explodes like summer fireworks.
  4. Branching out in a bold new direction, Stallone is quietly devastating. James Mangold has directed Cop Land from his own ardent, audacious script, and despite some draggy, overdeliberate moments, it's the strongest piece of material to come Stallone's way since he invented himself as Rocky 21 years ago.
  5. It’s a power house.
  6. The film’s low-key charm and quirky humor grow on you and create a rooting interest in what happens next. It doesn’t take the Supreme Intelligence of the universe (who we always figured would resembled Annette Bening) to know it’s wise to play the long game. Captain Marvel is not just another wonder woman. She plans to build an army.
  7. This movie will get under your skin.
  8. Harron needed just the right actress to play Bettie. And she lucked out big time. Gretchen Mol (The Shape of Things) is hot stuff in every sense of the term. She delivers the first performance by an actress this year that deserves serious Oscar consideration.
  9. Williams gives a performance that is riveting in its recessiveness and, as a consequence, truly, deeply scary.
  10. It’s a delightful throwback to an age when a comic mystery fueled by someone with a screen-friendly persona and even screen-friendlier good looks weren’t an anomaly, and a perfect vehicle for Hamm. It’s right in the breezy, funny, irreverent sweet spot in which a filmmaker poised between journeyman and auteur like Greg Mottola works best.
  11. The actors are world-class charmers, and the magnificent Dame Maggie is the diva divine. Her wit still stings, as it does on "Downton Abbey."
  12. The ending isn't squishy scary or deeply satisfying. Bummer. Otherwise, Prometheus – especially in its spellbinding first hour – kicks ass so hard and often that it's impossible not to be thrilled by it.
  13. The tightly-focused origin story of Ruth, played with ferocity and feeling by Gugu Mbatha-Raw, is still one hell of a heroic odyssey.
  14. It’s an irresistible romantic romp that turns the familiar into something sweet, sassy and laugh-out-loud funny.
  15. Smith wins our hearts without losing his dignity, as Chris suits up for success by day and fights off despair by night. The role needs gravity, smarts, charm, humor and a soul that's not synthetic. Smith brings it. He's the real deal.
  16. For all its bile and incoherence, In Praise of Love is filled with haunting images and insights. Godard may be a lion in winter, but the lion still roars.
  17. An explosive piece of entertainment that also means to make a difference. Listen up.
  18. Polarizing is too tame a word to describe reactions to Luca Guadagnino’s radical rethinking of Suspiria. Either you’ll dig in or bolt for the exit — no in between.
  19. Heebie-jeebies are guaranteed.
  20. A riveting and surprisingly romantic ride.
  21. There are times when this mindbending bromance actually achieves a twisted tenderness. There are also times when you'd like to ride Manny's farts to the nearest exit. It's your call.
  22. Menace and mirth can cancel each other out. But the combo clicked in 1985's Fright Night (banish the 1988 sequel), and it clicks again in this frisky 3D remake.
  23. The wow factor of Ready or Not helps you jump the hurdles of any plot predictability.
  24. Che
    Che looks dazzling, whether the camera is weaving through a battle or trying to bore into Che's haunted soul. Del Toro stands up to Soderbergh's relentless scrutiny. As for the movie, it's a reward to audiences eager to break from the play-it-safe pack. Game on.
  25. Youth is superior cinema, ardent and artful. Sorrentino, an Oscar winner for The Great Beauty, fills every frame with ravishing images that evoke his idol, Fellini. Gloriously shot by Luca Bigazzi and scored by David Lang, the movie engulfs you like a dream.
  26. Everything that makes Ethan Hawke an extraordinary actor — his energy, his empathy, his fearless, vanity-free eagerness to explore the deeper recesses of a character — is on view in Born to Be Blue.
  27. Elvis is an entertaining movie about the man’s sex appeal and a pretty good movie about his life, even as it never dials things back enough for anyone to catch a breath. Luhrmann’s zigzagging, triumphantly kitschy style suits his subject.
  28. Araki constructs the hot-blooded Kaboom as a high-wire act without a safety net. Go with it.
  29. An uneven movie that nonetheless bristles with stinging wit and exerts a perverse fascination.
    • Rolling Stone
  30. A ruthlessly clever musical, a punchy political parody and the hottest look ever at naked puppets -- the first film, porn included, in which a woody is actually made of wood.

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