Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. There’s a lot of Big Cinema Energy pouring out of the screen, which alternates between thrilling and exhausting. Mostly the former, thankfully, yet you can feel where this fit-to-burst tableau of trauma takes a detour into Look-Ma-Check-This-Out territory.
  2. Even before the murderer is revealed, you’ll recognize the method in which the movie dispatches its victims: They, like us, were probably bored to death.
  3. Director Tom McGrath keeps the action spinning and trips lightly over the bummer spectacle of watching a bad boy go good.
  4. It would be no country for movie lovers without the Coens. They still manage to run unmuzzled while the rest of Hollywood runs scared.
  5. I was moved, impressed — far more than I expected to be. The emotional engineering of The Matrix Resurrections is exacting and rapturous.
  6. DiCaprio, in his most haunting and emotionally complex performance yet, is the vessel Scorsese uses to lead us through the film’s laby­rinth.
  7. The idea of the boiler room as a Y2K gladiator ring for disenfranchised youth provides a proactive new twist.
    • Rolling Stone
  8. Amigo is combustible filmmaking, something that stays with you long after the final credits. In an entertainment universe of escapism and short attention spans, Amigo is a rousing antidote and a cause for celebration.
  9. A potent and provocative look at life unhinged. Bubble is said to be the first in a series of six low-budget films from Soderbergh. If they all rock the boat like this one, bring 'em on.
  10. Thanksgiving is less a movie than a messy attempt to coast off an oldie-but-goodie one-off without adding anything to the party. It can 100 percent go stuff itself.
  11. It's a bitch telling a coming-of-age story minus clichés and sappiness. So Youth in Revolt, with Michael Cera in his best performance yet, is a small miracle.
  12. This is a perfectly fine postapocalyptic mash-up that really is just the sum of its parts, and nowhere near a gleeful, shriek-inducing whole. For some, that might be considered a feature. For the rest of us, it’s most definitely a ginourmous, gaping-jawed bug.
  13. Aussie director Anthony Maras, in his feature debut, brings a Hitchcockian feel for suspense and a documentarian’s eye for detail to the brutal events that transpired over three days in November 2008 when the Islamist militant group Lashkar-e-Taiba initiated an attack on the city of Mumbai.
  14. Director and co-writer Christopher Smith, mischievously blending "The Office" with "Friday the 13th," keeps things fierce and funny enough to give Steve Carell ideas.
  15. As an actor, Burns has worked the Hollywood game from "Saving Private Ryan" to "Alex Cross." But his core passion is for making indie movies without studio interference, guerilla style. Because he takes his films personally, so do we. The Fitzgerald Family Christmas is one of his best.
  16. Never adds up to anything more substantial than shrewd observations. There's no dramatic core.
    • Rolling Stone
  17. Keeps the laughs coming, and a dynamo named Steve Zahn is the cheif reason why. It's a one-joke movie, but the cast knows how to sell it.
    • Rolling Stone
  18. The explosive V for Vendetta is powered by ideas that are not computer-generated. It's something rare in Teflon Hollywood: a movie that sticks with you.
  19. No one would consider Oh, Hi! a failure. But you’ll be tempted to say byyyyyeeeeee more than once before this couple’s final bow.
  20. Junkies for dark humor should prep for going cold turkey, despite the efforts of director Andrew Adamson to spice things up with combat and a rivalry between Caspian and Peter (good on Moseley for showing some backbone) that Lewis never imagined.
  21. The movie ride delivered by Solo: A Star Wars Story is more mild than wild, a pleasant way to pass the time instead of a game-changer.
  22. Lavishly produced swashbuckler that should have been far more entertaining.
  23. For all the clanking armies of iron knights on display to dazzle the eager kid in each of us, this summer epic rings hollow. There's no one home inside the suit.
  24. The irony is that Affleck's battering at the hands of fame has prepped him beautifully to play Reeves.
  25. The first commandment of Dogma: Thou shalt not stop laughing.
    • Rolling Stone
  26. The four actresses supply enough humor and heart to light any movie’s fuse, even this cliched retread of Thelma and Louise. Like the characters they play, the sisters deserve better.
  27. 42
    Given Helgeland's rep as a screenwriter (including an Oscar for 1997's L.A. Confidential), it rankles that 42 settles for the official story. The private Robinson, who died of a heart attack at 53 in 1972, stays private. We stay on the outside looking in. Let it be.
  28. Cool stuff. Cool movie.
  29. Baldwin is a marvel in a casting surprise that pays off.
    • Rolling Stone
  30. Seeing the scaly dude side with Mother Nature against the freaks is almost worth enduring the blather that precedes it. I said "almost."

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