Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Craig puts heat and heart into Spectre, as if he's taken Bond as far he can. The movie is a fever dream of all the Bond villains and all of Bond's efforts to see a life past them.
  2. It's hard to pinpoint exactly when this random, scattershot, overreaching movie stops spinning its wheels and starts flying on a cumulative power that floors you. But when it happens – kapow! By the end we’re looking at Elvis, America and ourselves with new eyes and wondering, once again, if the truth really can set us free.
  3. What we have here is an exhilarating blast of a movie, full of heart but still punk rock. So don’t get all pissy because it’s in Swedish (with English subtitles) and you never heard of anyone in it and coming-of-age movies about girls make you puke.
  4. There is devilish fun in this look into 1990s white-collar crime. But the jokes are the kind you choke on.
  5. In Eastern Promises, shot to envelop by the great Peter Suschitzky, Cronenberg brings us face to face with the horror of self.
  6. A raucous ride through one man's pain.
  7. Acting doesn't get much better than the subtly brilliant display put on by Tilda Swinton in We Need to Talk About Kevin.
  8. What an exhilarating gift to watch Harry and Company go out in a blaze of glory and amazing grace.
  9. The director and her cinematographer Rachel Morrison do wonders with the elements that batter the people of every race and social class in the Delta. But it's the storm raging inside these characters that rivets our attention and makes Mudbound a film that grabs you and won't let go.
  10. Dahan's impressionistic heartbreaker of a movie gets it all in. And Marion Cotillard, lip-syncing Piaf's songs and digging into her soul with gale-force urgency, gives a performance for the ages.
  11. As for Lee, he clearly relates to this material and the questions of political, musical and family identity he himself raised in films as diverse as "Malcolm X," "Mo' Better Blues" and "Crooklyn."
  12. Welcome Damsels in Distress, an exhilarating gift of a comedy about college, the female intellect, the limitless male ego, inventing a new dance, and suicide prevention.
  13. Best Worst Thing brims over with moments of humor and heartbreak that reflect the feeling of knowing "we're what's new." This movie is more than good, pal. It's indispensable.
  14. Margaret, for all its flaws, is a film of rare beauty and shocking gravity.
  15. So cheers to a movie as gloriously entertaining and bluntly honest as the lady herself. Everybody rise.
  16. So fasten your seat belts for Gomorrah, just snubbed in the wussy Oscar race for Best Foreign Film (so you know it's dynamite).
  17. A potent and provocative look at life unhinged. Bubble is said to be the first in a series of six low-budget films from Soderbergh. If they all rock the boat like this one, bring 'em on.
  18. Renier and Francois give deeply affecting performances that help soften the film's harsh blows. But only in the compassionate eye of the Dardennes do these three children achieve a state of grace.
  19. There's a special kick that comes in finding a new star. So step up, Ellen Page, and take your bows.
  20. I can't think of a more wickedly modern romantic comedy.
  21. Mad Max: Fury Road kicked my ass hard. It'll kick yours. So get prepped for a new action classic. You won't know what hit you.
  22. You don't just watch it as much as you absorb it until the film's ebb and flow become a part of you.
  23. Funny, touching, vital.
  24. To those who see no purpose to this film, I say the purpose is learning not to turn a blind eye. The unique and unforgettable Elephant keeps its eyes wide open.
  25. It's a first-class ride. All aboard.
  26. The Lobster, with a score that samples everyone from Beethoven to Nick Cave, comes at you with images that burn and laughs that stick in the throat. Take the challenge of this movie — it'll keep you up nights.
  27. Liman keeps the action and surprises coming nonstop. OK, the end is a head-scratcher. Until then, Cruise and Blunt make dying a hugely entertaining game of chance.
  28. At three hours, this Western whodunit can feel like too much of a good thing. But Tarantino writes like a flamethrower. His incendiary dialogue feels like profane poetry. And the dude thinks big.
  29. From the Eastern flavor of the opening theme, hauntingly sung by Nancy Sinatra, to the Japanese setting, the fifth film is the Bond series just gets better and cooler with age. The tasty script by Roald Dahl junks most of the Fleming novel, spinning its own witty Cold War fantasy.
  30. Stick your neck out for this Swedish horror show. It's a winner, full of mirth and malice, plus a young romance you'll never see on the Disney Channel.

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