Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. You can't shut the door on this spellbinder. It gets into your head.
  2. Cruz exudes a sensual aura of mystery that holds you spellbound. And Almodóvar, a true poet of cinema, creates images -- horrifying and healing -- that live inside your head like a waking dream. You want to miss a movie like that? I didn’t think so.
  3. The acting is electric. By the end of this haunting, hypnotic film, you feel you have watched lives being lived, not just imagined.
  4. As always with Park Chanwook, you just hold on and let him rip.
  5. The script, co-written by Antonioni and Peter Wollen, focuses on a TV journalist (a superb Jack Nicholson).
  6. A deeply touching human story filled with humor and heartbreak is rare in any movie season, especially summer. That's what makes The Help an exhilarating gift.
  7. Adam Driver gives one of the loveliest and least likely to be rewarded performances of the year in Paterson. Why least likely, you ask? Because Driver's indelibly moving portrayal is so lived-in and lyrical you hardly recognize it as acting.
  8. As for the animation, it's spectacular in every sense of the word and lifted by a superb Alexandre Desplat score, featuring taiko drums, that marks a new career peak for the Oscar-winning composer of "The Shape of Water."
  9. It's Bacon who overcomes all obstacles.
  10. DiCaprio is in peak form, bringing layers of buried emotion to a defeated man. And the glorious Winslet defines what makes an actress great, blazing commitment to a character and the range to make every nuance felt.
  11. Everything that makes Ethan Hawke an extraordinary actor — his energy, his empathy, his fearless, vanity-free eagerness to explore the deeper recesses of a character — is on view in Born to Be Blue.
  12. In this wildly ingen­ious chess game, grandmaster Nolan plants ideas in our heads that disturb and dazzle. The result is a knockout. But be warned: Inception dreams big. How cool is that?
  13. It's a magical, beguiling wonder.
  14. Moon is a potent provocation that relies on ideas instead of computer tricks to stir up excitement.
  15. A brave experiment in cinema that richly rewards the demands it makes. The result is an amazement, a film of beauty and shocking gravity.
  16. Go with it. Let Nichols turn your head around. He sure as hell will. One caveat: Nichols drops you into the action, no backstory road map. What you see is what you get. Luckily, what you get is extraordinary.
  17. In Kill Bill, Tarantino brings delicious sin back to movies -- the thrill you get from something down, dirty and dangerous.
  18. Pride naively thinks it can change the world with a single movie. Talk about fighting spirit. I couldn't have liked it more.
  19. Every move Hoffman makes subtly rivets attention. There's the uncanny German accent, the boozing, the chain-smoking, the glances at his assistant (Nina Hoss), the secret life he keeps hidden and the betrayals even Günther can't see coming. Hoffman is simply magnificent. Face it. We won't see his like again.
  20. The Star Wars universe is the best toy box a fanboy could ever wish for, and Johnson makes sure that Jedi is bursting at the seams with knockout fun surprises, marvelous adventure and shocking revelations that will leave your head spinning.
  21. Even when the script slips into sentiment, Peirce sticks with her troubled, questing soldiers, and through this raw and riveting movie, they stick with us.
  22. A rousing, gorgeously animated good time.
  23. In a summer of dumb, shameless drivel, Moore delivers a movie of robust mind and heart. You'll laugh till it hurts.
  24. Casts a spell that grips you and won't let go. The film works as a provocation, on a personal and a political level.
  25. Both sides of the political fence will feel royally skewered. All that's lacking is a warning from the Surgeon General: This film will make you laugh till it hurts.
  26. You're in for something funny, touching and vital. Director Lenny Abrahamson knows his way around eccentrics; just see "Adam & Paul" or "Garage" or "What Richard Did." And he makes an ideal guide into a bizarro world where music is made on the margins.
  27. The go-for-broke intensity and emotional layering Watts brings to her role is an acting triumph. And McGregor matches her in a performance of ferocity and feeling.
  28. It's a snapshot of a small Texas town in the 1950s that's ostensibly filled with bighearted, god-fearing real Americans. But this exceedingly sad film spits in the eye of such homespun niceties: This is an Eisenhower-era world riddled with directionless teens, bored housewives and disenfranchised citizens who can't escape the futility around them.
  29. What raises the movie above the herd and rocks our settled ideas of pop entertainment is the way Hader and Wiig resist the script's pull to tidy things up.
  30. Huppert, an fearless actress (see The Piano Teacher), gives a performance that's a riveting mix of carnal and chilly – you can't take your eyes off her.

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