Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Lots of movies are labeled as "inspirational" – Hidden Figures truly earns the right to the term.
  2. Gone Baby Gone is full of dark secrets, and how they unravel will keep you glued.
  3. This is a film in which ideas resonate as well as action. Gandalf’s words to Pippin about death have a muscular poetry.
  4. Using Staunton's face as his canvas, Leigh crafts a powerfully moving film that is unmissable and unforgettable.
  5. Baumbach, in his most compassionate film since The Squid and the Whale, catches Frances in the act of inventing herself. It's a glorious sight to see.
  6. Some will write off Prisoners as shameless exploitation. But like Clint Eastwood's "Mystic River," to which it's been compared, Prisoners is so artfully shaped and forcefully developed that objections fade.
  7. Unabashedly hokey, but would you want it any other way? In an era of cynical junk (did anyone say “Bad Boys II”?), Ross restores the good name of crowd-pleasing.
  8. Lin is a talent to watch. There's a sting to this film that gets to you.
  9. The explosive V for Vendetta is powered by ideas that are not computer-generated. It's something rare in Teflon Hollywood: a movie that sticks with you.
  10. The movie will wipe you out. Schnabel's previous two films (Basquiat, Before Night Falls) also focused on artists. But this is his best film yet, a high-wire act of visual daring and unquenchable spirit.
  11. Yup, it could have been a bucket of bleak. But the electric talent of Harrelson and Moverman is too exciting to be anything but exhilarating.
  12. No crime film in years boasts a cooler vibe than Michael Mann's dazzling Collateral.
  13. Darroussin is killer good and director Cedric Kahn turns Georges Simenon's seminal novel into a darkly comic spellbinder that pins you to your seat.
  14. This you-are-there spellbinder is a master director shining his light on the best rock band on the planet.
  15. A wickedly smart and funny free-for-all, and sassy enough to shoot well-aimed darts at corporate branding.
  16. If you're looking for a crime story that sizzles with action, sex and the visceral jolt of life on the edge, Miami Vice is the one.
  17. I, Daniel Blake, a new Loach landmark which won the Palme d'Or at the Cannes Film Festival last year, sums up everything that has kept he muckraking motor running for decades.
  18. Director Ron Howard has turned Peter Morgan's stage success into a grabber of a movie laced with tension, stinging wit and potent human drama.
  19. Call it the black "Scarface" or "the Harlem Godfather" or just one hell of an exciting movie.
  20. Wayne Kramer, who co-wrote the scrappy script with Frank Hannah, makes a potent directing debut and strikes gold with the cast.
  21. Tim Burton's Nightmare Before Christmas restores originality and daring to the Halloween genre. This dazzling mix of fun and fright also explodes the notion that animation is kid stuff. The history-making stop-motion animation in this $20 million charmer transcends age. It's 74 minutes of timeless movie magic.
  22. Chases so many ideas that it threatens to spin out of control. But with our multiplexes stuffed with toxic Hollywood formula, it's a gift to find a ballsy movie that thinks it can do anything, and damn near does.
  23. Unique and unmissable.
  24. It might have all been another Hollywood-formula flick with American might taking on the alien other. But Greengrass gives Phillips and Muse the time, aboard a covered lifeboat, to discover shared beliefs and fears.
  25. Powley is sensational, expertly blending hilarity and heartbreak. Her scenes with Wiig, sublime in her hard-won gravity, are unique and unforgettable. Just like the movie.
  26. Gordon-Levitt won't take safe for an answer. So Don Jon tends to stumble as it finds its feet. Still, you leave this movie feeling had at instead of had. The experience is elating.
  27. Deliberate, demanding and character-driven, Michael Clayton flies in the face of what sells at the multiplex. I couldn't have liked it more.
  28. It's implausible as hell, but no less fun for that.
  29. Nicole Kidman is just astonishing in Rabbit Hole - subtle, fierce, brutally funny, tender when you least expect it, and battered by the feelings that hit her when she forgets to duck.
  30. The movie is a world-class winner.

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