Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. As a director, Franco succeeds beautifully at bringing coherence to chaos, a word that accurately describes the making of this modern midnight-movie phenomenon. Do you need to see "The Room" to appreciate The Disaster Artist? Not really.
  2. Watching his struggle is illuminating, unnerving and unforgettable.
  3. It's unmissable and unforgettable.
  4. No fair giving away the mysteries of The Dark Knight. It's enough to marvel at the way Nolan -- a world-class filmmaker, be it "Memento," "Insomnia" or "The Prestige" -- brings pop escapism whisper-close to enduring art.
  5. You want horror that screws with your head? This is your ticket.
  6. Delicate business is being transacted in Columbus, a whisper-soft debut from Kogonada that nonetheless results in something unique and unforgettable. It's pure cinema.
  7. No one who cares about movies and those rare actors who can elevate them into something unforgettable would dream of missing this scrappy, loving tribute to a virtuoso. Lucky may not believe in God. But what kind of fool doesn't believe in Harry Dean Stanton?
  8. The Artist encapsulates everything we go to movies for: action, laughs, tears and a chance to get lost in another world. It just might leave you speechless. How can Oscar resist?
  9. It's instructive to note what a killer actor Richard Gere can be when a movie rises to his level. Arbitrage is such a movie, a sinfully entertaining look at the sins committed in the name of money.
  10. It's thrilling, a soaring blend of 3D animation and spectacular storytelling that swerves daringly to honor the healing chaos of family, human and dragon.
  11. Within its small, darkly funny range, Trust is an exceptional film that stays alert to the mysteries of love.
  12. Scorsese builds Hugo in the Méliès manner, creating a complete, ravishing Parisian world on a soundstage in England and reveling in the sheer transporting joy of it. Hugo will take your breath away.
  13. Oldman gives a performance that is flawless in every detail.
  14. Taking full measure of Phantom Thread may require more than one viewing – a challenge any genuine movie lover will be eager to accept. Our advice for now: just sit back and behold.
  15. Woody Allen's best movie in years means to trip us up: Sexual sizzle. London instead of Manhattan. Brit actors. Dark humor with a sting that leaves welts. You bet it's a change. And it looks good on the Woodman.
  16. If Jackman and Stewart are serious about this being their mutual X-Men swan song, they could not have crafted a more heartfelt valedictory.
  17. A rich blend of humor and heartbreak.
  18. In these troubled times, it's a good feeling to see a funny, touching and vital doc that is both timely and timeless.
  19. No one with a genuine belief in the possibilities and mysteries of cinema would think of missing Silence. It's essential filmmaking from the church of Scorsese, a modern master who lives and breathes in the images he puts on screen.
  20. The actors give it their all, especially Knightley, whose jaw- jutting, heavily accented and unfairly criticized portrayal gives the film its fighting spirit.
  21. Altman, showing the ardor and assurance of a master, pulls us into his film with seductive power. You won't want to miss a thing.
  22. Laugh you will, loud and often. In the Loop deserves to be a sleeper hit. The whole cast is stellar. And it proves that smart and funny can exist in the same movie, even in summer.
  23. What Cars teaches is how to blend brash comedy with technical astonishments so that each enhances the other. I can't imagine who wouldn't want to test-drive this one. Like the promos say, "It's got that new-movie smell."
  24. Despite over-ripe narration and an understandable urge to cram too much in, Ghosts of the Abyss is a thrilling documentary.
  25. The result is a movie miracle; it soars.
  26. The butt of the hilarious and heartfelt screenplay by Paul Rudnick (Jeffrey) is homophobia, and his sting is wickedly on target.
  27. All the acting is first-rate -- Dukakis gives major dimensions to a supporting role. And Christie, a Sixties screen goddess in "Darling" and "Doctor Zhivago," shows that her spirit and grace are eternal. She's a beauty. So is the movie.
  28. It's Corbijn, shooting with a poet's eye in a harshly stunning black-and-white, who cuts to the soul of Ian's life and music. You don't watch this movie, you live it.
  29. Garland need make no apologies for Annihilation. It's a bracing brainteaser with the courage of its own ambiguity. You work out the answers in your own head, in your own time, in your own dreams, where the best sc-fi puzzles leave things. Get ready to be rocked.
  30. The twice Oscar-nominated actor appears onscreen only briefly. Hawke knows where the spotlight belongs. Believe me, the 81 minutes spent in Bernstein's funny, touching and vital presence is something you don't want to miss.

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