For acting to be this bad in movie not directed by Michael Bay or George Lucas, it has to be intentional.

This is a fairly standard-order bad taste movie, replete with all the characteristics of the genre: grotesque, over-the-top violence; copious blood and viscera; gratuitous, uncensored nudity; and borderline-pornographic sex.

I can think of bad slasher sequels from the ‘80s that were more engaging than this one.

Asian horror remakes are typically not screened for critics, and Shutter is no exception. The studios know what they have: watered-down, lifeless shells of motion pictures devoid of characters, drama, or anything remotely resembling horror.

This is as excruciating a movie as is likely to be experienced by anyone, anywhere. It isn't merely that the story is insulting, the characters are bland, the action is dull, and the CGI is everywhere - it's that all this goes on for nearly three hours. That's three hours of your life you'll never get back.

The ineptitude of the movie's drama is matched only by the failure of its humor.

I like Steve Buscemi. I really do, which is why it's such an disagreeable task to write a review that condemns his directorial debut as a waste of film. I'm not talking about a good idea gone awry, I'm referring to something that's rotten to the core.

Fox should be paying potential viewers not to walk out of this turkey. The plot has all the depth and originality of a video game without the fun of the interactivity.

After this disgrace, it's time to shut the hills' eyes for good.

Weekend at Bernie's 2 is made for a certain audience -- the indiscriminate movie-goer who will see almost anything that guarantees a few laughs. Those that belong to that group will find what they're looking for in this film. Almost all the humor is macabre and repetitive, but the film manages to be sporadically funny. Nevertheless, I find it hard to believe that many people will pay $6 or $7 to see a picture that has TV sitcom production values, writing, and acting.

This is not only the least funny movie in which McCarthy has appeared but the tamest and most toothless.

12 Rounds is the unholy stepchild of "Die Hard with a Vengeance" and "Speed," starring a man whose lack of range makes Steven Seagal seem nuanced by comparison.

It is a cinematic abomination -- a source of embarrassment for everyone involved.

There's hardly an area in which Hot Pursuit is not found lacking. The comedy is unfunny with joke after joke falling painfully flat.

The "characters" vary from slightly annoying to unbearable - this is a film in which a viewer can be forgiven for rooting for the old video game icons to annihilate humanity. God help us if the best savior we can muster is Sandler.

With some of the overlong running time snipped, Judgment Night might have been palatable. As it stands, however, the best judgment I can pass on this movie is an exceedingly harsh one.

If there's a blessing, it's that the sequel isn't appreciably worse than the original - but that's slim praise considering how bad the first one was.

Although Child’s Play is only 90 minutes long, it’s one of those movies where you check your watch so often you think it has stopped.

A horrifically bad romantic comedy that serves as a celebration of entitlement, consumerism, and shallow behavior.

The motion picture version of Bewitched is a travesty of monumental proportions that belongs in the "What the hell were they thinking?" category.

While the material forming the basis for The Crush can't make any claims of originality, there's certainly enough there to craft a decent film around. With a challenging story, a real script, and actors willing to take a few chances, The Crush could have been enjoyable. Essentially, all that would have been necessary for a success is a complete scrapping of the film that was actually produced. Even lovers of formula thrillers will find this picture hard to swallow.

It is legitimately unwatchable.

Every once in a while, a movie comes along that is so boring and pointless, that those faithful movie-goers who never walk out on a film have to find some alternative to watching the mind- numbing stupidity unfolding on the screen.

Even the rare individual who died laughing while watching the trailer will discover that only half of that phrase - the "dying" part - applies to the experience of enduring the film.

This movie only takes a few minutes to crash and burn, but more than an hour and a half to realize it.

Halloween II is an affront to Halloween and horror fans. It's the kind of cataclysmic misstep from which a franchise cannot recover. It has transformed Michael Myers from an iconic movie monster into a laughingstock.

So bad that it will annoy and/or bore those who have minimal standards and a high tolerance for sewage.

Just plain bad. Boring. Unwatchable.