ReelViews' Scores

  • Movies
For 4,652 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Arrival
Lowest review score: 0 A Hole in My Heart
Score distribution:
4652 movie reviews
  1. A dreadful, hackneyed piece of cinema.
  2. It's badly directed, poorly edited, and features some of the most unconvincing acting this side of a soup commercial.
  3. Any time Disney tries their hand at live action, though, the results are usually pretty poor. Just not this bad.
  4. The element of high camp that makes for enjoyable "good trash" isn't present.
  5. A comedy without a single funny joke, Mafia Mamma will likely go down as one of the year’s worst theatrical releases.
  6. It's a wretched attempt at entertainment, ephemerally redeemed only by the appearance of several attractive girls.
  7. A lame collection of dumber-than-dumb gags, the quality of Big Fat Liar is on par with that of the worst television sit-com gorged to four times its normal size.
  8. Travesty.
  9. RV
    On those rare occasions when RV stumbles across a comedic moment that is legitimately funny, it drains the humor out of it by milking it dry.
  10. The result is an atrociously unfunny, unromantic, and unpleasant product.
  11. Disney has struck once again, taking a passably entertaining cartoon and turning it into a motion picture so lifeless that it's almost unwatchable.
  12. Perhaps the only way to approach Abduction that will not result in a 105-minute boredom-induced coma is to think of it as a comedy, preferably with a drinking game attached. There are laughs to be had, although none of them are intentional.
  13. This is as witless as movies come -- an unamusing, moronic blend of horrible acting and inept screenwriting.
  14. A godawful teen-magnet utterly devoid of entertainment value beyond the lure of its popular, photogenic cast and the dubious attraction of playing the “guess who gets it next” game. The little bit of cleverness that ends the film comes far too late to save this movie.
  15. Doesn't have the decency to end when it should.
  16. When the end credits roll, it’s hard to decide whether the most appropriate feeling should be disgust, despair, or despondency. This is one of 2019’s worst films.
  17. In a way, it's probably unfair to blame director Tamra Davis exclusively for this debacle. After all, she's toiling in the shadow of a would-be multi-media superstar, making her essentially a hired gun.
  18. Too much of Jason X plays it straight, and that means boredom. Murder and mayhem of this sort quickly becomes monotonous.
  19. If ever a romantic comedy is going to fail at the box office, this is it. The movie isn't a guy's thing, a girl's thing, or anybody else's thing.
  20. Howard the Duck is a bad movie. It doesn’t work as a comic book adaptation, a comedy, an action/adventure film, a fantasy/science fiction pastiche, or a combination of any of the above. The humor is juvenile. The action is cheesy and unexciting. The costume is embarrassing. The script feels like it was cobbled together by people with no knowledge of comic books but who were pretending expertise.
  21. Defined by three characteristics. It is as stupid as a decapitated worm. It is as irritating as a mosquito buzzing around one's head. And it is as funny as "Schindler's List."
  22. Isn't just bad, it's very bad.
  23. Director William Friedkin has created a stylistic picture, but this is an example of style without substance.
  24. This feels a lot like some of the recent, unwatchable Adam Sandler offerings: boorish, unfunny comedy colliding with saccharine, quasi-dramatic filler.
  25. There's no evidence of craftsmanship or energy. Everything, from the plot to the execution, is plodding and obligatory.
  26. Regardless of how low your expectations are regarding Fired Up!, it will still surprise you, and not in a good way.
  27. Despite having the same title and a similar premise to a 1980 Jamie Lee Curtis flick (kids getting slaughtered on prom night), this is NOT a remake. In fact, it really doesn't have much of a plot. It's basically "The O.C." with a body count.
  28. This is a painfully bad movie that thinks it’s trying to be Jackie Chan-meets-John Wick and flies so far wide of the target that it might have been shot by a blind man.
  29. Jennifer's Body mixes, matches, and crosses three popular genres: horror, comedy, and teen angst. Unfortunately, it fails at all of them - and "fails" might be too kind a term.
  30. More galling and tedious than funny.

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