A pleasant, witty, easy and very short game. That's what this "puzzleventure" from Daedalic Entertainment is. It will give you a very nice time playing it, but will end fairly quickly.

Sardonically funny, addictive, with unique style and a versatile soundtrack, Serial Cleaner is one of the sleeper hits of the summer.

A completely fresh idea delivered with a mix of already tested mechanics. The result is an almost perfect game which would have been perfect if it was focused a bit more in enjoyment rather than simulating the exact life of Hominidae.

The Legend of Korra, judging it as a low-budget game, is quite satisfactory for both fans of beat' em up and TV series, but I cannot recommend it for the younger audience due to the highly demanding combat system.

Masquerada: Songs and Shadows has a rich and original lore but it fails in gameplay. The combat system seems complex and interesting, but it’s problematic and incomplete. A missed opportunity.

Kholat has its flaws, especially when it comes to plot. However it is registered as a good game for the simple reason that it achieves its main target, which is to offer excitement. With its remarkable atmosphere, Kholat embraces the player in an immersive experience.

The enjoyment you'll get out of Sid Meier's Starships largely depends on your expectations. If you expect a game with the depth and engaging gameplay of Civilization you'll be disappointed, but treat it as an unusually deep and strategic tablet game and you will absolutely get your money's worth.

Redeemer is a brawler which definitely has a lot of remarkable elements and proves that the developers were willing to create something good, but ultimately the recipe broke down on the road, ending up with a game full of "yes...but" arguments.

Brutal, uncompromising and deeply unsettling in it’s portrayal of the scariest monster of them all: “Good People” doing what they deem best for “society’s progress”. Feels like an interactive VR art installation depicting a horror that must not be forgotten. Cannot be rightly called a “game” and is impossible to forget once experienced.

Legend of Kay Anniversary is a genuinely fun action platformer that is let down by its outdated visuals, annoying camera and clunky control system. There are hours of fun to be had here, but make sure you have a decent gamepad and you adjust your expectations accordingly. It is, after all, still a 2005 game at heart.

Kapital Sparks of Revolution suffers from a few technical difficulties such as some bugs and mechanism ambiguities. However, it offers a wealth of options marrying aspects of Anno and Tropico series and newer titles like Frostpunk. The 2D late 90's aesthetic is superb and fits the character of the game. All in all, a decent indie game, we await more titles with even greater scope from Lapovich team.

Despite the fact that it gives a feeling of its content being rushed, TIAOVH3 offers six completely new and different classes to enjoy. This combined with the overall series' signature humour, Easter eggs and steampunk atmosphere, provide a solid action-RPG experience for every fan of the genre. Definitely worth giving a look.

An honest and relatively successful effort at replicating the Dark Souls formula in a sci-fi setting.

Different look but familiar and beloved gameplay with some successful innovations. Any issues are relatively minor and do not significantly detract from the enjoyment.

Suicide Squad Kill The Justice League is not a bad game. It is an uneven game, which falls victim to today's market conditions. A lot of talented contributors worked here, and it shows in the result.

Rauniot honestly tries to deliver a grim tale of post-apocalyptic horror, but only partially succeeds, with a series of missteps preventing it from really standing out.

Assassin's Creed Chronicles: India is a decent effort, perhaps the closest thing to Prince of Persia we can have today, but it certainly would have better luck if it maintained a high level of quality throughout its (short) duration.

A honest and well crafted foray into the terrors and shadows of Norse folklore. Antagonist’s debut may not dazzle with it’s execution but, much like the first album of a promising band, places them firmly on the gaming map.

Brutal, irreverent, funny and banking on some rock solid Castle Crashers/Binding of Isaac mechanics that will simply have you playing "one more level" long into the night.

Empire of Sin is a love-letter to the old-school design of Bullfrog games. Part management sim, part RPG, part XCOM (with gangsters), it achieves its goal to bring different elements together into a cohesive and enjoyable unit. Its shortcomings and few bugs did not affect how much fun we had testing this game.

Unrelenting, old school rogue-like with a beautiful presentation and an alluring B-movie script that keeps you coming back time and again, until you finally manage to escape the cursed skyscraper of Skyhill Hotel. Highly addictive and deeply atmospheric, this one is thoroughly recommended even to non-fans of the genre.

A true labor of love, Quest for Infamy celebrates the legend of Sierra On-Line of yore, even as it probably terrifies and mystifies anyone born after 1994 or so. A huge game, chock full of content, it will make you work for every inch of ground you get and always manage to leave a smile on your face.

Pure, unadulterated, manic fun that speaks to every sane person's desire to really just be a humongous black devil goat, merrily wreaking havoc unto the unsuspecting world of mortals. GOATY 2014.

Daymare: 1998 is an unapologetic love letter to horror games of the 90's and especially the Resident Evil series. It may be janky and tough at times, which is likely to put off newcomers, but it will have a certain appeal to the fans of the genre.

Buzz Aldrin's Space Program Manager is a generally addictive management game with an original theme and a few tense moments during the mission execution phase of the game. Unfortunately some glaring issues like the cumbersome game menus and the poor presentation mean that the game is more suited for those who are really big fans of the subject matter.

The Sundew is what we call "wasted potential". Without being in any way bad and providing a remarkable artistic approach, it promises much more than it ultimately delivers, and its good ideas get lost in the general mediocrity that pervades it.

High production values, excellent fun and the closest you will get to an interactive version of “Smokey and the Bandit” in this video game generation. A very pleasant surprise for Mafia fans, and the Herbalism side quest alone is worth the price of admission.

Extraordinarily dark writing and an impeccable sense of time and place coupled with the greatest licensed video game soundtrack to date, make Mafia III a creative triumph. Its mechanical shortcomings will only apply to gamers concerned with Twitch heroics more than living through one of the most interesting time periods of recent history. A very solid recommendation.