Project Cars is not a bad racing game. It's just that as a racing simulator it has way too many flaws, especially in terms of realism during GPs. It abolishes the great chance of feeding an audience which remains hungry due to Codemasters' mistakes in its own F1 games. At the same time, it cannot base its possible success on the presence of other cars, which inevitably stay in the shadow of Formula A category.

Tides of Numenera would have made sense as a quiet, indie, choose-your-own-adventure/RPG hybrid set in a strange and fascinating world. A small, indie game for a niche audience. Usurping Torment’s sacred mantle to present a barely competent CRPG with heavy interactive novel trappings that fails to elicit any sort of emotional connection with the player or give any meaningful context to his agency or interactions with the game’s world, will not be taken lightly, or forgotten any time soon, by its backers, this writer included.

Detective Di: The Silk Rose Murders is a commendable first effort from Nupixo Games who seem to grasp what a traditional point and click adventure game should be. The puzzles have a sense of purpose and its interesting setting and plot will keep players hooked, although its short duration and easy challenge will, most likely, not satiate seasoned players.

Even though its writing comes off mostly as a well-meaning but adolescently naïve and anime inspired take on the bleak cyberpunk dystopia towards which we are invariably headed, The Red Strings Club piques the player’s interest by constantly throwing a new gameplay mechanic at them, with its social engineering mini-game presenting a rewarding challenge that all cyberpunk enthusiasts will relish.

Trepang2 could have been a gem in the FPS genre, as it has an enviable combat mechanic, but the rest of the structure is mediocre. However, the foundations it lays are solid, so a potential sequel is capable of being a milestone for the genre, as was the case with its inspirator.

Now that all episodes have been completed, we can say that Bear with Me is a decent point 'n' click adventure worth taking a look at, even though it will not change your life or push your brain cells to its limits.

Sadly the final score has to be lower than originally expected, at least until the developers can fix the issues. Resident Evil 4: Ultimate HD Edition is essentially the great PC version we've been waiting for all these years, it is priced quite reasonably and, under normal conditions, I would recommend the game wholeheartedly to fans of the series and newcomers alike, but not until all the bugs have been squashed. Until then, keep your money in your pockets.

Kunai is quite entertaining with its frantic action and acrobatics and while it doesn't do anything blatantly wrong, in terms of fascinating discoveries and memorable set pieces it has little to offer.

Nice concept but the sense of horror goes away really quickly. Action is presented in a repetitive way and the resource management doesn't work as well as it could have. Nonetheless the player will still have a few scares.

Steel Assault is one of the cases that I would compare to a good cup of coffee. Enjoyable while it lasts, but something you'll probably forget after a few days. The wide gap between difficulties and the lack of variety in its action set pieces diminish its replayability and lasting appeal.

The Long Dark’s long-awaited story mode, ultimately fails to stand on its own. It rather serves as a tutorial for an extremely robust, utterly unforgiving and uncomfortably realistic extreme winter conditions survival simulator game, that transcends Unity’s limitations to deliver a unique experience aimed at a very narrow and specific audience. Future episodes may tweak the story mode into a cohesive entity that can stand on its own, but in its current state, the Long Dark is aimed exclusively at the hardcore survival enthusiast.

Ghostwire: Tokyo doesn't have any major flaws that would make it a huge disappointment. It may not fascinate with its gameplay and repetitive action, but thanks to its excellent atmosphere, impressive realization of Japanese lore, and sometimes entertaining combat, it manages to outperform the average with ease.

Unfortunately, DoW3 aims high and shoots low. Although its single-player campaign is sufficient enough, at its multiplayer aspect the game looks like an awkward cross-genre hybrid which tries to combine too many elements and fails to find a distinct identity of its own. Many simplifications away from Relic’s previous titles (eg. cover system) only make matters worse. A good enough game, which does not live up to the expectations of its name or its predecessors’ past.

One of the best Single-Player segments we've seen in a Call of Duty game, combined with rather lacking Multiplayer, comprise a title that goes in with guns blazing but ultimately falls short.

The Veilguard has some fun combat and exploration mechanics, but in no way do they redeem a sterilized, safe, inoffensive, fully "Netflix" and badly written version of a dark fantasy world that has little to do with the series' past.

It won’t mesmerize people who did not like its predecessors. It may even not satisfy all those who enjoyed the previous three Deponia games. Essentially it’s a love letter to the sworn followers of the saga, who won’t refuse to participate in yet another adventure of Rufus.

Simon the Sorcerer: Origins is an adventure game aimed primarily at fans of adventure games and the series in general, and we would not recommend it to someone new to the genre, due to the way the puzzles are implemented. It will not change Simon's status in the adventure world, but it is a fine addition to the series, which respects the material it is called upon to manage.

The stunning graphics and the exceptional music, as well as voice overs, are not enough for a game that lacks appropriate optimization and a satisfactory interpretation of the events we tail after, packed in no longer than 5 hours. A very promising narrative experience that proves inadequate in many key areas.

Those who start out unsuspecting, relying on RPG captions and promises of "isometric Dungeon Master" will be disappointed, and that's clearly a problem. Still, Dungeons of Dreadrock is a perfectly honest puzzle game, at a very low price.

Scott Pilgrim VS The World: The Game is a decent beat-'em up that fans of the genre should get with their eyes closed, especially when it is the first time it officially appears on PC. As for the rest, the game may offer a few hours of quality fun with friends and that is it.

Despite its “loose” treatment of established Tolkien Lore, Shadow of War manages to showcase once more why the Nemesis System is one of the greatest gaming innovations in recent memory. However, a title that manages to take the cancer that is microtransactions in a Single-Player game and metastasize it to the next level cannot, in all good conscience, be awarded a higher score than this.

It’s more than obvious that “Silence” is some kind of experiment from Daedalic Entertainment. It will most likely disappoint fans of traditional point ‘n’ click adventure games, but at the same time it may prove attractive to a wider, more casual and mainstream audience, like fans of Telltale Games’ creations.

Gravity Ghost creates a nice world in space where the swinging between planets is an interesting and relaxing activity. Even if you don't find this enough, the great music and the well narrated story is a reason to give the game a chance.

Endling: Extinction Is Forever is a survival game with a clear message about the need to protect the environment. However, it never rises above mediocrity in any of its individual elements, but the shocking ending really saves the day.

This combination of exploration, mystery, and psychological thriller is what manages to make Get Even a decent proposal, thus overlooking its weaknesses in the action segments, the sometimes slow development of the plot, but also the totally mediocre visuals, which remind us of a production from 2013.

With the latest installment, Mr.47 is back in his original and true form. For everyone who was looking for the sequel to Blood Money, this is it, if you can get past the rough always-online component that affects the single player experience and leaves a bad taste.

Sundered is a game with great graphics but uninspired and monotonous design. The unfair difficulty and the poor handling of enemy distribution make Sundered a missed opportunity.

Just Cause 3 is the poetry of explosions. Continuous, glorious, nerve-shattering explosions. A particular breed of gamer will be in paradise, but if you are looking for a meaningful story or well written characters, Just Cause 3 comes up short compared to the competition.