Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 65 Metascore
    • 60 Critic Score
    Selway is a songwriter still new to the task and yet already leaning in toward middle age, and the perspective he brings to writing adult rock music is both fresh and contemplatively knowing. [Nov 2014, p.117]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    There isn't a weak link amongst these 12 enormously impressive songs. [Nov 2014, p.117]
    • Q Magazine
    • 87 Metascore
    • 80 Critic Score
    Too Bright finds him more sparky and more mettled. [Nov 2014, p.116]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    Peaking Lights have sacrificed some of their uniqueness for added lovability. But their hypno-pop still sways to a rhythm entirely of its own. [Nov 2014, p.116]
    • Q Magazine
    • 61 Metascore
    • 60 Critic Score
    Ultimately, A New Testament is for converts only. [Nov 2014, p.115]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    There are a couple of mildly sludgy moments.... But otherwise, it's a perfectly calibrated record. [Nov 2014, p.113]
    • Q Magazine
    • 61 Metascore
    • 60 Critic Score
    The record suffers from a surplus of hired guns. [Nov 2014, p.112]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    A graceful, beautiful record. [Nov 2014, p.112]
    • Q Magazine
    • 66 Metascore
    • 60 Critic Score
    There is kitsch charm throughout. [Nov 2014, p.112]
    • Q Magazine
    • 86 Metascore
    • 80 Critic Score
    It's fortunate that the warmly accessible Way Out Weather, which showcases his melodious, improvising guitar, exists in less esoteric numbers [than his limited released vinyl albums]. [Nov 2014, p.112]
    • Q Magazine
    • 62 Metascore
    • 60 Critic Score
    Willfully meandering yes, but it's an enjoyable shambolic ride that bottles early Pink Floyd, Skip Spence's cracked psych-folk and the ragged majesty of the Stones' own magnum opus. [Nov 2014, p.111]
    • Q Magazine
    • 61 Metascore
    • 60 Critic Score
    The model can work successfully--There IS Nothing Left recalls a sunnier, more sugary take on '80s Cure, for example--but elsewhere songs would benefit from editing. [Nov 2014, p.111]
    • Q Magazine
    • 86 Metascore
    • 80 Critic Score
    Syro is an album that instantly connects. [Nov 2014, p.109]
    • Q Magazine
    • 86 Metascore
    • 80 Critic Score
    His voice remains charming, devilish-yet-wise, and his delivery as beguiling as ever. [Nov 2014, p.109]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Carr retains enough left-field eccentricities, such as the Casiotone keyboard of I Don't Think I'll Make It, to make The Breaks a true indie-rock gem. [Nov 2014, p.108]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Her third album is as intimate as music can be. [Nov 2014, p.108]
    • Q Magazine
    • 61 Metascore
    • 80 Critic Score
    The sound of him working with a lean combo is so refreshing, and a welcome first in his mammoth catalogue. [Nov 2014, p.107]
    • Q Magazine
    • 70 Metascore
    • 40 Critic Score
    Art Official Age, regrettably, is something we have heard before: an overlong, pan-generic concept album. [Nov 2014, p.107]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    As ever, you end up feeling there's method somewhere in his madness. [Nov 2014, p.104]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    This beautiful, open-hearted album explores every one of its title's implications, wrapping both the blessed and the lost in its generous embrace. [Nov 2014, p.105]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    Playland is better than its predecessor in pretty much every respect. The songs are better, the palette broader and there's a genuine sense of Marr hitting his stride as a solo artist. [Nov 2014, p.103]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    It's a strange and beautiful album, one that's hard to turn away from. [Nov 2014, p.102]
    • Q Magazine
    • 64 Metascore
    • 80 Critic Score
    Some veteran rock stars write a memoir in order to make sense of their origins; Bono has chosen to sing one. From this autobiographical precision all the album's strengths flow. [Nov 2014, p.100]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    It's a record that ups the style further but their slick, modern metal still lacks depth. [Oct 2014, p.115]
    • Q Magazine
    • 62 Metascore
    • 60 Critic Score
    US singer Grey Reverend lends a bluesy warmth to Silent Fall's heavyweight electro, but Swedish vocalist Cornelia Dahlgren sounds merely decorative on the Massive Attack-like Vivid. [Oct 2014, p.107]
    • Q Magazine
    • 60 Metascore
    • 40 Critic Score
    A nagging sense of coming late to chillwave's super-saturated afterparty. [Oct 2014, p.110]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    Anyone who wants a bold new direction from Jeff Tweedy may find Sukierae disappointing. [Oct 2014, p.120]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    Everything here feels like a Xerox of something that's been done before.[Oct 2014, p.102]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    An irresistibly fun-packed career high. [Sep 2014, p.114]
    • Q Magazine
    • 76 Metascore
    • 60 Critic Score
    With some judicious skipping of tracks this is another eminently listenable set. [Oct 2014, p.109]
    • Q Magazine