Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 58 Metascore
    • 40 Critic Score
    While Glenn gamely belts out every song like it's a Broadway audition, his band's appeal remains some distance short of universal. [Aug 2014, p.111]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    The first 25 minutes are exhilarating if a little one-dimensional, but eventually they rein in the noise slightly. [Aug 2014, p.107]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Songs is uplifting, his clever wordplay and minor chord piano and guitar ballads reminiscent of his hero Townes Van Zandt. [Aug 2014, p.106]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    Barely rising above the soft purr of a sleepy summer morning, DB are all about mood and ambiance. [Aug 2014, p.103]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Anderson's anger, defiance and pride are all here, but what comes out is peculiarly beautiful and affecting. [Aug 2014, p.108]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    It's chillingly powerful, but the band sell short their cinematic ambitions with just 33 minutes of music. [Aug 2014, p.102]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Trux obsessives will be drawn to Eve's Child--a nod to her old production alter-ego--but it's the sense of Herrema shaking off her troubled past which impresses. [Aug 2014, p.103]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    It all has an airy charm, though it benefits hugely from a Daft Punk-y electro injection on Rick l'Adolescent and Aller vers le Soleil, both which transcend cheerful pastiche. But Tellier's opulence has limits. [Aug 2014, p.114]
    • Q Magazine
    • 77 Metascore
    • 60 Critic Score
    A strange dream state, then, with not a smiley or glow-stick to be seen. [Jul 2014, p.100]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    A few more laughter-lines wouldn't have gone amiss. [Aug 2014, p.112]
    • Q Magazine
    • 76 Metascore
    • 60 Critic Score
    Get past its duffel coat and its 14 layers of cardigan, though, and there's a warm and lovely heart at this record's centre. [Aug 2014, p.105]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    There's barely a wasted note on these nine tracks. [Aug 2014, p.104]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    The record's strongest, strangest moments come, however, when he lets himself go. [Aug 2014, p.100]
    • Q Magazine
    • 74 Metascore
    • 40 Critic Score
    Overall the glory years seem a long way off and metal fatigue sets in long before the end of its 63 minutes. [Aug 2014, p.108]
    • Q Magazine
    • 76 Metascore
    • 60 Critic Score
    There is occasional subtlety and drama amid the bombast. [Jul 2014, p.114]
    • Q Magazine
    • 63 Metascore
    • 60 Critic Score
    A lack of sonic variety and a mild sense of deja vu won't help to advance his cause. [Aug 2014, p.110]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    Plastics is a deeply impressive debut. [Aug 2014, p.105]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    All compensate in quality for what they lack in originality. [Aug 2014, p.107]
    • Q Magazine
    • 63 Metascore
    • 60 Critic Score
    It's true that there's no grand new ground broken here, but Bright Light Bright Light has a pastel-coloured appeal that's all Thomas's own. [Aug 2014, p.104]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    Their heritage might be clear, but over 10 songs and 22 minutes, their grip on the present never lets up. [Aug 2014, p.115]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    His personal universe may be smaller, but here Tom Vek opens himself up to a wider world. [Aug 2014, p.114]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    A vigorously thought-provoking record. [Aug 2014, p.113]
    • Q Magazine
    • 83 Metascore
    • 80 Critic Score
    Same Emotions, meanwhile, sounds like a lovingly recreated homage to the soft rock of Journey, Toto, et al. Best of all is his deeply personal tribute to the late Jason Molina. [Aug 2014, p.113]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    Stylish yet raw and angry yet enchanted, Bauer creates a smouldering album with a kooky heart. [Aug 2014, p.86]
    • Q Magazine
    • 62 Metascore
    • 60 Critic Score
    In The Lonely Hour starts promisingly.... The second half declines into self-pity, windy balladry and squeaky-strings-as-authenticity cliche. [Aug 2014, p.110]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    Tortured and in need of an edit, it's not for the casual listener. [Aug 2014, p.111]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    Mastodon return to the dense riffing of old. [Aug 2014, p.109]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    Easily his best work since Babylon's ubiquity. [Aug 2014, p.106]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    The album does see them traveling further afield. [Aug 2014, p.110]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    It all serve to confirm Cutler as one of contemporary electronica's most gifted and distinctive sonic manipulators. [Aug 2014, p.110]
    • Q Magazine