For the most part, Ghost Recon: Breakpoint is an enjoyable open world excursion, provided you know what to expect -- and let's face it, you probably know exactly what to expect. Its loot and gear score systems seem more than a little tacked on, but much like many of Ubisoft's other open worlders, there's a moreish quality to Breakpoint that's difficult to deny. In co-op there's potential for a lot of fun, and the freedom that you're given in both building Nomad and tackling missions is the game's greatest strength. However, an eye-watering number of microtransactions leave a sour taste, and a parade of annoying bugs give the release a disappointingly rough feel. Robust but bloated, Breakpoint is a mishmash that has its fun moments, but its identity is MIA.

A clear improvement on the original, Yooka-Laylee and the Impossible Lair is a pleasant surprise. It struggles to balance difficulty, but the end result is a robust and compelling platformer. It feels much more cohesive than its older brother and, free from the need to play to nostalgia, gives the characters and the world a better identity. It isn't perfect, but it's certainly a step in the right direction for Playtonic Games.

In an era where arcade titles are few and far between, Olympic Games Tokyo 2020: The Official Video Game serves as a reminder that SEGA is still the champion of effervescent sports games. A varied selection of events, each with their own addictive gameplay mechanics, makes for an entertaining package with plenty to see and do. Pair this with a vibrant artstyle and some decent online options, and you’ve got the gold standard in athletics right here.

Fortunately, local co-op is a blast with friends. Whether playing for the first time or picking it up for old time's sake, Castle Crashers is still capable of providing simple, senseless fun.

Tropico 6 is one of PlayStation 4's best strategy games, and also one of its most unique, putting you into the shoes of a dictator rather than the standard benevolent overseer that most of these titles offer. Taking your tropical island from shacks and farms to skyscrapers and space plans is a lot fun, and there's enough variety in map design and mission objectives to mean that you'll rarely feel like you're repeating the same beats. And honestly, the music really is pretty good.

When you've just taken an entire team apart with a perfectly paced counter-attack, FIFA 20 feels as satisfying as ever. But for everything that it gets right on the pitch, this year's instalment seriously struggles to make a case for itself at launch. Ultimate Team hits new heights but it is, as always, undermined by pay to win microtransactions, and Volta is fun but it's definitely not the headline act that EA wants it to be. Meanwhile, Career Mode has seen a bunch of improvements, but a shocking number of bugs currently cripple the experience. It's a good job FIFA still plays well, because as a package, it's robust but frustratingly shoddy. Our advice? Wait for FIFA 20 to be patched before tying your laces.

Code Vein is a stylish JRPG with an interesting combat system that just falls short in a few areas. Its inspirations are clearly worn on its sleeve, but it brings enough to the table to stand out on its own. This title has promise, and we think the developer could iron it out into a worthy franchise if it’s given the chance to make future instalments.

One of the more interesting ideas the game posits is actually how it approaches trophies. A collection of “zodiac riddles” give you vague clues about what to do, and are usually weird things you would not do while playing regularly. This is a master stroke as it vastly increases the replayability of the title, which would top out at barely an hour without it. Despite its short length, this is still very much a trip worth taking.

The only real accolade you can award this run-of-the-mill release is that it’s inoffensive, but even then it’s almost offensively inoffensive – if you get what we mean. An unwieldy upgrade system, which sees you augmenting body parts to each of the four heroes, adds a bit of character to proceedings – but it’s somewhat cumbersome and confusing. You may eke some fun out of the ostentatious action playing with buddies both online and offline, but there are better games to backdrop your banter. The panda’s pretty rad, we suppose.

The Surge 2 is brimming with minor gameplay and technical issues that threaten to spoil the broth on a constant basis, but the game’s combat system and varied locations do just enough to push them to the back of your mind. When the going gets tough, the experience shines with a genius take on health regeneration and brutal, gory takedowns that are just as satisfying to perform as it is to whittle an enemy into submission. It can’t hold a candle to a From Software joint, but The Surge 2 will satisfy those chomping at the bit for the next take on the genre.

Mutazione is simple, but achieves what it sets out to do: tell an emotional story about community, family, and forgiveness among a memorable ensemble cast. It's relaxing, compelling, and unique. That it also looks and sounds magnificent is just the icing on the cake.

Utawarerumono: Zan is a decent action RPG that doesn't take too long to beat, but at full retail price, it feels like an overly expensive endeavour -- especially for existing fans of the series.

A few hours in, you'll likely find yourself scratching your head as seemingly impossible puzzles best you. This can naturally be frustrating, especially as you move so slowly, but you'll feel like a genius once everything clicks. Many stages have optional bonus challenges once you solve them, earning you collectable scrolls complete with philosophical mumbo-jumbo. The main story is more interesting, told wordlessly through a series of dioramas, but it's the puzzles themselves that will keep you playing. It's not exactly original, but The Sojourn is a solid puzzler with well designed levels and some nice ideas.

In refusing to dramatically innovate, Borderlands 3 continues to occupy a unique position in the RPG genre. Its blend of looting, shooting, and comedy makes for varied gameplay sequences, deep and meaningful player progression, and a couple of laughs along the way. It’s not going to convert anyone who wasn’t a fan of previous iterations, but in doing so, Borderlands 3 sticks to what it does best.

There's no denying that Yakuza 3, even in its remastered form, is rough around the edges -- especially if you're coming off the back of Yakuza 6, Kiwami 2, or Judgment -- but this is still one of the series' better instalments, and for our money, the best of the PS3 Yakuza trilogy.

At the end of the day, this is a neat experiment that fans of the film will enjoy, but overall it fails to measure up to the source material.

eFootball PES 2020 won't convince any FIFA fans over to Konami's side, but it will certainly appease those who are already enthralled with Master League and myClub. There really isn't too much to write home about this year, but when the gameplay is this enjoyable, there's hardly any reason to complain.

A curiously compelling gameplay loop makes Bus Simulator much more entertaining than it has any right to be. The presentation is poor, but the act of actually picking up passengers and taking them to A-to-B in an expanding open world is moreish, and the title has a self-aware sense of humour that’s easy to appreciate.

Rebel Cops makes some fun adjustments to an already tense formula. Its conflicts are fraught and exciting, while its meta-game is excellently woven into both the storyline and moment to moment gameplay. You should definitely kick the door down.

AI: The Somnium Files tells an often engrossing tale. It takes a couple of hours to really get going, but when it does, it blossoms into one of the most impressively executed visual novels on PS4. A range of characters, both surprisingly deep and brilliantly stupid, elevate an already intriguing and smartly paced story. It's just a shame that the dream sequences, with their frustratingly obscure puzzle solving, can really put a dampener on the experience.

It’s fair to say that Ni no Kuni: Wrath of the White Witch didn’t really need a remaster at all, but we won’t look a gift horse in the mouth, and choice is a good thing. It’s undoubtedly nice to have this standout last-generation title running so smoothly on PS4, and it’s just so tidy. After all, it’s also fair to say that this was and is a truly special game. Far more narratively focused than its sequel, this is a tentpole title for lovers of traditional Japanese role-playing games.

NBA 2K20’s absurd production values put it alongside MLB The Show 19 as the most convincing sports game on the market, and its under-the-hood gameplay improvements mean it’s the best-playing basketball simulation ever made. With a dizzying array of modes and options, including a reasonably well-written single player campaign featuring a Hollywood cast, this is a bulky package that will keep you on-court for potentially hundreds of hours. The title’s tone-deaf approach to microtransactions is the only real downside, then, and while they have been dialled back a touch, it’s still difficult to ignore their ugly presence in practically every facet of the package.

Ultimately, you’ll want to pack some paracetamol for this headache.

Stick with it long enough to see Agatha create her meaty religion, and the writing really starts to shine. This is a game in which it’s not out of place for a hamster to start talking to you, while trash TV transfixes its drooling owner. Nerdy references pepper the dialogue and hide in the lovingly crafted background art. Agatha herself is a wonderfully complicated character; we see things from her innocent and skewed perspective, for good or ill. The puzzling is relatively simplistic -- there's nothing here to match the nonsensical item combinations of the genre's luminaries. But this is a game more about story and tone than pixel hunting, and the result is a decent, bizarre experience.

The visual style is putrid, but there are some nice touches, like the inclusion of Mr. T as an avatar. Unfortunately, the gameplay generally feels unresponsive, and there’s really no room for skill beyond your ability to avoid blisters. This isn’t offensive by any means, but SEGA’s upcoming Olympics game is so much better that a visit to YO! Sushi is the closest it'll be getting to Japan.

If you’re skilled, you can speed through in a little over ten hours, though exploring every nook and cranny of the map and finding all of the collectables can take upwards of double that, especially considering there are two endings to experience. At any rate, Blasphemous is torturously fun, and one of the best the genre has to offer.

Metro Exodus: The Two Colonels is adequate in every sense of the word - it doesn't do anything impressively well nor insultingly bad. It's just okay, and while that might be enough to convince fans of the series to take a short trip underground, it's something that anyone else can safely skip.

GreedFall is Spiders' best game by some distance, and it's impressive how far the developer has come in just a few short years. It successfully scratches that BioWare itch with an intriguing world, likeable characters, and rock solid gameplay. However, aside from its unique setting, nothing about GreedFall truly stands out. Its combat is good but not great, its role-playing is largely fine but ultimately stunted, and its writing is competent but sometimes boring. GreedFall is right on the cusp of being something special. RPG fans will find a lot to like, but don't go in expecting the genre's next masterpiece.