PlayStation Move has struggled to find defining software that justifies its existence, but Sorcery represents the most ambitious attempt yet. Its seamless integration of natural motion controls makes it the best example of Move's potential to date, and while the campaign lacks replay value, it's still worth experiencing if you want to put Sony's underutilised wand to use.

With just 10 weapons and three maps, it feels a little barebones at launch, although this will undoubtedly be supported over time. What's here is a great start, and well worth checking out for some simple multiplayer mishaps.

Watch Dogs Legion is a better game these days, and Bloodline manages to build a stronger narrative out of its various mechanics and gameplay systems. It’s more of the same under the surface, but playable characters Aiden and Wrench bring new enjoyment to the core campaign and evolving online modes, while simultaneously padding out the series’ overall lore with their own storyline.

Colorado may not be as impressive or vibrant as Sapienza or Bangkok, but it brings its own new take to the game. With a newfound focus on stealth, sniping, and uniforms, this latest mission does well to bring back memories of the sneakier Hitman of old, but some frustrations and annoyances due to the difficulty are present.

While some may be disappointed with the lack of new features or gameplay additions in this string of DLC, the effortlessly fun swinging and fighting, along with an interesting narrative, makes it worthwhile for those who are happy to play more of Marvel's Spider-Man. The Heist continues the City That Never Sleeps story well, further developing characters we're familiar with as well as introducing us to a nasty new bad guy in Hammerhead. It's not the longest or most original DLC out there, but those looking for an excuse to keep playing will definitely be satisfied.

A Fisherman’s Tale is a typical puzzle-solving first-person VR experience that stands a cut above with a good-quality gimmick that doesn’t overstay its welcome. It barely stays long enough to finish saying hello, but it has the wit, charm, and novelty to make it worth the single sitting it’s asking for.

Ultimately, Teslagrad 2 is an agreeable successor with satisfying traversal and enjoyably challenging puzzles and boss fights. But with a short runtime and a lack of hints and guidance it fails to really improve upon its predecessor. If you enjoyed Teslagrad and are looking for more of the same, this sequel will suffice.

Fe is a decent puzzle platformer with some nice ideas, but it all rings a bit hollow in the end. The various songs are a fun way to interact with the world, but some are barely used at all, while you'll rely on others almost constantly. It can also be surprisingly difficult to control, with a camera that isn't always cooperative and platforming that isn't as tight as it needs to be, especially in an environment as vertical as this. The story, which strives to be poignant, fails to leave an impact, and while the world is a nice place to explore, there isn't a whole lot in it. Ultimately, it's a fine game, but it struggles to leave a lasting impression.

While recurring problems persist, MXGP 2020 is the new highpoint for Milestone’s licensed racing series. Hugely reduced load times and more immersive gameplay than ever before help push this year’s entry that extra little bit ahead, though it continues to be let down by its environments and lack of content. The addition of Race Director Mode — a transplant from the Monster Energy Supercross titles — at a later date will definitely help, but a more substantial update in 2021 would be even better.

There's lots of enjoyment to be had here, but it's also cruel reminder that the LEGO franchise needs something new to break out of its now conveyer-belt approach.

The game's story mode is short overall, but thankfully there's an Arcade and Challenge mode that offer great replayability. The challenge mode in particular is a highlight as it doles out mini-challenges for you to blast through, like tricky platforming or a pacifist run of a level. So, all in all, this is undoubtedly the best game the series has had in a long time, and one fans of the classic games won't want to miss out on.

If you've been itching for a good strategy RPG, it's hard to go wrong with Regalia: Of Men and Monarchs on PS4. While it's a little rough around the edges, there's a clear passion behind the game that's endearing, and this shines through thanks to the title's colourful cast of characters and dedication to lighthearted humour. Regalia doesn't reinvent the wheel and it probably won't come close to blowing you away, but it's a pleasantly entertaining RPG that just about anyone can enjoy.

Unfortunately, everything surrounding these boss fights feels a little half-baked. The light exploration we mentioned is basically a dozen small areas, with one or two for each boss. There are collectibles and secrets around, but the in-game rewards for finding these things doesn’t feel worth it. This is particularly problematic as many of the secrets need late-level unlocks to access, and the threshold to reach them requires massive amounts of grinding.

The script itself doesn't strike a good balance either, often transitioning from subjects such as a rumination on class inequality directly into a slapstick comedy sketch before interjecting a news bulletin about an impending natural disaster. It's, to put it mildly, a mess. And this happens over and over throughout the 4-5 hours required to complete the game. While pitch-black comedy can work, the writing in Mile 0 is awkward enough that it feels accidental rather than deliberately irreverent. What you're left with is a fun rhythm game surrounded by a plethora of questionable writing decisions.

Hungry Giraffe is like a Burger King Steakhouse Angus, then; not quite a gourmet burger prepared by a celebrity chef, but certainly better than a McDonald's filet-o-fish. It's chunky, agreeable and perfectly suited for on-the-go, but it's not quite good enough to make you want to savour every bite.

Tekken Revolution is more experimental than Combot, but solid execution on some admittedly controversial ideas ensure that this free-to-play fighter is worth a bash. Franchise fans will feel more frustrated than Devil Jin upon witnessing the watered down gameplay mechanics, but casual combatants may find themselves lured back into the wacky world of the King of Iron Fist Tournament on the back of the digital download’s inherent accessibility and free entry fee.

Niggling performance issues aside, it’s hard not to enjoy being the star of your very own fairy tale world – even if that fictional realm has a particularly odd approach to infant safety.

BlazeRush’s frantic racing is fun with friends, even if it can be a touch frustrating at times. A lack of track variety lets its wealth of gameplay options down, but if you’re in the market for some Micro Machines-esque action, this is a good choice.

Infinifactory certainly has the building blocks of something great, as it's uber-satisfying piecing together your own production line and watching it all work as intended. Sadly, while there's real satisfaction to be gleaned from craftily concocting your own creative solutions, the cumbersome controls and occasionally unintelligible explanations mean that this game has ultimately failed to pass our rigorous quality assurance test.

Ironcast is a surprisingly strategic and complex game which will hold your interest for quite a while. There's enough randomisation for the title to feel fresh for a long time, and every battle is one of tension and risky moves, with each action really meaning something.

Episode 3: Fractured Mask doesn’t quite hit the same highs as its immediate predecessor, but the tangled web that Telltale’s cast in Batman: The Enemy Within is getting increasingly intriguing with each episode. This particular instalment may pump the brakes slightly in order to include necessary setup for the impending finale, but it feels meaningful, and the scenes with Selina and Bruce are particularly engaging.

This is a very straightforward port of Far Cry 3, a game loved and loathed in equal measure. The Classic Edition is a great way for newcomers to experience one of the best games in the series, despite some clunky controls. Many people will have made up their mind about Jason's journey years ago, but on its own merit, this is a competent re-release of a fun, if a little dated, open world shooter.

Ancestors: The Humankind Odyssey has a huge gene pool of potential, but endless repetition and clunky controls need to be removed from its DNA. For die-hard survival and exploration fans there is a worthwhile experience here, but for everyone else this is a game that’s so repetitive it’ll drive you bananas.

For PS5, Monster Truck Championship’s improvements are technical, offering a 4K resolution upgrade and 60 frames-per-second gameplay. Unfortunately, there’s no DualSense support and previous PS4 owners don’t have a free upgrade. When backwards compatibility exists, we can’t recommend double dipping, but new players will find much to enjoy. This is the definitive edition, and if you enjoy monster truck racing, then this naturally comes recommended.

The writing is a bit of a letdown. The character interactions are solid, and seeing their interplay is a delight. There’s also an impressive level of detail paid to the minutiae of film-making that we rarely see. Unfortunately, this level of care doesn’t touch all corners of the experience. The character's connection to the primary narrative is tenuous. Outside of the very first mystery, the protagonist's motivations for remaining involved in these murders don’t feel warranted. This is especially problematic when it comes to Rintaro’s chapters, which comprise the brunt of the game’s 15 or so hours. The writing is able to somewhat successfully sidestep this problem, through sheer force of intrigue, but it’s not wholly successful. The lack of agency doesn’t help either, as there's almost nothing for the player to do other than sit and read. This makes the experience feel barren, even by visual novel standards. This passivity allows for it to be the kind of experience you can do other things while playing, though the lack of a dub may leave some people feeling left out.

While certainly an accomplished piece of storytelling, Martha Is Dead's gameplay is such blatant artifice that it does the narrative a disservice to partake in it. That sounds extremely damning, but there's a lot here to like: the languid pace and detailed nature of the photography sequences are a standout, the graphics are often impressive, and the sheer bloody chutzpah of the whole thing is appealing in a grand guignol sort of way. The game can be shocking in what it shows you, but it doesn't feel exploitative. Horror should be horrific, and Martha Is Dead is certainly that. Unfortunately, perhaps not always in the way it was intended to be.

Unfortunately, there are also a lot of bugs present in the game. Characters will glitch in and out of existence while you’re talking with them. Sometimes the whole screen will go black and your character will pop up in a different part of the map when fast travelling. It’s things like this that really stop Potion Permit from reaching its potential, and its charming visuals can only do so much to counter this.

The slight input lag and dark visuals are disappointing, but Pinball FX has so much content that pinball fans will struggle not to find the fun here. The biggest problem with this package is its messy monetisation: the developer can’t decide whether to lean on its subscription-style Pinball Pass or traditional DLC, and its hybrid approach is neither here nor there really. When you consider that no previously purchased content carries across, it’s hard to recommend reinvesting so heavily here – especially when, even with all the bells and whistles, the core nuts-and-bolts of playing many of these tables remains the same as in past games.