We actually had the urge to dodge the sea snakes swimming right at us.

The story is creepy fun and 100-percent different than whatever other crap is flooding the February market.

Ginnifer Goodwin gives a standout performance--and that’s saying a lot considering the large cast--as the insecure, neurotic female looking for love.

If you liked the first then you are going to like this one as Clouseau is offensive and outrageous, which is a perfect fit for one of the "Wild and Crazy Guys."

This completely rips off "Heroes," which itself ripped off a great deal from the "X-Men," so no real imagination here...except for the "Sniffs," who creepily track people by smell.

It's tough to get through because it's so slow; the beautiful Kristen Bell, who we love in almost everything, doesn't fit in with a bunch of nerds.

As unrealistic as the talking mannequins, but we’re pleasantly surprised by how good this movie makes us feel.

There’s an over-abundance of dialog that can be downright boring, especially when it’s sandwiched between fast-paced car chases and all-out gun fights.

The climax is the only thing for which the rest of this flick exists.

The beginning is a little slow, but after Neeson starts his hunt and does his best wrath-of-God impression, it doesn’t skip a beat.

Although it wasn't quite the comedy we had hoped for, the idea behind it is pretty cute; we just wished the laughs weren't so awkward and forced.

This is a fun midnight movie. Horror fans, get your friends together and go see some gore and some naked chicks in three dimensions.

Angela Bassett is great as his strict, single mother; The soundtrack is great, of course, and the ending features moving archival footage of the streets of Brooklyn after Wallace's murder.

Sometimes the only funny stuff is in the trailers, but not so here. Kristen Johnson was especially adept at stealing some scenes.

The perfect antidote to the post-holiday blues. It's exciting, well-acted, touching, and genuine.

Revolutionary Road isn't emotionally engaging or moving; it's awfully similar in theme to Winslet's 2006 movie "Little Children."

Not charming, but not cynical, The Spirit is wholly unrecommendable, but made with greater care than many movies that are.

Naturally, Pitt and Blanchett are outstanding. Fincher's meticulous attention to detail is unerring, down to the light fixtures.

Russell Brand is absurd, funny and wonderfully out of place in a family movie.

Owen Wilson manages to break his customary comic relief persona and is adept at playing a little "Father Knows Best"; the yellow lab does a good job too.

Marketed as a combination of a popcorn-munching actioner, but that's somewhat misleading -- it's also a well-researched historical thriller. Unfortunately, it ends up not succeeding as either.

Dawson is lovely to watch, and when Smith isn't furrowing his brow and looking concerned, he's not so bad himself.

Rourke is getting tons of press and award nominations, but Marisa Tomei kicks ass too. Not only does the one-time Oscar winner look amazing and perform her own pole tricks, but she effectively humanizes what could be just another naked chick in a movie.

Winslet deserves an Oscar for her amazing performance.

A totally mesmerizing battle of the wills between the occasionally charming yet wily Nixon and the increasingly desperate Frost.

A disappointingly schlocky effort that gives up on trying to make a realistic Punisher movie, settling instead on a hokey, multi-colored-neon gun rave best enjoyed in Rob Zombie's family room.

Beyond Milk, few of the other characters are given much to do.

The religious symbolism couldn't be more obvious (or disturbing). Keep your religion out of our vampires, Hollywood!