Despite some laughably silly plot elements, McG has created an overall entertaining movie experience. It's a great kick-off to the summer explosion season.

There are so many facts presented that many of them feel forced and trivial. We were also a little disappointed with the twist ending.

Weisz infuses comic complexity into the ensemble, which is at times genuinely funny.

Predictable, and stereotypical.

We were also glad to see they didn't ignore the humorous elements that made the original so great. Plus, the casting is spot on.

We don't needlessly hate on the romantic comedies, but this one takes the corniness and predictability of the genre to a whole new level.

Fighting is a fun, frank and faithful homage to simple inner-city drama.

The Soloist is based upon a true story, so it lacks some of the clichés that you might find in other made-up tales.

This is a smart script. There is a wealth of twists, but none of them have to beat you over the head.

If you have a propensity for motion sickness you would be best served staying away. This movie is Tarantino on speed, and without focus and style. It is in-your-face and proud of it with no apologies.

In the scenes where Efron isn't on screen, things tend to get boring. Plus, we could've lived without having watched so many scenes where Zac is showing off his basketball skills.

You won't be seeing any stretch Hummers, wild late night parties and 75,000 seat arena shows in this documentary, but that's what makes this so good.

If you are a big fan of country music, you will enjoy it for the Taylor Swift, Rascal Flatts, Billy Ray Cyrus and of course, Miley Cyrus performances.

The random and unpredictable nature makes it an extremely interesting film to watch.

It sticks to what the series does best, mixing souped-up cars with corny jokes.

On the surface, this might look like a typical teen movie, but Adventureland’s talented cast perfectly portrays the self-loathing and strong-minded characters in that transient post-college stage of life.

This is a pleasure to watch for everyone.

When the hits finally do come, they are really only capable of scaring 13-year-olds making their first trip into the horror genre.

This movie was absolutely hilarious, and proved that dating might be easy, but making friends is much harder.

Even the great cast didn’t make following the convoluted plot any easier. And all that jumping around makes the film feel a lot longer than it is.

While the concept is interesting, the whole thing comes off as a rather hilarious, um, disaster.

You might not bust a gut laughing, but Malkovich’s performance alone is worth the 90-minutes required to watch it.

The storyline was actually believable, surrounding a family willing to do anything to save one another. A horror film turned feel-good.

Parents might like the film, but will be too busy explaining the complicated plot to their children to really enjoy it.

This is definitely one to make you feel good all over.

The whole thing works, especially for the non-comic audience. Plus, the music is perfect, especially the opening montage set to Bob Dylan's, "The Times They Are a-Changin."

The controversial subject matter will undoubtedly hit close to home for many people, but a few genuinely uncomfortable scenes will either provoke the audience into serious thought or just cause them to leave the theater angry.

It’s surprisingly funny for another weak "American Pie" rip-off; Nicholas D'Agosto and Eric Christian Olsen make a hilarious pair; If you're under the age of 25 you’ll like it.