Isn’t like a lot of modern horror movies. It’s not about torture, or dead children, or weepy vampires with great hair. It’s an attempt to reinvent the monster movie, which we're all about. It’s too bad it couldn’t have been contemporized. Period movies can so easily become parodies of portentousness, and that’s what happens with this one.

Chris Columbus, true to his namesake, has chartered new waters of lazy hackdom with this "Clash of the Titans" remade as a CW tween soap.

Apart from feeling misled by the trailers, it's a decent, middle-of-the-road adult thriller that competently goes through the paces.

It's a captivating story presented with a fresh and artistic spirit, putting a human face on the man behind the theories.

Starts out strong and boasts a convincing picture of the post-war world as an anarchic desert. But it comes to ditch its fun stylization for vague themes of religiosity and morality, leaving you with a disappointingly muddled movie.

A slick, bloody, fast-paced, and ultimately enjoyable B-movie.

Hey, remember “fun”? If you’re sick of the apocalypse and tortured anti-heroes, then you need to see Sherlock Holmes. It’s a blast from start to finish.

This is, simply put, one of the most beautiful movies you’ll ever see.

A smart, brisk, but extremely thoughtful hybrid of star-vehicle and resonant depiction of right-now America.

This might just be a tad too grueling and bleak for everyone’s liking, but it’s a Road that’s definitely well worth traveling.

A lightweight but sincere coming-of-age story.

Those expecting a return to the depravity and menace of Abel Ferrara’s 1992 notorious original will be disappointed.

An often highly amusing comedy in the vein of "Catch 22" and "Dr Strangelove," this lively satire looks destined for future cult status. Great soundtrack, too.

With the global economic meltdown affecting just about everybody, the film is pertinent, hugely entertaining, and, above all, timely.

A comic tour de force from Damon, who gained 30lbs and sports an unflattering moustache as the dishonest and delusional Whitacre. But it’s a performance that never loses sight of the man behind the lies.

There are some very funny parts but this isn’t a typical sports comedy.

A great-looking and smart film. It has enough action, wonder, depth, and action to keep any fan of the genre happy. The sociological undertones here are fascinating as well.

If you are a fan of brainless comedy that willed with bits that seque magically into some semblance of a plot…then The Goods is for you.

This movie’s sole purpose is to make teenage boys high-five each other, and it’s faithfulness to that concept makes the cartoon carnage almost endearing.

The drama aspect is necessary to the story, but it just drags on too long.

Much like the actual summer (the season, not the character), we never wanted it to end.

This is better than your average bio-pic. The dynamic established between the motivation of Bale’s and Depp’s characters is really what makes this film. Kudos also go out to Channing Tatum as Pretty Boy Floyd.

It is unapologetic about delivering what it promises. Bigger battles. Massive explosions. Megan Fox looking hot.

We loved this movie the first three times we saw it, when it was called "Life of Brian," "Wholly Moses," and "History of the World Part 1."

Betty White is what makes this film memorable as Andrew’s grandmother. She steals every scene, and adds the sweetness that a film like this needs.

This is a movie where you WANT to stick around for the credits. The beauty is that you are totally set up for it, and you don't mind one bit. That final sequence ties the movie together in an awesome fashion.

There is also a sense that the filmmakers weren't quite certain if they wanted to make a fun, kid-friendly adventure or a bawdy adult-skewed comedy. Walking the tightrope doesn't work.

Each character has their own story, and Pixar never sacrifices their development just for a happy ending.