Polygon's Scores

For 735 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 4.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 Spencer
Lowest review score: 0 Red Notice
Score distribution:
  1. Negative: 60 out of 735
735 movie reviews
    • 48 Metascore
    • 48 Critic Score
    Disney Plus’ Lady and the Tramp flattens the original movie’s dreamy love story by trading genuine emotion for artificiality and a past that never existed.
  1. That it ends up being more of a showcase for Pattinson than Chalamet is the film’s biggest irony, and nearly the only thing that keeps Michôd’s latest from being a total drag. Chalamet, who has proven himself worthy of the stan culture around him in his previous performances, is a black hole of charisma as Hal.
  2. Disney Plus’ original Christmas movie Noelle is like a recipe where all the ingredients are delicious, then realizing, once the dish has been cooked, that the flavors cancel each other out.
  3. By inhabiting the worst periods of his life, LaBeouf delivers one of the best performances of the year.
  4. Shelby and Miles’ story is compelling, but Mangold digs deeper to find the motor that propels Ford v Ferrari across the finish line.
    • 64 Metascore
    • 88 Critic Score
    The side plots are the burst of energy the movie needs.
  5. It’s an unruly, wild, and tender film that sometimes gets lost but, by the end, finds its way to a very moving state of grace.
  6. Moore and Jenkins are obviously aiming higher than a self-aware noir pastiche, or at least something off to the side of one. Yet those elements of the movie are a lot more enjoyable than sort-of-dream sequences featuring yet another guy in clown makeup.
    • 34 Metascore
    • 60 Critic Score
    For a product of its time — a decade full of video game-inspired stinkers — it’s worth looking back on, especially because it’s obvious how much fun the cast is having.
  7. By zeroing in on the eldest Addams child, the new Addams Family 2 exposes just how clunky and wrongheaded its take on Wednesday is — and what the animated movies get wrong about the family in general.
  8. The combination of Dahl’s bleak plot turns, from the offscreen death of Luke’s parents to a witch who lures the grieving young boy out of his treehouse with the promise of a pet snake, Roeg’s in-your-face camerawork and Henson’s creature effects make every second of The Witches unencumbered, gleeful torture.
  9. House isn’t all that scary, but it is weird in all the best ways, and nothing else looks or feels like it.
    • 58 Metascore
    • 75 Critic Score
    Director John Hancock and lead actress Zohra Lampert collaborate to produce something stranger and vaguer than the film’s countless contemporaries, giving the heroine far greater agency.
  10. What makes the documentary so compelling is that it captures the process of re-creating a performance that’s meant to be experienced live.

Top Trailers