Polygon's Scores

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For 731 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 4.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 Spencer
Lowest review score: 0 Red Notice
Score distribution:
  1. Positive: 530 out of 731
  2. Mixed: 141 out of 731
  3. Negative: 60 out of 731
731 movie reviews
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  1. Ford v Ferrari
    Shelby and Miles’ story is compelling, but Mangold digs deeper to find the motor that propels Ford v Ferrari across the finish line.
    • 64 Metascore
    • 88 Critic Score
    Frozen II
    The side plots are the burst of energy the movie needs.
  3. Guillermo Del Toro’s Pinocchio
    It’s an unruly, wild, and tender film that sometimes gets lost but, by the end, finds its way to a very moving state of grace.
  4. The Show
    Moore and Jenkins are obviously aiming higher than a self-aware noir pastiche, or at least something off to the side of one. Yet those elements of the movie are a lot more enjoyable than sort-of-dream sequences featuring yet another guy in clown makeup.
    • 34 Metascore
    • 60 Critic Score
    Street Fighter
    For a product of its time — a decade full of video game-inspired stinkers — it’s worth looking back on, especially because it’s obvious how much fun the cast is having.
  6. Addams Family Values
    By zeroing in on the eldest Addams child, the new Addams Family 2 exposes just how clunky and wrongheaded its take on Wednesday is — and what the animated movies get wrong about the family in general.
  7. The Witches
    The combination of Dahl’s bleak plot turns, from the offscreen death of Luke’s parents to a witch who lures the grieving young boy out of his treehouse with the promise of a pet snake, Roeg’s in-your-face camerawork and Henson’s creature effects make every second of The Witches unencumbered, gleeful torture.
  8. House
    House isn’t all that scary, but it is weird in all the best ways, and nothing else looks or feels like it.
    • 58 Metascore
    • 75 Critic Score
    Let's Scare Jessica to Death
    Director John Hancock and lead actress Zohra Lampert collaborate to produce something stranger and vaguer than the film’s countless contemporaries, giving the heroine far greater agency.
  10. Original Cast Album: Company
    What makes the documentary so compelling is that it captures the process of re-creating a performance that’s meant to be experienced live.
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