Bruce Wayne once more claims the spotlight in an interesting hour of Gotham action, but technically, the game's once more a mess. This needs to change, sooner rather than later.

The interesting story keeps you playing, while the expertly built tension keeps you glued to the edge of your seat. However, the main gameplay gimmick of switching between characters doesn't really add much to the equation, leaving the overall experience to feel rather hollow.

Old-school gameplay with new-school graphics and a lot of (rude) humour... Sign us up!

As an interactive movie, you could do a lot worse than Hidden Agenda. However, technical issues and a number of unsatisfying endings are flaws that deserve to be mentioned.

Well, this is a bit of a disappointment... The story isn't as gripping as it could have been, the game feels rushed and the visuals aren't as good as you'd expect. It offers closure for the fans, sure, but as the final part of an epic trilogy it doesn't even come close to the mark.

Real golf fans might like the experience, as well as the elaborate level editor that is included. The lack of a proper tutorial makes it rather difficult for newcomers, however, while slow menus and an annoying amount of facedrops bring the game down for just about anyone. There's some potential here, though.

Detective Pikachu Returns is a fun game to play if you're a kid. For adults it's way too easy and graphically it doesn't impress one moment. It's also kind of stupid that the game doesn't have localisation in every country when its targeting kids as the main audience. A bit of shame, since the core of the game can be fun and charismatic.

You'd expect a lot of progress when a developer transitions to a newer engine but the opposite holds true for MotoGP 18. Load times are excruciating and visually the game is mediocre at best. Gameplay remains largely the same as previous editions and is anything but innovative. Unbelievably, the Managerial Career mode from the previous game is absent much to the detriment of MotoGP 18. This game definitely takes some steps back so we'd suggest sticking to MotoGP 17.

Battlezone is at its best when played in co-op. Its graphics are neat, its sound design solid and the illusion of driving a tank around is expertly crafted - provided you're not prone to motion sickness. However, Battlezone is also quite repetitive as far as its gameplay goes and experiencing a campaign reset is bound to cause frustration.

The story and the philosophical themes give Monark a reason to play and that also counts for the tactical combat. However, visually the game is not that good and the level design could also be a lot better. Monark introduces a lot of original ideas and styles, but fails in the execution which is a shame. Don’t get it wrong, it’s a fine game, but it has so much more potential.

A decent port, that nevertheless suffers from a number of technical issues, chief among which a number of framedrops, long loading times and a cursor that doesn't exactly work as intuitively as it should.

The new Need for Speed is fun enough, but the lack of a day-and-night cycle, decent AI and offline features make for an enormously disappointing package. Oh and the less said about the live action cutscenes, the better.

Yes, it's about as close to the real thing as you can get without working up a sweat, but that doesn't justify the lack of depth and replay value this game suffers from. And why does every athlete look the same?

Playing Quidditch was not possible in Hogwarts Legacy, but we now have a solution for that with Quidditch Champions. An entertaining game in which the roles of Quidditch are well translated to the gameplay, which is especially fun in multiplayer. Definitely worth it for fans, but at the same time we must note that it is somewhat limited in terms of content and it also does not impress too much visually. A fine game, but nowhere really outstanding.

A fun and often pretty challenging platformer, plagued by mediocre Vita controls and a disappointing level editor.

The Thai mythology makes for an intriguing and quite unique setting, while the unsettling audio design is absolutely nerve-wracking. Add to this a superb implementation of Sony's VR headset and you've got a remarkable horror title, that unfortunately gets bogged down a bit by its linear and often frustrating stealth sections.

The visuals aren't great and Gat out of Hell isn't exactly innovating, but Saints Row remains a highly enjoyable experience, due to its ideal combination of humour, action and open world activities. If you haven't played this before, it is definitely recommended.

Riverbond is extremely repetitive. This is a shame, because the game's beautiful graphics, enjoyable characters and fun co-op mode (though only locally playable, for some reason) would've been well worth experiencing otherwise.

Freedom of choice, emphasis on tactics and a beautiful artistic vision are the main draws to Ash of Gods: Redemption. However, a mediocre story and technical difficulties - framedrops, among other things - put a damper on the fun.

Creating attractions that defy gravity gives Park Beyond a unique twist. This provides just that extra step in this area, setting the game apart from similar titles. In the process, there is also plenty to do and experience, which will keep you going for a long time. Were it not that the game on the PlayStation 5 has too cumbersome controls, is not polished enough and has the necessary bugs, which can get on your nerves a bit. Not a very bad game, but it could have been so much better.

Torn is a captivating puzzler which really finds a home in Virtual Reality due to pretty environments, great audio and excellent voice-acting. The game stutters from time to time and audio sometimes gets cut off towards the end. And although the puzzles themselves are pretty basic in design, the overall experience is a very positive one.

A fine first entry of the franchise on the current console generation with great potential, though some technical mistakes, strange AI and a lack of modes keep it from receiving a higher score.

A surprisingly deep puzzle game supported by a great storyline... if you can put-up with the lousy control scheme, the graphical let-down, the terrible voice acting and an overall frustratingly slow pace.

You'll enjoy this long and incredibly atmospheric adventure, even if the game's controls take some getting used to and the experience as a whole lacks a bit of challenge.

An unusual game because it successfully blends together different genres. Managing your ship combined with first person shooter gameplay topped off by a randomly generated environment which can be utterly unforgiving makes for a highly original experience. The audiovisual style stands out and replayability is obviously very good. The tutorial could have been somewhat better because you'll be struggling to understand the game's mechanics when you first start out. A unique and captivating title that successfully blends different genres.

Don't be deceived by first impressions, The Long Reach is a very mature and impressive adventure thanks to some powerful storytelling and some great story twists. The atmosphere makes this game a real joy to play. Even though some of the puzzles are a little bit far-fetched, it doesn't detract from the overall experience. Absolutely worth it.

A varied collection of songs and a number of interesting modes make SingStar Celebration the ultimate karaoke game. Using your phone to capture your voice works fine... though at times it will pick up your friend's baritone as well, with unpredictable results.

If you're looking for longevity then look no further. The lore is interesting enough to continue playing. The audiovisual design is well done and even though the game is pretty difficult, newcomers won't be scared off by it. Technically there are plenty of issues. Frame rate hiccups, long load times, a copious amount of screen tearing and lacklustre matchmaking are our major gripes.