Philadelphia Inquirer's Scores

  • Movies
  • TV
For 4,176 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Hell or High Water
Lowest review score: 0 The Mangler
Score distribution:
4176 movie reviews
  1. An abhorrent cyberthriller starring a compelling Diane Lane.
  2. Though the humor of Black Knight never quite achieves the giddiness of a Monty Python comedy, Lawrence creates a character more lovable than either Bill or Ted on either of their excellent adventures.
  3. A flat-out cynical attempt to launch a new Lethal Weapon-like franchise.
  4. As an account of how for-profit big business literally rips a consumer's heart out, Repo Men is too graphic for me.
  5. While stylishly filmed and edited, Boogeyman is filled with every imaginable fright cliche... It's like a meal consisting entirely of airy hors d'oeuvres.
  6. Wood, for her part, can appear sad, or seductive, or mysterious, or happy, or lovestruck, or deeply troubled. Gabi is also very good with a gun, so look out.
  7. Mildly enjoyable despite its basic mediocrity.
  8. This one is so bad that even Ed Norton couldn't get this mess to move through the sewer.
  9. This invitation to look down upon the stupidity of numskulls is one that should be declined as swiftly as a call to poke fun at Special Olympians.
  10. A dark, shaky, standard-issue superhero picture.
  11. Perfect Stranger is the Egg MacGuffin of whodunits, a cheesy affair that casts so many baited lures that they tangle each other and don't hook you.
  12. Half-baked, both in plot and execution, this spoof's for adolescent boys who find Minotaur private parts amusing and Queen Amidala in a chastity belt sexy.
  13. They has a low-budget, generic feel -- but also enough sense to know that unseen menace is a lot creepier than explicit gore.
  14. The film's focus on the contest between the two agents does throw the film off-balance.
  15. Mildly diverting but slight, the screwball comedy Gray Matters changes it up, more or less creating its own genre, the curveball farce.
  16. An unintentional high-tech hoot.
    • Philadelphia Inquirer
  17. Getting Even With Dad desperately panders to the youth it hopes to attract. [17 Jun 1994, p.03]
    • Philadelphia Inquirer
  18. Envy makes a pretty entertaining three-minute trailer. If only they'd left it at that.
  19. Monster-in-Law, where Bridezilla meets Godzilla, is a comedy so anemic, so toxic, that even Dracula wouldn't bite.
  20. This film about a career gal's date with fate careers out of control.
  21. Hobbled by a laughably bad script and a uniformly uncharismatic cast.
  22. Is there a limit to this incessant princessitude?
  23. Blended throws a lot of things on the screen, but in the end, it has to confront its awkward and artificial "romance." And that's just ugly.
  24. Feeble and formulaic.
    • Philadelphia Inquirer
  25. As slapstick, it is painfully slow, so much so that one can see every overstretched rubber band and frayed shoelace keeping the film barely together. [02 Dec 1994, p.03]
    • Philadelphia Inquirer
  26. Watching people be miserable with each other for the movie's run-time does not always make for a pleasant experience.
  27. You want to cut Cop Out some slack because it's just so darn eager to please. So let's grant that it will make a reliably fun companion when it's on cable 10 times a week.
  28. The movie bogs down in tiresome good guys vs. bad guys action cliches.
  29. Plot contrivances, including an ominous cowboy-hatted figure who stalks Bitsey and her tagalong intern (Gabriel Mann), undermine the story's serious political themes.
  30. If the Brothers Grimm had devoted themselves to farce rather than scary fairy tales, they might have produced something like Seventh Son, a whacko sword-and-sorcery exercise.

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