Paste Magazine's Scores

For 2,243 reviews, this publication has graded:
  • 60% higher than the average critic
  • 3% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Young Frankenstein
Lowest review score: 7 Reagan
Score distribution:
2243 movie reviews
    • 79 Metascore
    • 85 Critic Score
    The film highlights the resilience of its subjects and mobilizes us to reflect on persistent racist immigration policies.
    • 79 Metascore
    • 75 Critic Score
    Flux Gourmet is all foreplay, a fairly impressive 111-minute bit with an anemic climax.
  1. Feels Good Man’s greatest strength is affirming that even the most lighthearted things are worth fighting for. Even when it means buying a suit and going to court to protect your frog-man.
  2. The stop-motion musical is an artistic triumph that colors Collodi’s cherished storybook characters with humanity and depth to craft a mature tale about rebellion, mortality and the love between a parent and child.
  3. Guatemalan director Jayro Bustamente posits that when the national narrative refuses to recognize the atrocities its own country committed against an entire ethnic group, weaponizing popular legends in order to convey horrifying reality is perhaps the most effective rallying cry—alongside the anguished wails of a tortured mother.
    • 79 Metascore
    • 89 Critic Score
    The Pigeon Tunnel, then, is a chance to see an expert raconteur, who seems to know every trick of the trade—answering a master documentarian’s questions when he wants, and deflecting with panache when he doesn’t, regaling you with such wonder that you can’t help but be enthralled.
  4. For those who haven’t, and for those torn on whether it’s worth venturing forth to the multiplex, consider Dune: Part Two a compelling two-hour-and-forty-six-minute argument in the “for” column.
  5. The documentary gives us the life story of Blume, from childhood to now, presenting a fully-formed human looking back on a stellar career that just happened to reinvent young adult fiction.
  6. It’s a stylish meditation on childhood that isn’t afraid to indulge in all the sentimentality that goes along with that. Almost 30 years after Dazed and Confused, Linklater is still reminding us exactly why childhood is a uniquely special thing.
  7. Look into My Eyes is a unique window into the minds of those who, like Wilson, experience a lot of feelings about the state of the world, but aren’t quite sure what to say or do about them.
  8. Serebrennikov creates a compelling labyrinth of a story, composed of delusions, memories, projections, fantasies and banal real-life occurrences—all seamlessly blending and blurring together with exquisite precision.
  9. Sometimes her script devotes too much ink to reinforcing ideas already well-established by her images, and sometimes her dialogue can veer towards flowery YA conversations. But Talati’s made a gripping and beautiful debut, filled with reasons to watch her next movie.
  10. Monster’s mystery is one only in the ways that all of our experiences are inherently mysterious to others; its drama is devastating, a tragically inevitable snowball rolled by this existential loneliness; its warmth is gloriously defiant of this fate.
    • 79 Metascore
    • 80 Critic Score
    Sallitt’s work is a character portrait, or perhaps more aptly a portrait of a friendship, and while he focuses on Mara and Jo growing apart, its clean, cauterized treatment of the characters might isolate some viewers, since very little actually happens onscreen aside from talking.
  11. The First Slam Dunk, with familiar characters, an innovative art style, and a narrative that’s helped structure an entire subgenre of anime, plays both sides of the court as it finds a delicate balance between flash and fundamentals.
  12. Throughout all the chatter, some naturalistically repetitive and some more philosophical, is a sense of characters searching, whether that’s communicated through acting advice, relationships to vices (“How can it be bad for you? It’s just food”) or musings on the shortness of life.
  13. The sexual politics are good, and the film is competently made, but aside from McKenna-Bruce’s performance, it’s a standard, morally direct tale about the dangers of toxic party culture.
  14. Furiosa is a film well-planned and deeply dreamed.
  15. Hilarious, scary, tragic and sometimes flat-out jaw-dropping, Kokomo City is a gripping and accessible dissection of modern life, told through a brutally specific point of view.
  16. Exceptional performances, an unbelievable story, and a soundtrack for the ages make for a viewing experience worth revisiting again and again.
  17. The blend of artistry and genre is breezy and dense at the same time, a film worth enjoying for its surface charms and studied for its deeply personal reflections on intimacy. You may delight in its lively, buoyant filmmaking, but you’ll be awed by the breadth of its insight.
  18. Zoë Kravitz playing an endearingly awkward agoraphobe is always entertaining to watch, and often elevates the film in spots where it otherwise might flounder.
  19. Sweeney’s film, his second high-achieving, high-wire act in a row, lives on the line between yearning and helpless fixation.
  20. The traditional, closed-door design of the election invites an inherent layer of mystery and conspiracy, and the staggered voting process – the tallies of each vote are announced in front of the cardinals, giving them a brief recess to reconsider who is worth throwing their weight behind before having another go – provides an attractive structure for drama.
  21. Here, merriment and melancholy go hand in hand, partners in life’s dance just as a stiff drink is an accompaniment to life’s pleasures. The combination proves as intoxicating as the fancy-pants cocktails the boys whip up together—if not more so.
  22. The audience is asked to watch a number of anticlimactic, inconsequential moments for just a little too long, which ends up dull.
    • 79 Metascore
    • 90 Critic Score
    Marvelously uncomfortable and cringe-inducingly hilarious, Emma Seligman’s Shiva Baby rides a fine line between comedy and horror that perfectly suits its premise—and feels immediately in step with its protagonist, the college-aged Danielle.
  23. Though Coppola may be singing a familiar song, it rings with clarity and purpose, and unlike most biopics, it does not outstay its welcome.
  24. Already at a disadvantage for sharing a name with a 1961 film that adapts Henry James’ The Turn of the Screw, The Innocents manages to conjure unique imagery of troubled youths—but doesn’t necessarily deliver on crafting adequate interiorities for these kids.
  25. Think better of art’s power, Ree’s filmmaking tells us, but especially think better of each other, too.

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