Paste Magazine's Scores

For 2,243 reviews, this publication has graded:
  • 60% higher than the average critic
  • 3% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 3.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Young Frankenstein
Lowest review score: 7 Reagan
Score distribution:
2243 movie reviews
    • 82 Metascore
    • 82 Critic Score
    The documentary’s abundance of archival footage and personal yarns will immerse viewers in the wonderful world of Sesame Street and remind them how powerful, influential art grows from bright ideas and enthusiastic, collaborative minds.
  1. Residue is about colonization, and through the creative choices he makes, Gerima suggests that colonization stories don’t actually have to be about the colonizers themselves. Instead, he maintains a personal touch over the picture and the narrative, about a homecoming that goes slowly awry over the course of a 90 minute duration.
  2. What Do We See When We Look at the Sky? is an apt, simple fable that feels somewhat hopeful for our modern world—one where evil wins, but love overcomes.
    • 82 Metascore
    • 95 Critic Score
    Grand Theft Hamlet puts the Bard’s work into a resourceful context, and thank God, because Hamlet is some of his dullest material. It’s a vehicle that Crane and Oosterveen first use to outmuscle isolation and boredom, only to watch it turn into a hilariously intimate source of camaraderie.
    • 82 Metascore
    • 85 Critic Score
    Thanks to Rye Lane’s specificity and care for its central relationship, Allen-Miller has made one of the best British comedies–certainly one of the best London-based films—of the last decade.
  3. Regardless of how you approach it, The Girl with the Needle remains an absolutely harrowing piece of historical horror, with an atmosphere of coldness and all-too-real misanthropy that captures a searing sense of truth.
    • 82 Metascore
    • 75 Critic Score
    With The Unknown Country, filmmaker Morrisa Maltz takes viewers on a journey through the American West that creatively blurs the line between fact and fiction with illuminating results.
  4. A Quiet Place is an extremely compelling experience—but it could have been greater still.
  5. In amplifying the diverse voices of American children through the film’s radio vérité subplot, C’mon C’mon proves that kids have some pretty insightful advice to impart, if only we’d just listen.
  6. Its devastation is familiar. But because filmmaker Shiori Itō is both survivor and journalist, and recorded her own investigation into her assault in real time, the documentary becomes a thrilling testament to her exceptional, tenacious agency in the face of a hostile world.
    • 82 Metascore
    • 87 Critic Score
    Through this adaptation, Mielants mourns the lives lost to these institutions while simultaneously providing a timely reminder of the danger of passive complicity.
  7. It’s all delightful to watch.
  8. Sator’s dedication to its own nuanced premise, location and tense pace make it the rare horror that’s so aesthetically well-realized you feel like you could crawl inside and live there—if it wasn’t so goddamn scary.
  9. It is a true artistic accomplishment that writer/director Mathieu Amalric was able to take Galea’s text, originally meant for the stage, and spin it into a vivid piece with such a uniquely lush cinematic language.
  10. Challengers surprised me. It’s a grandiose, propulsive, erotic follow-up to the dull, Tumblr-core emo of Bones and All, and I found myself enthralled by Guadagnino’s latest, in which three of our hottest young actors convincingly, tantalizingly explore alternating dynamics of power and sexuality
  11. Pig
    Part of Pig’s impactful, moving charm is its restraint. It’s a world only hinted at in 87 minutes, but with a satisfying emotional thoroughness.
  12. It’s an exquisitely challenging production, one that calls for repeat viewings over years, all the better to persuade the film to surrender its meaning.
  13. Loach knows there are heavy restraints on art to affect meaningful change in the world. But he’s also aware of the kinship between art and activism: How art can educate people, and agitate them, and perhaps lead them to make more responsible choices in their personal lives.
  14. If Election is a shot of tequila, The Holdovers is a slow succession of sips of bourbon that you don’t realize have affected your spatial awareness until you get out of your armchair.
    • 82 Metascore
    • 92 Critic Score
    The results are diverse, intimate, harrowing, and deeply moving, while the existence of the anthology itself feels nothing short of miraculous.
  15. An experiment of sound design paired with a stellar lead performance makes for a captivating film.
    • 82 Metascore
    • 80 Critic Score
    Telling the story of a sexy-but-dangerous lodger, whom our heroine suspects may be Jack the Ripper, Hitchcock builds upon clues and doubts, while making Ivor Novello’s character increasingly intriguing.
  16. The film is overwhelming, dizzying, not easily consumed on first viewing, but it’s also powerful, affecting and so stuffed with great work in front of and behind the camera that Lee’s outsized intentions wind up feeling like part of the experience.
  17. As much as the movie is an enrapturing, sometimes overwhelming experience, filled with passion and hard work and adoration for the impossible task of making such a singular movie at all, Anderson and his animation team find the film’s soul in these dog’s eyes.
  18. The editorial balance between talking heads and visions from the past is fantastic, and it’s spot-on stylistically. Honestly, if this film doesn’t grab you by the heart, check your pulse to make sure you still have one.
  19. With its traditions captured in delicate, sweaty vignettes by filmmaker Anna Hints, Smoke Sauna Sisterhood’s anecdotes fill your lungs and engulf you, until its women’s secrets drip down your body.
  20. Bell and Allen employ big ambitions in a confined area, treating stranger-danger paranoias with an elevated supernatural presentation that’s frightening—maybe a bit overlong—but undeniably effective.
  21. It’s tough to watch Secret Mall Apartment and not fall under the spell of Townsend and his earnest collaborators, possessing as they do the idealism and righteous conviction of young people in a bygone era who are quite certain that they’re going to change the world.
  22. In depicting the rapid escalation from closeted bigotry to outright hate crime, Soft & Quiet communicates the urgency of identifying and standing up to similarly hateful groups in our own communities, which are never as “secret” as they wish to be.
  23. Iranian master Asghar Farhadi’s A Hero spirals out a good deed to all its messy conclusions, providing fertile ground for the filmmaker’s command of aesthetic realism and closeknit interpersonal dynamics.

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