When going through the motions of Lila’s Sky Ark, you can find yourself entranced by the world’s vibrancy and the alluring atmosphere. But once you’re done being mesmerized, you start to feel disenchanted by the gameplay. Nothing feels fully immersive or exceptional, but nothing also feels abysmal or detrimental. As Lila, you wade through your journey and come out the other side feeling slightly satisfied. It was an above-average ride that you may not try again, but not one you regret.

Skater XL has some great trick animations that prove the developer understands the sport and brought that experience to the video game medium. Sadly, nothing else holds up as the environments and playability fall apart the moment you realize there’s nothing to do. The game excels for those who enjoy creating their own fun, but for the price point, I cannot recommend a game that still feels like it’s in Early Access after game crashes and numerous bugs. Anyway, at least the soundtrack is dope.

Star Wars: Beyond Victory tells a well-executed and personal story that punches above its weight class in terms of both detail and performance, and its full-VR segments feel excellent. Unfortunately, its mixed-reality aspects range from just okay to outright harmful, with the playset mode being insubstantial, and its racing being a complete misuse of the format. Worth it for existing VR and Star Wars fans, but it's not going to create any new fans.

The House of the Dead: Remake is a welcome return of an arcade classic on a less than an ideal platform. On paper, it would make sense for this to work on Nintendo Switch, but the gyro functionality of the Joy-Cons just doesn’t lend itself to the experience as smoothly as one would hope. Diehard fans are probably better off dusting off their Nintendo Wii, while most Switch owners will need to fiddle around with the controls before they can appreciate this classic.

Gungrave G.O.R.E lacks quality-of-life found in more recent games. While I’m a sucker for nostalgia, G.O.R.E tends to be more frustrating than fun. There are some exciting moments of arcadey action, but you’ll likely grow tired of the waves of enemies and artificial difficulty that stems from annoying mission objectives. I’m glad Grave is back from the dead, but I can’t help but want more.

Orangeblood has some really nice ideas, but the execution can feel lacking at times. However, the soundtrack and battle system is robust, which made getting through the game pretty entertaining at times. However, the confusing story and excessive padding keep Orangeblood from reaching its full potential. Thankfully the coolness of these characters might allow some players to look past that.

Rendezvous is a very messy experience. I wondered when it would be over, a feeling one shouldn’t have while playing a game. It’s possible to become hypnotized by the dazzling display of futuristic cyberpunk Indonesia, but that facade doesn’t last long after the first hour. There’s clearly passion put into world-building, but beyond that sphere of craft, there’s no substance within the gameplay or narrative. As a result, Rendezvous is dry, and its flavor profile leaves a bitter taste in your mouth.

Nimbus Infinity shows significant improvement when compared to its predecessor. The speed of the action fuels this experience, but mission pacing remains questionable. Still, the characters and story elements give players a reason to care. I mean, as if you needed any reason to jump into a mech and rain bullets on waves of enemies.

Wanted: Dead is a commendable effort from this team and a sign of much better things to come. It is unapologetic in what it wants to be, and so despite all of its quirks and faults, it offers a charming and memorable action game experience that is backed by a captivating presentation. Come for the brutally effective combat but stay for the utterly surreal game world filled with fun distractions and addictive carnage. With this debut title, 110 Industries takes us back to a time when a standout vibe made up for a lack of polish.

Tears of Avia attempted to present a larger-than-life indie SRPG but bit off way more than it could chew. Creating a world that players don’t care about and a battle system that is broken after the first hour is a huge misstep for any title in this genre. There are some great ideas here, though. Character designs, animations, and writing make for some of the best moments, but all at the cost of an unmemorable adventure.

Olympic Games Tokyo 2020: The Official Video Game is a functional and serviceable sports video game at best. While it features various events, the play mechanics and controls are too basic, so there isn't much long-term replay value. The biggest problem here is that the experience sits somewhere between a sports simulator and an arcade game, and it doesn't succeed with either approach.

Deadly Premonition 2 might be fun for a tiny group of gamers, but I had a terrible time drudging through it. The B-movie esque plot and narrative scenes can be enjoyable in a cringy sort of way, but everything from the graphics to the controls makes it insanely hard to enjoy. Instead of wasting 20 hours with this game, I’d say you’re better off just going back and replaying Deadly Premonition.

While variety is said to be the spice of life, Compile Heart needs to learn that if they want to make genuinely engaging titles, they need to take a step back and try to make these games more fitting of modern hardware and just more fun to play instead of pumping them out at breakneck speed to appease fans’ on a surface level. Diehard and dedicated fans of the Neptunia franchise who want more of the same may derive enjoyment from this title, but otherwise, you are better off staying away.

Samurai Maiden is an action title boasting conceptually sound ideas that grievously fall flat due to poor optimization, rigid movement, unnecessarily high enemy numbers, and artificial difficulty by extension. The replayability offered by greater difficulty modes is rendered moot. Granted, exploring the stages for collectibles and platforming can be enjoyable. The cast is pleasing to see converse and bond, too. Still, the lacking narrative and gameplay-related drawbacks significantly hamper the experience. At one point in development, there was a promising time to be had here, but it’s been mired by severe faults.

Predator: Hunting Grounds is a game that still needs a lot of work. If you can make it past the sometimes unbearably long matchmaking times, it can be a ton of fun. Constant glitches and gameplay issues, however, hold it back from being reliably enjoyable. A little more time in the oven might make Hunting Grounds a must-play multiplayer experience, but, for now, it’s probably best to wait a while before picking it up.

The reboot of the final chapter in the Modern Warfare trilogy deserved better. The half-baked campaign and recycled multiplayer maps make it seem like a lazy cash grab at an exorbitant price. Nonetheless, the refined gunplay and fun in the competitive PVP and cooperative Zombies modes keep Call of Duty’s strong points alive.

Azur Lane: Crosswave has plenty of fun elements about it, but know that this is simply the mobile game brought to a 3D space. There are aspects of the game that I feel fell short, but I did enjoy the challenge, and the after story offerings are enough to want to continue playing. Plus, I never had to worry about burning money on gacha rolls.

Tasomachi is an atmospheric 3D platformer collectathon that succeeds in the area, but there’s a massive lack of polish, making me feel like it’s wasn’t ready to be released. I can see what this experience was aiming for, which is said as an accomplishment to the single developer who created it. However, a lot of optimization and options need to be added for this adventure to be considered finished. Still, it’s possible to have fun and overlook the flaws, but they are glaringly apparent by taking a step back.

Redfall is an anomaly because a game with this good of a team behind can't possibly be this bad, and yet, it is. There are these drips of looter shooter, RPG, and multiplayer elements sprinkled throughout, but none of them work together, delivering a messy and almost incomprehensible experience. Still, gunplay and exploration stay consistently fun, thanks to the satisfaction of taking down enemies and the level design. That being said, the single-player campaign is dull, but the multiplayer campaign could provide bouts of fun comprised of laughing at the strange AI behavior or the fact that no one can find keys to a door.

The only issue with Half Past Fate: Romantic Distancing is that its runtime is simply not enough. The characters’ relationship feels underdeveloped, and even the themes of “romance during a pandemic” don’t really stick. Still, if you’re looking for a really quick adventure with a comfortable atmosphere and absolutely no complications, it could offer an enjoyable way to spend an afternoon.

Bright Memory shouldn’t be played; it’s just not ready. The one-person developed action is a decent concept, but it should have been released as a demo in anticipation for Bright Memory: Infinite. The Xbox Series X version adds nothing to the experience, but if you’re eager to spend an hour mindlessly shooting enemies and rolling your eyes, then, by all means, pick this up.

Code Shifter is a game that had me extremely excited when I saw it but managed to not only dash my expectations but bury them six feet underground. Inconsistent hitbox placement, a lack of movement options, and a lackluster story made for a game with a whole lot of missed potential.

Library of Ruina offers a dark and compelling narrative with engaging turn-based card combat and rich voice acting that brings its unique characters to life. However, the game is hindered by excessive grinding, poor port quality on the Nintendo Switch, and a steep learning curve that may overwhelm new players. While its depth in character customization and distinct visual and audio presentation stand out, the repetitive gameplay loop and static visual novel elements may detract from the overall experience. For the best experience, it's recommended to play this intriguing but flawed title on PC.

Yuuna and the Haunted Hot Springs: The Thrilling Steamy Maze Kiwami delivers a competent yet familiar dungeon-crawling experience, blending light-hearted anime storytelling with engaging roguelike gameplay. While the narrative is enjoyable and predictably steeped in anime tropes, the game's real strength lies in its challenging gameplay and strategic depth, particularly in its item management system and the unique Resonance Hot Spring feature. However, the game's themes and visuals lack innovation, and the PC port disappoints with its limited options and subpar controller support. Despite its solid mechanics and charming narrative, the game struggles to distinguish itself in a genre filled with more compelling titles.

Fallen Legion Revenants is full of fun, engaging combat, an interesting premise, and entertaining dialogue. However, the poor pacing between combat and narrative creates a disconnect that makes the experience monotonous at several points. This is by no means an irredeemable title. However, it is definitely preferable for players who do not seek to experience a continually engaging narrative and just desire enjoyable strategic combat. When it comes down to it, Fallen Legion Revenants does nothing especially egregious. It just fails to live up to the potential its opening preambles and premise set.

Legacy of Kain: Ascendance captures the series’ gothic identity with a compelling narrative, strong performances, and striking pixel art, but struggles to maintain engagement due to repetitive combat and uneven gameplay design. While longtime fans will appreciate the expanded lore and character-driven story, the lack of depth in mechanics and inconsistent pacing make it feel like a missed opportunity to fully revive the franchise.

Danganronpa S: Ultimate Summer Camp is an odd experience to recommend because its inclusion within Danganronpa Decadence makes it approachable to all purchasers of the package. Further, its base standalone $19.99 price point is fair, if only for hardcore fans of the genre to spend a little more time with these characters. Those who found enjoyment in the Ultimate Talent Development Plan minigame will find a familiar experience, but there’s nothing really here to keep you engaged outside of a sub-par board game with gacha systems.

The gameplay of Xuan-Yuan Sword: Mists Beyond the Mountains is an unoptimized mess. There is no attempt at balancing or scaling, with the only positive being a unique presentation. When it comes down to it, this has the capacity to become truly and unironically great, but the translation and mechanics need to be rebuilt from the ground up. As it is now, you’re better off not wasting your time and money.