NME's Scores

For 374 reviews, this publication has graded:
  • 63% higher than the average critic
  • 5% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 6.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 71
Highest review score: 100 Oppenheimer
Lowest review score: 20 Death on the Nile
Score distribution:
  1. Negative: 8 out of 374
374 movie reviews
  1. Ironically for a film about AI-powered killer dolls, M3GAN 2.0 has lot of heart.
  2. Buckle up and enjoy the ride, safe in the knowledge that the tyre talk never gets too overwhelming.
  3. Watching the project as a whole is a bit like arriving at pre-drinks to find that someone has queued up 11 slightly same-y Miley Cyrus tracks in a row. Hardcore fans will be entranced; more casual admirers might want to wait until they all end up on YouTube.
  4. If it sounds like Boyle and Garland have been smoking some super-strength Cali weed in the writers’ room, you’ve heard nothing yet.
  5. Director Michael Pearce, who previously made 2021’s decent crime thriller Encounter starring Riz Ahmed, keeps the pace brisk but never really punches up the source material.
  6. Well made, but instantly forgettable.
  7. It all adds up to a superior Wes Anderson confection: the surface gleams with a retro sheen, but there’s enough going on underneath to leave a lasting impression.
  8. A deeply sad movie about thwarted love, The History of Sound is essential viewing.
  9. Highest 2 Lowest’s action moves with pace and the dialogue is full of the rhymes and hilarious street slang Lee typically peppers his films with. However, it doesn’t feel shot and cut with his usual vitality.
  10. Lynne Ramsay directs the hell out of this intense, twisting story.
    • 59 Metascore
    • 80 Critic Score
    While it’s not quite the same as actually being there, Bono: Stories Of Surrender shines a new, personal light on his dramatic performance.
  11. Another Simple Favour has built up enough goodwill to keep you invested, thanks largely to game performances from Lively and co-star Anna Kendrick.
  12. Final Destination Bloodlines is even more self-aware than its predecessors, with hugely enjoyable results.
  13. There’s ultimately lots to love about Final Reckoning and if this is the end, Cruise and Co are finishing on a high. It’s just a shame it takes so long to get going.
  14. By the end, even the clunky-looking asterisk in the film’s title makes sense. Thunderbolts* doesn’t so much reinvent the wheel as remember what put the wheels on this bandwagon in the first place: an epic blend of thrills, spills and psychological ills. It’s the most fun the MCU’s been in years.
  15. It’s honest and unflinching, tough but not witless and, for the most part, an immersive, overwhelming sensory experience. It should be compulsory viewing for warmongers of all ages and young conscripts.
  16. Sinners really comes to life via the musical numbers.
  17. Apart from the occasional prickly moment of sadness, It’s Never Over, Jeff Buckley is largely celebratory.
  18. In short, this is a terrific documentary from start to finish, beautifully structured and by turns bracingly political, informative and inspiring.
  19. It’s a shame the movie has such a goofy name, which throws a shroud over a powerful and unique cinematic experience.
  20. Opus is as off-kilter as they come. Perfectly suited, then, to a man like Malkovich.
  21. It’s a marriage drama, corporate comedy, domestic farce and international surveillance thriller in a tight 90-minute package.
  22. You won’t be able to shake the feeling that there’s a lack of heart and soul here.
  23. Marching Powder isn’t just about anti-woke banter: it also has plenty of affection for its characters, even if it doesn’t fully flesh them out. It’s punchy but never lands a killer emotional blow.
    • 73 Metascore
    • 60 Critic Score
    Despite its problems though, One Of Them Days still makes for a fun ride. This is largely down to Palmer and SZA’s undeniable chemistry, perfectly capturing the sometimes chaotic, deeply loyal nature of female friendship.
  24. There’s an infectious warmth to proceedings that makes you stick with Mickey 17 (and 18) through thick and thin. This kooky curio is well worth seeking out.
    • 91 Metascore
    • 80 Critic Score
    While the narrative never quite makes peace in the way you would expect and does meander slightly off course, it seems Ross had no intention of a textbook crescendo.
  25. It’s a rich character study that doesn’t sugarcoat the ageism Shelly faces, but also grants her a defiant sense of agency. Whatever you think of her choices, she’s lived life on her own terms.
  26. A road movie that really makes you think about the stops it makes, there is real pain inside this film; Eisenberg and his cast do well to ensure you’ll feel every moment of it.
  27. A few fights enliven proceedings, including one on a road lined with cherry blossom trees. But this is largely dull and disappointing.

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